Madness Of Creation And Revenge Act

As a result, this can lead to disobedience and unethical acts that can result in violence. This is shown within the book. That due to the lack of basic needs, the “monster” kills William, the brother of Victor.  What led to his shameful phase, was the painful feeling of humiliation or distress caused by the consciousness of wrong. That he knew that he killed William, but due to Victor actions and behaviors of Mistrust, his only way to learn was to demonstrate violence. The monster states, “I grasped his throat to silence him, and in a moment he lay dead at my feet… clapping my hands, my enemy is not impregnable.” This offers some evidence on why he continued the murder, he wanted to deeply hurt the person that forsaked him. He wanted to have pride, rather than shame, but it was inevitable.

In Shelley’s Frankenstein, the monster commits a number of immoral acts out of rage. These actions are directly related to the monsters creation and upbringing. The burden of fault for the monsters actions rests on Victor Frankenstein’s shoulders alone.

In the novel Frankenstein, by Mary Shelley, the character Victor Frankenstein illustrates betrayal in the way he abandons his creation, with no hesitation he leaves him behind. With the feeling of abandonment ,the creature feels anger towards Victor which leads the “monster” to become a villain. Love and family are all the monster wants, but it is something that Victor could not give due to his own internal battles. As result, the monster begins to take Victor’s loved ones such as: little William and his wife Elizabeth. The monster kills

The reader can immediately see this because the Monster says, “I am malicious because I am miserable. Am I not shunned and hated by all mankind?” (Shelley 124). He begins to murder members of Victor’s close friends and family. His first victim is William Frankenstein. The Monster has no intentions to kill William, but he says, “Cursed, cursed creator! Why did I live? Why, in that instant, did I not extinguish the spark of existence which you had so wantonly bestowed” (Shelley 116). The Monster shows his frustration with Victor creating him in this way and for making him into an outcast. After Victor breaks his promise of creating a female monster, the Monster murders Henry Clerval. The Monster’s anger continues to build up over time and he believes the only way to face it is by taking the lives of those who have a close relationship with Victor. The Monster kills Elizabeth Lavenza on her wedding night. He takes the lives of the people who are in a close relationship with Victor due to the anger he feels toward him. The violence the Monster uses is his way to try and seek revenge on Victor because he feels that he set him up to fail, to be an outcast, and to be unacceptable to

There is a seemingly endless cycle of revenge throughout the novel, which connects Frankenstein to his creation. When Frankenstein finds out his creation is the reason for William and Justine’s death, it drives his deep emotions for the beast. “My abhorrence of this fiend cannot be conceived. When I thought of him I gnashed my teeth, my eyes became inflame, and I ardently wished to extinguish that life which I had so thoughtlessly bestowed”(Shelley74). He is reflecting on the creatures actions which have pushed him to wish the creature was never born. In a sense, he is

The loneliness of the Creature leads it to unbelievable acts of violence, the first one being the killing of Frankenstein's youngest brother William. The monster describes its terrible act in detail: "I gazed on my victim, and my heart swelled with exultation and hellish triumph: clapping my hands, I exclaimed, 'I too can create desolation; my enemy is not impregnable; this death will carry despair to him, and a thousand other miseries shall torment and destroy him'" (Shelley 97). Shelley is trying to teach the world a lesson by illustrating that the monster is not just a scientific project, the monster is a living emotional being. Frankenstein even further rejects the

The concept of revenge is one very known to human nature. Most people are familiar with the desire to get payback, though often individuals choose not to act on it as it is often a more fleeting emotion than lasting fascination. Being such a relatable and commonplace affliction, this feeling is also central in many works of fiction. The Cask of Amontillado by Edgar Allan Poe and The Count of Monte Cristo by Alexandre Dumas both share a common plotline as they explore themes of betrayal, deception, and revenge. The protagonists, Montresor and Edmond respectively, both set out to seek revenge against those who they feel have done them wrong. The writing styles share a similar dark tone as the ideas of justice and deservingness are challenged through the characters’ actions.

