The link between magic and song was widely recognized in antiquity. Besides the fact that several literary texts, from Homer’s time and on, can enrich our knowledge of ancient Greek magical practice, there are also fragments of literary texts which contain a specific kind of magical language, the language of curses. Curses (ἀραί or κατάραι) were utterances consigning, or supposed or indented to consign, (a person or a thing) to spiritual and temporal evil, the vengeance of the deity, the blasting of malignant fate. Cursing was well-diffused in ancient Greece. Although the material evidence for the existence of this practice (the defixiones or curse-tablets) comes from the Hellenistic times and on, this seems to have been a very old practice. …show more content…
In Iliad 14 (lines 216ff) Hera uses a magical object, Aphrodite’s girdle, in order to seduce Zeus. In Odyssey 10, Circe is described to practice magic. Circe tames beasts, makes Odysseus’ comrades to forget their land by using potions and she transforms them into pigs by using her wand (lines 210-243). Ill-willed incantations and dark magic are not unknown to the composer of the Homeric Hymn to Demeter. There the goddess assures Metaneira that she can protect her son against dark magic (lines 227-230). In Pindar’s Pythian 4 (lines 213-19) Pindar describes Jason’s spell to Medea. Deineira in Trachiniai (lines 584-85) attempts to win back her husband with love potions and spells. Lastly, Plato informs us at two instances that there were people in classical Athens who claimed that they could control the gods according to their will (Republic 364c) and that the state should try to contain all those who practice poisons and spells (Laws 933a). There is also evidence coming from the tragic and comic stage, at least according to some modern scholars: Clytemnestra’s speech in Agamemnon (lines 958-974) may have had magical associations. McClure believes that the lines 973-974 were modeled on traditional closing formulas of magical incantations. Clytemnestra’s speech is full of metaphors of death, and very rich in stylistic features as repetition, alliteration and assonance. It is highly possible that its language is related to magic. Faraone finds similarities between Furies’ binding song in Eumenides 306 and Attic juridical curse tablets. Aristophanes’ Amphiarus fragment 29, which has been interpreted as an oracular response, is possible to reflect the closing lines of a traditional magical incantation. It is easy to discern that ancient Greek society does not necessary try to hide the fact that magic
A chorus is a common element to Greek tragedy’s and in ancient theatre consisted of a group of people who provide a number of different contributions to a play, providing a historical perspective, acting as counsellors and advisors to the plays characters and at times representing various groups such as villagers or a jury. Within this essay, I will consider the main contributions of the chorus within “The Burial at Thebes”
The Odyssey Summer Assignment Books 1-4: The Telemakhy Arête o Book 1 Penelope’s suitors show lack of arête by taking advantage of Odysseus’ belonging since they believe he is dead. “For now the lords of the islands –are here courting my mother, and they use/our house as if it were a house to plunder –meanwhile they eat their way through all we have.” (290-298) Telemakhos shows arête when he tells the suitors he will hold an assembly where they will be asked to leave. “At daybreak we shall sit down in assembly/and I shall tell you –take it as you will –/you are to leave this hall.”
Many years after the end of the Trojan War, Odysseus still hasn’t returned home to Ithaka. Many believe that he is dead, but the author lets us know that he is being held as a sex captive on the goddess Kalypso’s island. Kalypso has no plans of letting him go to return home either.
Focus on the descriptions of the palaces of Nestor and Menelaus. Find quotations that describe their virtues:
Ancient Literature comes from stories that were passed on through time in oral tradition, this genre displays a sincere belief in the supernatural-divine intervention. Meaning, the gods are always in control even if they decide not to get directly involved. In addition to gods, ancient literature stories have heroes like Oedipus in Sophocles “Oedipus the King” who must solve the previous king’s murder by identifying the murderer and bringing him to justice. The story begins, “Some fifteen years have passed since Apollo revealed his terrifying prediction to Oedipus…” (Bagg 3) and one of Zeus’ priests relays a message from Apollo about the only way to purge his kingdom from the plagues, “Now god tells you plainly: with your own hands punish the very men whose hands killed Laios” (Sophocles.120).
