Making A Video Cut Smooth

The efficacious nature of films owes its prominent properties to the array of editing techniques. In the aforementioned films , editing techniques stabilizes the movie and

Editing “determines the duration of a shot” and Run Lola Run illustrated several types of editing including freeze frames, jump cuts, and dissolve cuts that allowed

Almost every piece of cinema seeks to give the viewer an understanding by intricately assembling shots in a coherent, and a sometimes muddled, manner; the techniques used in editing places various shots in purposeful sequences, to emphasize certain relationships between shots. The shots can be arranged smoothly and logically, or shift abruptly from shot to shot; different methods of the aforementioned arrangement of shots are utilized in either discontinuous or continuous editing. Sherlock Jr. and The War on Drug’s music video “Holding On”, are two motion pictures that offer spatial relations, by applying techniques of both continuous and discontinuous editing.

The Cutting Edge: The Magic of Movie Editing is a documentary about the art of film editing and the immensity of the job an editor is given. The reasoning of the film is to show the impact editing truly has on movies and our emotional attachment towards them. This documentary shows clips from different films to prove to it’s viewers the substantial effect editing has. Directors and editors speak out about the significance of editing, something not many viewers know nor think about.

Post-production is overlapping with production.The digital non-linear system replaced linear taped-based process reducing the cost of editing. The parallel process not only saves editing time but also develops the

Being able to pay attention is something that some people take for granted without appreciating it. Bereft of this luxury, we wouldn’t be able to properly communicate with others, focus on our goals, and most importantly, live as who we are

Each film has a distinct purpose associated with it. Whether this purpose is as simple as teaching children a valuable lesson or as complex as criticizing a society 's barriers, there are explicit goals which must be discerningly conveyed. There are specific elements to filmmaking which are designed to contribute to the goals set forth when making a film. Such elements include what would be considered "aesthetics of astonishment," or striking images, editing conflict and other techniques associated with montage filmmaking. Each of these techniques imprint a thought or logic on a film – a kind of "watermark" – that pushes the film itself towards the accomplishment of the original goals. Regardless of the need for the completion of these

Six techniques of continuity editing are depicted in the film. These techniques are establishing shots, cross-cut editing, match on action, shot/reverse shots, re-establishing shots and eye-line match shots that give the movie structure.

In the interview, John Huston explained the function of cuts. Without moving our heads, human eyes will not pick up the information in between looking from one object to another. Basically, your eyes can juxtapose two or more objects. This is a cut. Film Editors use cuts to discard information that doesn’t push the story forward.

Another interesting use of camera cutting can be found in the in between scene where Cleo is roaming the streets of Paris. She is now becoming the one watching other people rather than being the one watched as she was in the beginning (probably because of her beauty and famous singer status). While she is watching the camera cuts between other people’s conversations and then while she is walking the camera is in essence her point of view. However during this walk, the people passing are watching her as well, thus proving that this is the transition time. The use of cutting between shots of her and shots of all these people passing her not only show this change in who is watching who, but also allows for a sense of time passing. Interspersed with these shots are images of people we have already met, the widow, the boyfriend, the piano player, as well as the images of a monkey resting on a clock and her wig resting on the mirror, these things conveying how the people who know her see her and how she sees herself. This is a genius montage because these two things represent the same thing, how people see her, how she sees people, and how she sees herself, and by interspersing them we see

Editing is all about bringing a creative force into a film. The process could mean fixing a number of things like moving things around, meaning to arrange, select, and assemble - this goes for every component in the film. What you visualize, hear, with the use of special effects all are components that are edited and added to the film in a unique way to create a good story. The movie to be analysis is the film Forrest Gump with editor, Arthur Schmidt, he won an Oscar at the 67th academy awards for best film editing. Arthur Schmidt had three responsibilities as an editor in the film, which are spatial relationship, temporal relationship, and rhythm.

Continuity errors in movies are not jarring and distracting to audiences because of the ideas of change blindness and the illusion of memory. Since continuity errors are often subtle and are not directly related to the main point of the scene, individual have trouble recognizing them. This inability to recognize or identify the changes between two visual stimuli present after each other called is change blindness. Additionally, the illusion of memory can also play a role because people are usually confident that they would notice changes to a picture or scene. Since it is difficult to recognize small and slow changes in the environment and individuals are confident that they would know if something has changed, continuity errors in movies are not as jarring and distracting to

When Will is trying to solve a formula he writes his work on his mirror with a dry erase marker. The camera blurs out will and focuses on the formula and also does the opposite. While writing the formula out, the shots fade to the same shot but at a different angle creating a feeling that some time is passing by. Also, to support this feeling each time the formula is showed there is more added to it than one can write in the brief moment that it took to come back to it with the camera. Additionally, the benefit of having the scene of him writing on the mirror lets the viewer see him concentrating on the formula and lets the viewer see the formula being written out which shows the viewer how intelligent Will must be, since the formula probably made little sense to him or her. Another effect was a fight scene captured in slow motion. After the fight scene the cops showed up and many flashes of the scene from different camera angles appeared creating a feeling of confusion and made it seem speeded up without it being filmed in fast motion. During this movie many close ups were filmed where the eyes were the only bit of color on the screen. When Will starts talking to prove a point, which is several times through out the movie, the camera zooms in on him concentrating on his eyes. However, while Will and his friends were in the car the camera looks at each one individually from a distance while mellow music is playing while it is

Sound and editing are both very crucial concepts in film. In Tom Tykwer's Run Lola Run (1998), the way the narrative structure is set up can make the differentiation of diegetic and non-diegetic sound difficult for the viewer. The relationship between sound and the narrative structure, however, also makes the viewer more aware of the film's artificiality. In King Hu's Come Drink With Me (1966), we see how the major motifs of editing emphasize the unrealistic and fantasy qualities of the characters.

Spiking the camera is a term used in filmmaking and is what happens when an actor’s eyes meet the camera in a brief unintended moment. Spiking is said to take the audience out of the viewing experience since it is a blunder on behalf of the actor rather than a conscious decision from the director. Merging the element of speaking thoughts out loud from the former mentioned term with the looking into the camera from the latter, breaking the fourth wall through direct address is the product.