Main Character Of Tartuffe

In Tartuffe, Moliere's use's plot to defend and oppose characters that symbolize and ridicule habitual behavior's that was imposed during the neo-classical time period. His work, known as a comedy of manners, consists of flat characters, with few and similar traits and that always restore some kind of peace in the end. He down plays society as a whole by creating a microseism, where everyone in the family has to be obedient, respectful, and mindful of the head of the home, which is played by the father Orgon. Mariane shows her obedience when she replies "To please you, sir, is what delights me best." (Moliere 324,11) Shortly afterwards, Orgon commands Mariane to take Tartuffe as her husband even though she is not interested in him at all.

The play successfully conveys this message because Tartuffe is a first-class villain. He is as manipulative as Lady Macbeth, as greedy as Prince John, as underhanded as Modred, and as clever as Darth Vader. Through his every word and deed it becomes more apparent that he is thoroughly bad. More specifically, he not only wants to marry Orgon's daughter, but wants to defile his wife as well. He is not satisfied with living off of Orgon's wealth but wants to possess it. At no time in the play does Tartuffe resemble a truly pious man. The play never mocks God, but only those who use his name to prey on unsuspecting fools.

The extreme level of Orgon's devotion to Tartuffe is obvious. At the end of Act I, Scene 2, Dorinne, the maid, remarks on Orgon's complete infatuation with Tartuffe. She tells Clèante, Orgon's brother-in-law that "he's quite loss his senses since he fell / Beneath Tartuffe infatuating spell. / He calls him brother, and loves him as his life, / Preferring him to mother, child, or wife. / In him and him alone will he confide; / He's made him his confessor and his guide" (18). While this appears to be an exaggeration on Dorinne's part, it is soon clear that she is correct. Throughout Act I, Scene IV, Dorinne tries repeatedly to tell Orgon about his wife's illness. He never once expresses concern or sympathy for his own wife Elmire. In contrast, Tartuffe has been eating enough for several men, drinking wine heavily, and sleeping soundly. However, every time Dorinne begins to talk about the fever and headaches, Orgon repeats, "Ah. And Tartuffe?" or "Poor fellow" (20-23). Furthermore, Orgon himself even admits openly that through Tartuffe, his "soul [has] been freed / From earthly loves, and every human tie: / My mother, children, brother, and wife could die, / And I'd not see a single moment's pain" (25). The blindness Orgon exhibits, therefore, robs him of every human sympathy. The loving husband and father

Although Dorine is depicted as rather irrational due to her strong objections to Orgon, she is arguably the more reasonable of the two. Dorine is very intuitive to Tartuffe’s character, and picks up immediately on his true intentions, urging the others to “believe [her] though, the fellow’s just a hypocrite” (Molière, 135). She advises Madame Pernelle not to trust Tartuffe, for she recognizes that he is “jealous,” and that “he’s got his eye upon [her]” (135). Therefore, Dorine is able to perceive that Tartuffe is not the man he appears to be, while the other characters are oblivious to the fact that he is deceiving them. Dorine recognizes in Tartuffe’s actions that he could not be a noble man, for she says “a man who leads a godly life, and has real worth, should not try to show off about his noble birth” (151). She therefore has the ability to see beyond that which Tartuffe wants everyone to see, as well as the ability to understand through reasoning that it is wrong. In depicting her as an instinctive and intelligent woman, Molière uses Dorine’s character as a voice of reason who has the ability to free the other characters from Tartuffe’s manipulation. The fact that Dorine objects to Mariane and Tartuffe’s marriage from the very beginning, and that she is able to reveal Tartuffe’s intentions in the end, emphasizes that she truly

Orgon is the type of man that is easily impressed because he does not have a strong personality. Once Tartuffe gains his trust, Orgon seems to be willing to act under hypocrite’s guidance: “Under his tutelage my soul’s been freed/ From earthly loves, and every human tie;/ My mother, children, brother, and my wife could die,/ And I’d not feel a single moment’s pain” (Moliere 32).

In the play Tartuffe, one of fundamental theme is deception. The biggest hypocrite in this play is the character named Tartuffe. He is able to create a

Before Orgon is left to believe the statements about Tartuffe, it is the discussion between Orgon's wife, Elmire, and Tartuffe that begins to reveal the truth of the rumors of Tartuffe. As Elmire and Tartuffe talk about Orgon's proposal to marry Mariane, Tartuffe says that he would rather find happiness elsewhere. It is at this point in the play that Tartuffe begins to reveal his feelings towards Elmire.

