Madness In Hamlet And Ophelia

At one point in time, Ophelia was one who Hamlet truly loved and trusted. Ophelia comes and speaks to hamlet to return his gifts from her but Hamlet immediately realizes that something is wrong and finds out that Ophelia is being used by Claudius and Polonius to spy on him to find out the real reason of Hamlet’s facade of madness. After realizing this, Hamlet is incensed and acts as if he is truly insane. Hamlet is clearly hurt because of the fact that Ophelia has been as a pawn in Claudius’ game. The effects of the matter cause him to verbally abuse Ophelia and rejects her love by saying that they will never get married and also degrades women. At this point Hamlet is raged and does not understand how harsh his words can be to a woman, especially a human being in general. In conclusion, the death of Hamlet’s father had looked like as if it has not even affected his mother which he so dearly loved and the one true love he thought he had, seems to him as deceiving and just a pawn for his enemies. These factors continue to diminish the subordinate attitude that Hamlet has towards

The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.

In the beginning of the play, Ophelia was like any other obedient young woman during the time. In Understanding Hamlet, Richard Corum shows that Ophelia is obedient. He writes, "Though Hamlet has been courting her, Ophelia willingly obeys her father when he tells her to discourage the prince's advances" (Corum 26). Ophelia obeys her father's demands because it was expected during that time of women to comply with men's wishes. In Hamlet, Ophelia disregards her own feelings towards Hamlet. Ophelia does as she is told:

The Tragedy of Hamlet, Prince of Denmark is one of Shakespeare’s most tragic plays. Most of the characters in this play suffered a heartbreaking death, although, all of the characters faced anger, regret, madness or distress. Madness was a reoccurring theme in this play, two characters portrayed this more than others. Ophelia and Hamlet faced similar fates, with similarities and differences along the way, all to do with their madness.

Shakespeare places many interesting characters in his plays. Claudius, Polonius, Marcellus, and Reynaldo are a few from his play The Tragedy of Hamlet, Prince of Denmark. However, Ophelia appears to be the most innocent all throughout the play. This character has either indirectly or directly affected the lives of every main characters in the script. Ophelia’s character is portrayed as obedient, maidenly, and a mad young girl.

Great authors can develop the same idea in different ways. Shakespeare introduces the characters of Hamlet and Ophelia to mental illness throughout “Hamlet”. Hamlet a, Depressed and Monomaniacal Psychopath, runs off of the vengeance of his father to kill his uncle, King Claudius. Ophelia A victim of, hysteria and depression, cannot function without the support of her father and lover without this support she can loses the will to live. Shakespeare uses metaphors, gender, tone, and word choice to develop the progression of mental illness in his characters throughout “Hamlet”.

It is in act 4 scene 5 of Shakespeare’s Hamlet where we first see Ophelia go mad. The language used to describe this event is chilling in its genius. Her madness is thought by those around her to be triggered by her father’s death, but if they listened to her they would know the truth. Ophelia is driven to madness by many different factors, the major one being her relationship with Hamlet. Towards the start of her mad episode, she says, “ So would I’a done, by yonder sun, / An thou hadst not come to my bed.(4.5.70-71)” She is talking about a woman who was tricked into having sexual intercourse with a man, a man who lured her in with the promise of marriage. It seems to be that Ophelia feels duped and taken advantage of, that she has in some way been devalued.

In William Shakespeare's Hamlet, a kind of madness ultimately infects everyone, leading to an ending in which almost every major character is dead. Two of these maddened characters are Hamlet and Ophelia, who also share a love for each other. But though their irrational behavior is often similar and their fates alike, one is truly mad while the other is not.

Also in Act III, Scene I of Hamlet, Hamlet delivers grave insult and mockery unto Ophelia:. “Get thee to a nunnery. Why wouldst thou be a breeder of sinners? I am myself indifferent honest, but yet I could accuse me of such things that it were better my mother had not borne me” (Hamlet, Act III, Scene I, lines 131-4). Within the quotation, Hamlet is making fun of Ophelia for her misconstrued beliefs, and almost seems to be likening her behavior and emotions to the actions and mood swings usually experienced by

Hamlet is one of Shakespeare’s most famous plays. In it, a young, Danish prince struggles with the death of his father and the betrayal of his mother. This struggle is so profound; it shakes its main character Hamlet to the core and brings him to the brink of sanity. Shakespeare uses madness to convey important information throughout the play especially through Hamlet and his love interest, Ophelia. Hamlet does not always appear to be mad, in fact throughout the play his sanity is questioned by the reader and other characters. Whether real or faked, Hamlet and Ophelia’s madness reveal to us more about their characters, opinions and secrets than their regular discourse.

William Shakespeare is a very well-known writer. He wrote the plays Hamlet and Macbeth, which are two of his most famous. There are many characters and ideas in both plays that you can compare and contrast. A main concept in both plays is the idea of insanity. Insanity is when madness takes over the brain and becomes uncontrollable (Howes, 2009).

"Her whole character is that of simple unselfish affection" (Bradley). In comparing the characters in the play Hamlet, Ophelia’s purity and delicate beauty make her comparable to a flower. Ophelia signifies the nature and righteousness of the Elizabethan Era, with her willow trees and flowers visible, and epitome of a goddess. Throughout most of the play, Shakespeare uses Ophelia to enable other characters in reaching their goals. Elizabethan society created impossible expectations for women, considered to be the weaker sex, exploited, and in need of protection. With no exception to this expectation, Ophelia is mistreated, scorned and ultimately shamed by the men in her life. Ophelia is the most innocent victim of Hamlet’s revenge in Shakespeare’s play “Hamlet”.

here are several themes in Hamlet, but the one that seems the most recurring is madness. Between Hamlet ‘feigning’ madness and Ophelia’s madness, there is a lot more going on beneath the surface. There are many claims in Hamlet that Hamlet has actually gone mad; throughout the play he seems to decline as far as his actual mental health. In the beginning, Hamlet feigns madness to make himself seem harmless but as time goes on, his behavior becomes more and more unpredictable.

Ophelia was in a bad situation throughout the play, leaving her without much control of her life. She was not able to fix things between her and Hamlet because Polonius, her father, prohibited her from seeing him. She was subject to the rule of her father above all else. This contributes to Hamlets “act” of being crazy. She blames herself for Hamlet's

In the relationship between her and Hamlet, he desired her like bait. He only showed lust for her, and wanted her to fulfill his sexual desires. “The majority of the critics have viewed Ophelia as a week character, in both form and function, and many have dismissed her as a woman … she has been consistently viewed as the least complex of the principal characters of Hamlet, the least useful.” (Resetarits). Ophelia loses her identity as a woman as she becomes a pawn to the men.