Madness and Fear in Assignation, Cask of Admontillado, Fall of the House of Usher, and Masque of th

In his Philosophy of Composition, Edgar Allan Poe informs us that he begins writing with “the consideration of an effect” (430). Most of Poe’s poetry and fiction exemplifies his assertion that a preconceived effect upon a reader is undoubtedly fundamental to his creative work. Poe’s tales of terror in particular epitomize the supremacy of his craft in that each component of his narrative strategy functions to achieve the final effect of generating unmitigated terror in his readers. Focusing primarily on The Fall of the House of Usher, I argue that Poe employs a preconceived narrative

In “The Fall of the House of Usher,” the characters' imagination overcomes reasoning when they have anxiety. When the narrator first receives the

During his life, Edgar Allan Poe wrote many classic poems and short stories. Two of his most famous works are “The Fall of the House of Usher” and “The Masque of the Red Death.” In “The Fall of the House of Usher,” a man goes to visit his childhood friend and while there witnesses the fall of the Usher family line. “The Masque of the Red Death,” on the other hand, is about Prince Prospero’s attempts to keep death from his abbey and what ensues when death enters. Throughout both short stories, “The Masque of the Red Death” and “The Fall of The House of Usher,” Poe enforces his theme of the fear of death, by carefully crafting the setting, characterization, mood, and point of view of each piece.

Edgar Allan Poe used fear to attract his readers into his gothic world. Poe realized that fear intrigues as well as frightens, and sew it as a perfect motif for many of his stories, particularly The Fall of the House of Usher. Poe emphasized the mysterious, desolate, and gloomy surroundings throughout the story to set up the fear that got the reader involved. Then he extended the fear to the characters in order to reveal the importance of facing and overcoming fear. Poe suggested in the story that the denial of fears can lead to madness and insanity. This has clearly shown through the weakening of Roderick Usher's mind and the resulting impact on the narrator of the story.

The house seems to be absorbing Usher’s mental health and physical health. Evidence of this is shown by the faltering health and growing fears of Roderick Usher in relation to the growing scariness of the house.

Another theme that Poe explores in The Fall Of The House Of Usher is fear. It is fear that drives the story, fear that traps the narrator, and eventually fear that kills Roderick Usher. Poe foreshadows the paradox of Roderick’s fear early in the story: “There can be no doubt that the consciousness of the rapid increase of my superstition…is the paradoxical law of all sentiments having terror as a basis.” Roderick Usher is quoted as saying “I have, indeed, no abhorrence of danger, except in its absolute effect--in terror." This means that he is not afraid of death, but of fear itself. And it is this fear of fear that eventually leads to his death, when Madeline ‘returns from the dead’ and scares him to death.

Filled with a sense of dread by the sight of the house itself, the Narrator reunites with his old companion, who is suffering from a strange mental illness and whose sister, Madeline, is near to death due to a mysterious disease. The Narrator provides company to Usher while he paints and plays guitar, spending all his days inside, avoiding the sunlight and obsessing over the sentience of the non-living. When Madeline dies, Usher decides to bury her temporarily in one of his house's large vaults. A few days later, however, she emerges from her provisional tomb, killing her brother while the Narrator flees for his life. The House of Usher splits apart and collapses, wiping away the last remnants of the ancient family. Edgar’s inspiration for this story might have come from true events of the Usher House, located on Boston's Lewis Wharf. As that story goes, a sailor and the young wife of the older owner were caught and entombed in their trysting spot by her husband. When the Usher House was torn down in 1800, two bodies were found embraced in a cavity in the cellar (Neilson).

Violent or macabre incidents are often used in American Gothic Literature to present imposing, though quite unsettling, portraits of the human experience by way of terror. Poe accomplishes this in “The Fall of the House of Usher” at what time Madeline Usher reappears at the end of the story, covered in blood and kills Roderick Usher. “There was blood upon her white robes, and the evidence of some bitter struggle upon every portion of her emaciated frame. For a moment she remained trembling and reeling to and fro upon the threshold—then, with a low moaning cry, fell heavily inward upon the person of her brother, and in her violent and now final death agonies, bore him to the floor a corpse, and a victim to

The Fall Of The House of Usher is a terrifying tale of the demise of the Usher family, whose inevitable doom is mirrored in the diseased and evil aura of the house and grounds. Poe uses elements of the gothic tale to create an atmosphere of terror. The decaying house is a metaphor for Roderick Usher’s mind, as well as his family line. The dreary landscape also reflects his personality. Poe also uses play on words to engage the reader to make predictions, or provide information. Poe has also set the story up to be intentionally ambiguous so that the reader is continually suspended between the real and the fantastic.