He believed that his Creature murdered his brother and framed Justine, the Frankenstein’s maid, in order to achieve vengeance for Victor abandoning him, but according to Levine, Victor is the cause for this evil, “...evil is a consequence of maltreatment or injustice,” (Levine 31). Victor’s internal flaws and shortcomings prevent him from revealing the truth about his Creation and therefore he is unable to disclose details of Williams death to save Justine. Victor cowers and stands by as the town unjustly convicts and “executes” Justine, (Shelley 117). The cowardly act committed by Victor shows that he does not possess a strong enough moral compass to do the justified act.

He envied these people most, because they were the perfect beings they did not have his horrific defects. "...from that moment he declared everlasting war against the species, and more than all, against Frankenstein who had had formed him and sent him forth to this insupportable misery" (Shelley 121). This shows that the monster fought against his label as an outcast. The monster killed William, for something William could not have affected. "...you belong then to my enemy-to him towards whom I have sworn eternal revenge; you shall be my first victim" (Shelley 150). The monster not only wished to kill Victor for his creation but to kill everyone associated with his eternal enemy. The monster has been pushed so far that he will not give any humans a chance, the same chance he once wanted. The monster is treating William just the way he was treated, with no remorse.

After his arrival in Geneva, the monster comes across a boy who reveals that he is related to Victor Frankenstein. He tells the boy “you shall be my first victim” (122), and chokes him till he struggles no longer. As the monster gazes at the lifeless body that lies before him, he claps and shouts in triumph, “I too can create desolation; my enemy is not invulnerable; this death will carry despair to him, and a thousand other miseries shall torment and destroy him” (122). This statement clearly shows the he is aware of the crime he has committed and expresses no remorse. Unfortunately the boy is not his last

Dictionary.com states that revenge is “to exact punishment or expiation for a wrong on behalf of, especially in a resentful or vindictive spirit.” The novel, Frankenstein, and the play, Hamlet, are two works of literature that revolve around the notion of revenge. The main conflicts of the stories are Prince Hamlet attempting to avenge the murder of his father and Frankenstein’s monster hunting down Victor Frankenstein for abandoning him in an empty and lonely existence. The novels use other themes to tie together the underlying theme of revenge, such as death, madness, and learning and “un-learning.”

Violence is a vice that drives individuals to engage in immoral or criminal behaviors and actions. Often, violent individuals conduct violent acts whose outcomes they had not meant to occur. The literature piece The Cask of Amontillado has its storyline based on a carefully premeditated murder scheme orchestrated by Montresor on Fortunato. Throughout this story, it is made clear to the reader that violence takes not only physical but also emotional and psychological forms of harm. Montresor’s thirst for violent revenge against Fortunato does not just arise from nowhere. The story starts off with a statement offered by Montresor, where he reveals to the

People are constantly being commanded by the temptation of revenge and demolished by the aftermath of taking it. “I forced the last stone into place; I plastered it up. – For more than a half century no one has disturbed them” (Poe 8). In the story “The Cask of Amontillado”, Montresor is so hopelessly controlled by his desire for revenge, that he brutally murders his

Frankenstein’s and society’s rejection of the monster, however, drove him to an uneven passionate pursuit for a companion. He forced Frankenstein to create a female monster, and he provided motivation by killing Frankenstein’s loved ones and threatening to kill more of them. The monster recalls in this final scene of Shelley’s novel how his desire drove him to evil. “. . . do you think that I was then dead to agony and remorse?--He . . . suffered not more in the consummation of the deed;--oh! Not the ten-thousandth portion of the anguish that was mine during the lingering detail of its execution. A frightful selfishness hurried me on. . . .” (153) At that point in the novel, the monster has changed from good in nature to evil in nature. His own desires are more important to him than the well-being of others and he is willing to commit murder in order ensure the fulfillment of his desire.

Revenge as a theme is cleverly built upon throughout Hamlet; with it being the driving force behind three of the key characters in the play. Revenge is a frighteningly vicious emotion, which causes people to act blindly and without reason. In Poe’s, “The Cask of Amontillado”, Montresor enacts revenge for reasons unknown. Hamlet in contrast, has all the motive in the world to complete his task; yet he constantly hesitates. The text reveals that the need for revenge creates a stranglehold on the genuine emotions, thoughts, and actions of three characters: Hamlet, Prince of Denmark, Laertes; son of Polonius, and Fortinbras; Prince of Norway. This hold makes the characters act beyond their standard ethical positions and makes them helpless to