Jean-Baptiste Poquelin Moliere wrote Tartuffe during the beginning of the Age of Enlightenment. One of the main characteristics of the Age of Enlightenment was a push towards using reason over emotions to make decisions. The leaders of the enlightenment truly believed that the world could be made a better place if people did this. In Tartuffe, when the characters use their emotions to make their decisions they find themselves in undesirable situations. While those who let their emotions rule them find their lives spinning out of control, there are other characters in the play who try to approach them with reason and logic. Out of these characters the lady’s maid Dorine stands out as the voice of reason.

Tartuffe is the ultimate hypocrite in this play due to his immoral actions that go against the Catholic ethics, which he preaches. Though he asserts to be religious, righteous, generous, he is in fact, deceitful, avaricious, and immoral (Cashman 80). Tartuffe hypocrisy is contagious, dangerous, and has a negative impact to those surrounding him; it affects Orgon by destabilizing his entire family and making them believe him as a supposedly spiritual man. Furthermore, those who result in believing him grow into pretenders. For example, Madame Pernelle who preaches Christian kindness, assaults her house help, whereas, Orgon commits wickedness against his household. Notably, some characters, such as Elmire, Dorine, and Cleante are strongly against Tartuffe’s hypocrisy. Both Dorine and Cleante employ rhetoric linguistic to attempt to contradict Tartuffe, and although their opinions are coherent, it is hard to triumph against him. Elmire notes, “You see him as a saint. I’m far less awed…in fact, I see right through him. He is fraud” (1.1.23). This aims to expose Tartuffe for what he truly is, by exploiting his lust for her to attest his insincerity to his spouse Orgon.

Jean-Baptiste Moliere, who was originally named Jean-Baptiste Poquelin, was one of the greatest and well-known comic dramatists. He was known as one of the greatest and famous comic writers mainly because his works challenged the imprudence of trusting reason for different life events. One of Moliere’s most famous works includes Tartuffe primarily for the amount of controversy it sparked related to satire. Tartuffe is a play that tells about a man named Orgon, who is a wealthy family man, who takes a stranger into his home named Tartuffe. He later indeed is discovered to be a religious hypocrite. He doesn't have any morals or indeed values religion. Tartuffe simply used religion as a disguise to manipulate people and do his crimes. He pretends to be extremely religious, but from his actions and behavior, it goes entirely against the morals of religion. For example, when Tartuffe sees Dorine in Act 3, Scene 2, he tells her:

In Tartuffe, Moliere's use's plot to defend and oppose characters that symbolize and ridicule habitual behavior's that was imposed during the neo-classical time period. His work, known as a comedy of manners, consists of flat characters, with few and similar traits, and that always restore some kind of peace in the end. He down plays society as a whole by creating a microseism, where everyone in the family has to be obedient, respectful, and mindful of the head of the home, which is played by the father Orgon. Mariane shows her obedience when she replies "To please you, sir, is what delights me best." (Moliere 324,11) Shortly afterwards, Orgon commands Mariane to take Tartuffe as her husband even though she is not interested in him at all. Orgon's command shows how men are dominate

Jean-Baptiste Poquelin Moliere's Tartuffe is an epic play of hypocrisy, betrayal, and the tale of a foolish mind. Moliere's choice of protagonist in this play happens to be the most blatantly ignorant character in the play. Orgon is naive to the villain Tartuffe's hypocritical ways, makes a complete dunce of himself by uplifting Tartuffe as holy, and failing to pick up the abundance of clues of Tartuffe being fake. Analyzing this character is rather interesting and at the same time frustrating to read of someone so ignorant that they fail to see the wolf hiding under the sheep clothing. A fool is a fool unless they open their eyes to see the truth, and it took Orgon the majority of the play to realize the truth.

In Moliere’s “Tartuffe,” although many things and behaviors are satirized, the play focuses mainly on the issue of religious hypocrisy. Whereas Tartuffe is the obvious hypocrite and

Moliere's Tartuffe is a satire based on religious hypocrisy. Every character is essential in Tartuffe. All of the characters play an important role, but it is easy to say that Tartuffe and Orgon are the main characters. First, we must know the definition of satire. According to the Merriam-Webster Online Dictionary, satire is defined as "literary work holding up human vices and follies to ridicule or scorn" ("satire"). In other words, a satire is defined as literary work that uses humor to point out the foolishness of a person or just in human nature. Religious hypocrisy can be self-defined as a false assumption of a person. What follows are examples of how I believe Tartuffe exposes humor

He is at the beginning of the play seen as a God like figure, particularly to Orgon and Madame Pernelle, by this he is strong and inspirational, however, when he does realises he has been found out for being in the wrong, his persona changes to guilty and even vulnerable. This is shown in Act III scene 6 when Damis accuses Tartuffe of trying to seduce Elmire, Tartuffe uses reverse psychology to win Orgon over by confessing the all things awful, to an extent in which Orgon begins to sympathise with him. It is clearly shown that Tartuffe goes to the absolute extreme when he apologises to Orgon;