Edgar Allen Poe’s short story, “The Fall of the House of Usher”, sets a tone that is dark, gloomy, and threatening. His inclusion of highly descriptive words and various forms of figurative language enhance the story’s evil nature, giving the house and its inhabitants eerie and “supernatural” qualities. Poe’s effective use of personification, symbolism, foreshadowing, and doubling create a morbid tale leading to, and ultimately causing, the fall of (the house of) Usher.

After evaluating the work of Edgar Allan Poe’s The Fall of the House of Usher, he utilizes with imagery to build up the feeling of terror. First of all, the passage is about an ill man, Roderick Usher, who invites his old friend of his to come meet him. In this passage both him and his sister, Madeline Usher, are the last remaining of the Usher race and is diagnosed with an unnatural illness. The narrator begins to feel terror with the supernatural things going on in the house of Usher and the illness of the Ushers. Although the narrator feels the sense of terror from the moment he entered the house, through the use of imagery, Poe is able to bring emotion to the reader. Throughout the passage, the author continues to build up the sense of terror by asserting the image and setting of both the passage and the atmosphere. For instance, he starts the passage by stating “a dull, dark, and a soundless day...clouds hung oppressively low in the heavens” (Poe 194). In relation to the previous quote, the quote illustrates the image of the atmosphere and the setting of the story. In particular, because Poe expresses the sense of terror by describing the atmosphere as dark, quiet, and gloomy, the reader can get an image of the surroundings and get the feeling of the darkness and horror. In addition, according to Poe, during the first glimpse of the house of Usher, the narrator describes it as gloomy and unpleasant. In particular, Poe states “the shades of the evening drew on… a sense of insufferable gloom” (Poe 194). Additionally, the description of the house adds on to the sense of terror that Poe established in the beginning of the story. Based on the past two quotes stated by the author, the reader can begin to picture a dark and dull day with a gloomy house adding on to the darkness. Lastly, in regards to Edgar Allan Poe, the house of Usher is

In Edgar Allen Poe’s gothic narratives individuals rarely express their true identities. Words act as subterfuge of intent and appearance often muddles clarity alongside the roles one casts himself in. Conversely, art is represented to be a reflection of reality in its purest form; while the spoken word and purported identities mask motives, art unveils the truth. In page nine of “The Fall of the House of Usher”, Roderick’s painting is a manifestation of his hidden antagonism towards his family and foreshadows his one and final act of revolt.

Poe is renowned for his stories of death and dying. Usher, like Uncas, is about to become the last of his line. The narrator of the story claims that Usher’s sickness “could be traced to […] the severe and long-continued illness […] the evidently approaching dissolution- of a tenderly beloved sister” (Poe 1557). Usher is consumed with the thought of death. He seems unable to move past his fear like the heroes in Cooper’s tales, despite his best attempts. Like Hawk-eye and Chingachgook, the narrator and Usher attempt to move past the specter of death and enjoy life by performing assorted tasks with which they have experience, though not everyone is successful in their endeavors.

“The Fall of the House of Usher” follows a similar symbolic storyline. Throughout the story, the narrator uncovers significant details regarding the mysterious childhood friend of his and many of the important elements are revealed. Specifically, Poe designed the plot in such a way that the Usher siblings represent two sides of the same individual; Madeline and Roderick as the body and the mind respectively (Miller par 32). Since the twins are the first in their family, it shows the separation from original unity (genetically) and foreshadows that the twins must die in order for the restoration of peace. The House of Usher also has a significant symbolic value in the story; it represents Roderick’s psychological state of mind and is described by the narrator as having disturbing realistic qualities (Poe 893). Nevertheless, toward the end of the story, the epitome of the symbolic nature of this story is revealed and is concluded by an epic turn of events. Madeline collapses on Roderick as the narrator rushes to leave the house; the siblings death at the end symbolize the destruction of the physical world as shown by Madeline and the destruction of the spiritual world as displayed by Roderick’s immediate death

Usher is obsessed with the fear of dying and thus being the end of his family line. In order to suppress this fear and end his obsession, he proceeds to bury Madeline alive in the vault. The painting of the vault that he made shows his obsession and the premeditation of the act. Another instance in which he shows the depth of his obsession is when he says “I dread the events of the future, not in themselves, but in their results.” This is what drives his fear and dictates his actions throughout the story. For Usher, the fear of the events, such as his death and the resulting end of his family line, is a greater harm than the events themselves. That’s why he is he so frightened and obsessed by his fear during the