Social principles that are studied in social psychologist can be seen in everyday life. Since movies are a portrayal of life, many times the things that effect lives daily are often over dramatized to show the congruence between life and art. In the movie Maid in Manhattan,starring Jennifer Lopez and Ralph Fiennes, to people are brought together by a lie; although everything seems perfect, because they are from different classes their relationship and future careers could be in jeopardy . Three social principles that are evident in the movie are social facilitation, foot-in-the-door phenomenon, and cognitive dissonance. In the beginning of the movie, the main character, Marisa, is introduced. She is a working class , Hispanic, single mother …show more content…
In the beginning of the movie, one of the head managers, during the morning announcements tells the staff that there is an opening for the new assistant manager position, Marisa thinking nothing of it continues listening to the announcements while hoping that she is not only on time for her son’s speech later that evening, but also that Ty’s father actually shows up and that Ty does well. Stephanie has her eye on the job for Marisa and asks the manager if maids are allowed to apply if they fit the specifications of the job. When she finds out that Marisa fits the profile, she grabs an application and hands it to Marisa. Even though Marisa did not plan on apply for the position, she accepts the application and begins to contemplate what her life would be like as a manager because the rest of her friend group pushes her to. She then begins to fill out the application and seek counsel in order to fit the standards of an assistant manager in order to better her chances at getting the job. Even though she already an exceptional employee, because her friends continue to bring up the possibility of her being promoted she does her daily duties with more care in order to be seen as …show more content…
She declines but has fallen in love with him that she agrees to attend. However, the problem is that she is just a maid and has nothing to wear. She decides that at the party she is going to show up and tell him the truth and then leave. During the whole movie there is this warring that happens inside of her. She knows that she is not being honest to Chris but she is in love with him. This could not only cause her to loose her job but to end up heart broken and his career to be shattered. This all comes to a peak at the benefit dinner, she has been all dressed up by her friends at the hotel and has been given the “blessing” to go and have fun by the head butler. When she arrives at the benefit she is so nervous that she is literally heaving because she knows that she has to tell Chris that this whole ordeal has been a lie. However, he sweeps her up and they begin to dance. She immediately again assumes the role of Caroline but again feels the discord in herself. Even though she try to leave Chris comes and convinces her to come home with him. Even though they spent the night together Marisa still has that weird feeling in her gut and sets in her mind that she needs to end it before she gets caught. The social psychological principle shown in this scene is cognitive dissonance. It is the tension that arises when one is aware of two cognitions are
In the film “Mi Familia,” we follow the story of the Mexican-American Sánchez family who settled in East Los Angeles, California after immigrating to the United States. Gregory Nava and Anna Thomas introduce the story of this family in several contexts that are developed along generations. These generations hold significant historical periods that form the identity of each individual member of the family. We start off by exploring the immigrant experience as the family patriarch heads north to Los Angeles, later we see how national events like the great depression directly impact Maria as she gets deported, although she was a US citizen. The events that follow further oppress this family and begins separate identity formations. These
Hispanic-American population in the United states is dramatically increasing as a result of immigration patterns and increase birthrate of the ones already residing in the the United States. The movie Selena is an example of Latino family residing in the country who wants to fulfill the “American Dream”. Isolation and discrimination of Hispanic-Americans particularly Mexican family has also been illustrated in the movie. Despite social class stratification, Selena’s family try to breakthrough to the English-speaking audience mainstream to be accepted. In this film, the father is characterized as the head of the family - dominant, strong, aggressive, invulnerable, and superior. Portrayal of tight-knit family values and interdependence is seen in this movie, as well.
