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Malcolm Gladwell Small Change Rhetorical Analysis

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Kristen Baird Patria Wright Writing 150 13 December 2014 Rhetorical Analysis: Small Change The first B I ever received on a test was when I was in the 10th grade. “Kony 2012” a campaign encouraging supports to take action to capture an elusive war criminal, had swept the attention of social media, and because of it my friends and I were determined to help the cause. Instead of preparing for a test, we spent the week the making posters and signs to spread around our town. It was not until a week later, after the signs had been hung and the tests had been graded that we learned that Kony had already been captured and was in the government’s custody. What social media wanted from the public and what we (the viewers) wanted had been too different …show more content…

As an experienced journalist, Gladwell understands that the readers can resist information he conveys unless he spins it in a way that makes them want to believe it. Malcolm Gladwell appeals to the emotions of the readers by subtly putting emphasis on certain stories, and writing others in a way that make them seem infantile. Gladwell begins by going in depth about the Greensboro sit-ins in an almost patriotic way, leaving the reader with a sense of pride that such radical events took place without the use of social media. His second story, about the Moldova Revolution, is written with a critical twist, belittling the people involved with calling it a “Twitter Revolution” (Gladwell), and discrediting the entire social media aspect of the event. It is written in a way that almost makes the reader feel foolish for believing anything different. He finishes up the essay with this same tone while describing the story of Evan and the Sidekick. Since Gladwell does not have evidence to completely discredit the story, factually, he settles on spinning it into a ridiculously futile event by reducing it to “Wall Streeters get[ting] phones back from teenage girls”. He ends the article with a sarcastic remark, “Viva la revolución”, solidifying his effort and forcing any readers that disagree to feel juvenile (Gladwell). Malcolm Gladwell's use of pathos almost condemns people that contradict him to a loss of pride and

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