Many forms of popular culture today are inspired by themes, characters, and other references in various types of classical literature. John Denver's song 'Calypso'; is about the relationship between men and women, and he bases this comparison on the relationship between Kalypso and Odysseus in Homer's the Odyssey. In 'Calypso'; Denver portrays women in general as being superior to men by using the beautiful and enchanting goddess, Kalypso, from Homer's epic. John Denver encompasses all women in his song by providing Kalypso as a universal symbol. Along with the relationship between Odysseus and Kalypso and men and women, there are other interpreted allusions from the Odyssey to Kalypso's song.
Greek tragedies Oedipus the King and Euripides’ Bacchae are both timeless stories in Greek literature. The engaging plot of both is what is most rememberable however the significance of the chorus is overlooked. The chorus can be defined simply as a group of dancers and singers that participate in dramas by singing poetically and lyrically in certain pauses of the play. The music, movements and gestures of the chorus symbolically define the mood and the themes of the play as the story line develops. The flow of Oedipus the King and Bacchae are dependent on the chorus, proving their significance.
The Aeneid is a poem of Fate, which acts as an ever-present determinant, and as such Aeneas is entirely in the hands of destiny. The unerring and inexorable passage of fate, assisted by the Gods' intervention, is impossible to prevent and its path does create many victims along the way, who are expendable for Rome to be created. In the Aeneid, mortals suffer, no matter what they do or how good a life they lead and they are unable to rely on the Gods for assistance. However, the Odyssey is a poem of morality, where the good are exulted and the bad are punished ("The blessed gods don't like wicked acts. Justice and fair play are what they respect" O.14.84). It
Homer’s great literary classic, The Odyssey, represents and illustrates many emotional and mental values. All of these values can be classified under three different main themes that are constant throughout the epic tale. These themes are: A boy’s struggle to be a man, a king’s struggle to reclaim his kingdom, and a man’s struggle to return home. As one reads this book it will become more and more evident to them that a man’s struggle to get home is the most important theme throughout Homer’s adventure.
The Odyssey was about Odysseus and his men and how they were going back home. They were coming back from the Trojan War. In the beginning Odysseus and his men were trying to find their way back home. In the middle of the book they had to go to the underworld to get directions to get back home. In the end of the book Odysseus is back home with Penelope and his son.
Sing I me, Muse, and through me tell the story of the lady nymph goddess Calypso. Oh so beautiful and immortal who lives in the sea- hollowed caves on the island Ogygia. She craved the hero of Troy, king of Ithaka, son of Laertes, a mortal and took him as her own. Nine long years they spent on the island together.
Using divine intervention details, epic similes, and descriptive epithets, Homer the author of The Odyssey, in Book VI elaborates on the idea that the Gods hand out fortune and pain to mortals, primarily seen through the help Odysseus received in his successful odyssey home. The power of the Greek Gods and Goddess’ is limitless as their powers are supernatural and can control the fate of mortals.
In the Hebrew Bible and The Odyssey there are heroic figures that play an important role through out each of the books. These heroic figures from the Bible and The Odyssey have many similarities and differences that reflect the different cultures they are from. These heroes are called upon by greater beings, such as gods, to complete difficult journeys and or tasks that the god has made them destined to complete. Each of these legendary heroes demonstrates a particular culture’s needs. Through these journeys and or tasks they are forced to overcome challenging obstacles and make sacrifices.
Ten years after the fall of Troy, the victorious Greek hero Odysseus has still not returned to his native land Ithaca. A band of rowdy suitors, believing Odysseus to be dead, has overrun his palace, courting his faithful—though weakening—wife Penelope, and going through his stock for food. With permission from Zeus, the goddess Athena, Odysseus' greatest immortal ally, appears in disguise and urges Odysseus' son Telemachus to seek news of his father at Pylos and Sparta. However, the suitors, led by Antinous, plan to ambush him upon return.
It is important to keep reading, “The Odyssey.” Even though it is 2800, years old, students still need to learn about it. It is important to continue studying “The Odyssey” because is it a moral story, the historical significance is important, and it is essential to study other culture’s mythology.