Magnified Past In The Glass Menagerie

Amanda becomes a woman bent on finding her daughter either a job or a husband and finding out why her son disappears every night. To help her appear strong and willful, Amanda escapes to her own days as a young girl, finding more than seventeen gentlemen callers, and allows herself to believe her life is stable enough that her daughter and her will be financially taken care of. These facades crumble when she realizes her daughter has never been capable enough to find either a job or a husband. While these expectations of Laura hurt her, they allow her mother to escape to her days of being flaunted over and adorned by men. Once she does see her daughter is struggling, Amanda has to face the fact that her daughter will always be dependant upon her mother. These realities continue to affect how her children act and the results of the

The photograph of Amanda’s husband is a constant reminder of her husband’s abandonment, sparking her fear of Tom due to his similarities to his father.

Williams’s play is a tragedy, and one of quietude. He once expressed that “Glass Menagerie is my first quiet play, and perhaps my last.” It is a play of profound sadness, and through relationships between characters, portrays the “cries of the heart.” There is no cry more powerful that the cry and inner desperation of the heart. Williams’s has very little social context, but rather focuses on the conflicts within a domestic family. Such a focus is powerful, and the playwright expresses this power and importance implicitly through the estranged relationship between Amanda and Tom Wingfield.

Everyone in the family sticks to their societal role, Tom takes care of the Amanda and Laura, Amanda does some work, but she does do a lot of work in the house, and Laura is attempting to find someone to marry so she does not have to go to work. When Amanda was younger, she tells the reader that she always had gentleman callers, and she is always hoping that Laura will get gentleman callers. An example of Amanda projecting this belief onto Laura is when Amanda says “"Resume your seat, little sister – I want you to stay fresh and pretty – for gentlemen callers! (1.14)”. However, having to take care of his sister and living with Amanda causes tension in Tom’s life. Tom works in a factory, as most men did in the 30s, and this meant that he worked long hours for little pay. Tom wanted to be a poet, but he had to keep working because he had to support his family. Amanda puts a lot of pressure on Tom to be there for his sister, to be his older sister’s guardian, and she gets upset when Tom is out late drinking and going to the movies as his

Tennessee Williams The Glass Menagerie, has the same parental problems. However, Williams' novel shows a mother who has trouble leaving her past behind her, and accepting what he children are, and what they will never be. Amanda

   Tennessee Williams' play, The Glass Menagerie, describes three separate characters, their dreams, and the harsh realities they face in a modern world.  The Glass Menagerie exposes the lost dreams of a southern family and their desperate struggle to escape reality. Williams' use of symbols adds depth to the play. The glass menagerie itself is a symbol Williams uses to represent the broken lives of Amanda, Laura and Tom Wingfield and their inability to live in the present.

Amanda Wingfield lives in a world somewhere between reality and her own delusions. As necessary, she closes her eyes and ignores the harsh realities of the real world. She was once a southern belle when she was young. She longs to relive this time, this romantic vision of her past that she clings to. That is a better choice than accepting the reality of her current state of poverty and the accepting of abandonment. She lives each day looking through this fallacy of visions from her memories and dreams. She has no way of reconciling her current status and the one she still dreams of. These two worlds never collide and give her the path towards reality. “One Sunday afternoon in Blue Mountain - your mother received - seventeen! - gentlemen callers!”,

Angela is a White 17 year old, who live with her mother, Sarah; furthermore, Angela has 11 month baby with Adam. Sarah has a job at a local restaurant, and they live in a semi-rural Midwestern community in a small rental house. I will attempt to evaluate their situation and resolve their conflicts.

            The complexity of Amanda's character directly affects her action and dialogue with her children. In her role as mother she exhibits an overwhelming desire to see her children succeed in life. In trying to push them toward her ideal of success, she at times unwittingly hurts them even though she means well. Her actions often hide her intense love for her children, but it is an important driving force in her motivations. She loves them too well--at times to a point of smothering them (perhaps the reason for the departure of her husband)--which results in her attempt to push them towards all the good things she has known and remembered and away from anything that does not suit her ideal.

For example, she forced Laura to go to typewriting school and when that did not work out she curated a plan to get Laura a husband, even though she knew Laura did not have an interest of being a relationship. Numerous times Amanda would demand respect from her children if they dared to disobey her, so with this in mind Laura’s mind was already trained to listen to her mother’s rules. Lacking in many skills such as cooking and being in a social setting, Amanda knew that Laura could not live out in the world on her own, so she brainwashed Laura into thinking that she needed her to

In this quote, it becomes evident that Amanda is in denial of Laura’s popularity (or lack thereof) with “gentleman callers”, thus solidifying the concept that Amanda is in denial of the state of her family. She instead chooses to endlessly relive her youth as a southern belle, but this time, through Laura.

In The Glass Menagerie, Tennessee Williams beautifully encapsulates man’s desire to escape from uncomfortable emotional and physical situations. Whether he’s showing a young man trapped in a factory job he hates, an aging single mother who mourns for her life as Southern belle, or a young lady who fears that she’ll spend her life alone, he clearly demonstrates these desires and fears for his audience. Williams shows us through the actions of his characters how humans handle a wide variety of uncomfortable situations, and how these situations dramatically influence one’s ability to thrive. The playwright doesn’t seem to believe in the idea of “bloom where you’re planted”, and the desire to escape becomes a major theme of the play, demonstrated across multiple characters in a wide variety of ways. Creative individuals often do not thrive in noncreative, industrial environments. Williams demonstrates this clearly in this “memory play”, which carries many autobiographical element. Tom Wingfield represents his own character, Williams himself, and also serves as a narrator, making him quite the complex character. Williams’s uses Tom to show how an emotionally complex, creative individual can quickly feel trapped and tied down in a factory job, longing to get out, see the world, and pursue a job with more creative elements. Tom’s escapism, drinking, and evening theatrical adventures all reflect the life of the playwright himself, as Williams was known to struggle with alcoholism

The Glass Menagerie is a memory play written by Tennessee Williams in 1944 which tells about the life a family of three. This play is an incredible piece because it is based off the life of Tennessee Williams himself; the main characters are Amanda, the mother, Tom, the son, and Laura, the daughter. In Paul Newman’s depiction of the play which has been converted into a film, the film perfectly uses acts out every aspect of the play. Tennessee Williams keeps the audience attentive in his play, that’s why the film was successful. Williams accomplishes this through the character’s glass menageries, Laura’s emergence out of her shell and heartbreak, and the ending.

In Tennessee Williams’, “The Glass Menagerie” Amanda was a woman who liked to reminisce about the past in order to escape from reality. Amanda was not wicked but intensely flawed. Her failures were centrally responsible for the adversity and exaggerated style of her character. Certainly, she had the endurance and heroism that she was able to support her children when her husband was gone. In her old life, she was once a Southern Belle with a genteel manner who lived on Blue Mountain. This was a place where Amanda’s version of the good old days back when she was young and popular. Amanda was full of charm in conversation that she managed to have seventeen gentlemen caller in a single day.

Amanda Wingfield was a complex character that encompassed many facets of her personality. She longed to have the life she had as a girl and young woman with gentleman callers and being the center of attention; her reality though, was a much more dismal existence with a son who worked at a factory making little money at a job he despised and a daughter that was as emotionally and physically