Main Themes In Greek Tragedies

On page 737, the last lines of the Choragos are, “There is no happiness where there is no wisdom; No wisdom but in submission to the gods. Big words are always punished, and proud men in old age learn to be wise.” While this quote can seem confusing, but the explanation is really simple. You cannot be happy unless you are intelligent, and arrogant men can only gain this happiness once they are mature enough. This rings true to Creon’s character arc throughout Antigone, he only loses his pride once he learns his lesson and lost everything.

In the play Antigone, Creon starts off as the loyal king of Thebes. He is loyal to the gods and loyal to the welfare of Thebes. However, over the course of the play, Creon degenerates into a tyrant. His degeneration is showing his character development. Creon’s pride about the human law also develops throughout the play, creating conflict with the divine law. When Antigone rebels against his law, he becomes stubborn, and makes myopic decisions and grows into his hamartia. Besides his hamartia, Creon’s position as the king makes him a power hungry man. His power madness degenerates him into becoming a ruthless and vindictive man, even to his family. However, over the course of the play, Creon begins to see that because of the laws of men, he was being blinded of what’s

Arrogance stimulates looking down upon others and down grading them giving themselves a high confidence and self esteem, others look down at these people for numerous reasons. Creon was not happy that Antigone buried her brother, and while he feels he is doing his responsibility, Teresias (a blind god) is telling him otherwise. Teresias tells Creon that the city is sick because of him. Stubbornness and pride get in the way of how Creon acts as Teresias gives him advice to not kick the dead. The blind prophet has always provided accurate information, yet Creon never brought him in before. The chorus gives him advice and Creon actually took some responsibility saying it was a mistake when things got out of hands after Haemon (his son) and Antigone kill themselves in the cave. It took a lot for Creon to finally realize that things got out of hands and unfortunately arrogance can get in the way of things and blind people from what is in front of them.

Creon has no toleration for people who place personal beliefs over the common good. He believes that government and law is the supreme authority, and civil disobedience is worst form of sin. The problem with Creon’s argument is he approaches He approaches every dilemma that requires judgement through descriptive generalizations. In contrast to the morality defined by Aristotle in his Nicomachaean Ethics, Creon shows that he is deaf to the knowledge of particulars--of place, time, manner, and persons, which is essential for moral reasoning. In short, he does not effectively bring together general principles and specific situations Creon does not acknowledge that emotion, and perception are as critical to proper moral consideration as reason. This explains why he does not respond accordingly with the reasoning of the guard, Tiresias the prophet, Antigone, her sister Ismene, or even his own son Haemon. Throughout the whole play, Creon emphasizes the importance of practical judgement over a sick, illogical mind, when in fact it is him who has the sick, illogical mind. He too exhibits pride in his argument. To Antigone and most of the Athenians, possessing a wise and logical mind means acknowledging human limitations and behaving piously towards the gods. Humans must take a humble attitude towards fate and the power of the gods, yet Creon mocks death throughout the play. He doest not learn his lesson until the end of the play when he speaks respectfully of

“Tell me briefly—not in some lengthy speech— were you aware there was a proclamation forbidding what you did?” (503-505). The actions, context of Antigone’s words, and also the ideas she proposed, very indepthly contrasted with Creon’s character. Thus resulting in there being a verbal confrontation between the two characters. The conflict between the two caused conflicting motivations such as stubbornness, disrespect, and anger to be projected with Creon’s character. Ultimately, these conflicting motivations develop Creon as a tragic hero by portraying that he knew, the decisions he made were of error, and the character interactions advance the plot by causing conflict throughout the play. Creon had also begun to change throughout the play,

“Am I to rule this land at someone else’s whim or by myself?” (Lines 836-837) says Creon, angrily to his son Haemon, who is attempting to reason with him about the execution of his fiance, Antigone. This causes an uproar between the two and brings out Creon's selfish intentions. Throughout the story the conflict with the ideals and motivations between the two change the theme of the story from love and loyalty to hatred and betrayal. This not only contributes to Creon’s characteristics of a tragic hero, but also to the suicide of both, Antigone and Haemon.