Anna from the film ‘Real Women have Curves” and Mari from the film “Mosquita y Mari” have a strong dislike for their families and want something else then what their parent s want for them. In both situations the young Chicana women want to be their own person. Anna family wants her to work and support the house, while Mari family will like for her to go to school. Even though the two young Chicana women
It shows the community does not really welcome immigrants. Also it is very difficult to adopt life in new place, for example washing machine is so complicated for Rosa so she washes all the clothes by hand and lays them on the grass in the garden. Rosa and Enrique attend language school to improve their English. Movie emphasizes the power of the language again and also shows learning English helps their life to get better. Nacha helps Rosa to change her appearance with more fashionable clothing Nacha said “have you ever heard Sears” and tokes her for shopping. When Enrique sees her with new clothing and makeup, he says “What is this? You look like a clown! “. Scene shows Enrique’s attachment to their culture also they try hard to integrate. Enrique gets an offer for a better pay job with the chance to become legal resident but he refuses to leave his sister. The house they are staying is a mess when they come but after a while they clean and organize it and one scene Enrique told his sister that “In this country you work hard you can get somewhere” they are proud to earn better life standards. Then suddenly everything changes, Rosa gets sick, immigration was looking for Enrique. Enrique gets promoted at the restaurant and jealous coworker is upset about it and calls immigration police. At the end Rosa dies in the hospital room. The conversation between Rosa and Enrique is heartbreaking. Rosa said “they told us we make lots of money but
Marisol is a young, assimilated hispanic woman in 1990’s New York who works a white collar job in Manhattan and lives in the Bronx. She doesn’t have family or loved ones living close to her except her friend and colleague, June. One night she has an unfortunate
Through her search the director points out many different kinds of Mexicans, or different Mexican identities that have existed in the past. He starts with one of the better known identities that Mexicans are often portrayed as. The lazy Mexican that sit in a slumped position with his head down, between his knees, wearing the large sombrero, and is usually drunk. This image is also used a lot in
As one can see, “La China” was the person of interest. The author seemed to be focused on the influence of how society viewed Mexican woman due to their appearance and their living circumstances. She was a woman who fed
After reading over the description of our film analysis paper, the movie "Mean Girls" that was produced in 2004, came into my mind because this movie contains several sociological themes. Although the film is over a decade old, most high school students seem to be able to relate to this film today since it shows us examples of sociological conflicts such as social conflict theory, social class, and sexuality.
She discusses how Mexicans identify themselves; since there are many different ways to identify culture, they make up several different cultures (Indian, Black, and Mexican). By the end she talks about the fight that Mexicans put up to stand up for their culture and their identity.
Julia Alvarez also uses language to show how the four Garcia girls adjust to living in a new, and to them alien, culture. The protagonist in this novel is the family Garcia de la Torre, a wealthy, aristocratic family from the Santo Domingo, who can trace their genealogy back to the Spanish
Sociologists concern themselves with social relations among individuals and groups within a particular society (Luton, 2015), so a sociologist would find this movie interesting because when analyzed through a sociological point of view it provides various examples of socialization,
The movie chosen for this sociological essay is a very popular movie called Mean Girls. This movie was released in 2004, directed by Hollywood star Mark Waters, and screen play written by actor/comedian Tina Fey. For those who have never seen or heard about this movie, it is about a 16 year old girl named Cady Heron who lived her normal every day life growing up in Africa where she was homeschooled. One day, her and her family moved to America where Cady was enrolled into a typical public high school. This is what changed her. On her first day of school she met her two friends Damian and Janice who are students that are typically alienated from other students around the school. On her next day is when she meets the most popular and well known
This Comedy tells the story of two families, one African American and the other Mexican-American, that are forced to combine when Lucia (Ferrera) and Marcus (Gross) announce their engagement. Lucia and Marcus have been secretly living together and having premarital sex unbenouced to Lucia’s family who are Mexican American. Lucia has dropped out of Columbia Law School and is planning to move away with Marcus to the country Lous so he can practice with Doctors without Borders once they are married . Lucia plans on introducing her fiance to her family and letting them in ontheir plans. It’s a bold move especially for Lucia not only because Marcus is from a different background but her family doesn’t know about him.
Another protagonist of the film is the oldest of the daughters is Leticia Naranjo, played by
The film is the story of Mona, who is an African-American woman who is brought back to Africa and finds herself as a slave on the Lafayette sugarcane plantation (Gerima, 1993). In a previous life, she was born on the sugar farm and named Shola. She was caught and sold and transported as a slave in North America. This brings the interplay between the African American identity on one side and the other African identity. The film achieves this through reconstructing the past and history and also through the conception of blackness and race.