Even though Antigone exhibits a blamable pride and a hunger for glory, her disobedience is less serious than those of Creon. It is evident that Antigone’s actions are driven by a love for her brother, and a desire to please the gods. While Creon’s actions are

In addition, Creon also has an inaccurate view of his place in relation to the gods. He believes that man’s laws are more important than the laws of the gods. Antigone tries to defend her decision to bury her brother by proclaiming, “I do not think your edicts have such power that they can override the laws of heaven…If I transgressed these laws because I feared the arrogance of man, how to the god’s could I make satisfaction” (line 408)? Creon’s hubris causes him to think that he must put Antigone to death because she chooses to follow the god’s laws over his.

“And if this hurries me to death before my time, why, such a death is gain” says Antigone. She is willing to put her life in danger to do what she beliefs is the right thing to do. Creon may have a very strong opinion about the laws he enforces, but Antigone feels Creon cannot override her beliefs in the Gods. Nothing could change the outlook Antigone had on this experience and she would do anything for her

To have “power” means that one has authority, and having authority gives you the right to control or command, but for many, receiving a surplus of power and authority strips them of their morals and corrupts them. Sophocles uses Creon in Antigone as an example of the side effects of gaining power. Due to an abundance of power, Creon’s character goes through a metamorphosis in which he becomes a corrupted person. Creon becomes unrecognizable after becoming King and his character transitions to personify all the evil that comes along with gaining a large amount of power. Sophocles uses Creon’s character to convey that power causes one to believe that they are above everyone and everything else, including the laws of the gods, and leads them to

“Then why delay? There’s nothing in your words that I enjoy—may that always be the case! And what I say displeases you as much. But where could I gain greater glory than setting my own brother in his grave? All those here would confirm this pleases them if their lips weren’t sealed by fear—being king, which offers all sorts of various benefits, means you can talk and act just as you wish.” (567-575) The way Antigone acts, what she says and what she thinks contrasts with Creon to the point where they had a major conflict. These conflicting motivations cause Creon to show a different side of himself, the new characteristics that were highlighted in Creon were anger, violence, and self-importance.

Throughout the context words of Creon and Antigone contrasts their perspective on their belief. Creon would often decide all the rulings of his country with no hesitant because of his strong pride being a King. On the other hand, Antigone’s strong bond, love for her family, commitment to bury her brother which objects the rule against Creon. In disobedience towards Creon, Antigone says her “...honours for the dead must last much longer than for those up here” (Sophocles, 275), as well as speaking that “there’s nothing shameful in honouring my mother’s children.” (Sophocles, 273). Antigone’s words expresses her love and the

In this quote Creon is making himself look like he is taking charge and punishing Antigone harshly. He is trying to amplify what he plans to do to Antigone. He is being too proud. In reality, though, he did not do these things to the degree he boasts about to Antigone. Creon makes it seem that he is cruel, but he really is not as cruel as he appears. Another time, the prophet is calling Creon out.

Tyranny and immorality are key notions presented in Antigone when referring to justice. In this play, Creon is presented to be a tyrannical and irrational ruler, while Antigone rejects this system and ultimate dies because of it. Creon views leadership in a selfish, immoral manner. When speaking to his son about his rule, he states, “The state is his who rules it, so ‘tis held”

He is too proud and arrogant to change his ways like when Teiresias warns him of his fate yet he refuses and says, “Whatever you say, you will not change my will.” Due to Creon’s unchallenged law and sentence, Antigone yearns for justice to be enforced on him. There is a very good example where she states, “But if the guilt lies upon Creon who judged me, then, I pray, may his punishment equal my own.” With all of these themes in the story, it further complicates the role of an individual on society.