Male Dominance In "Hills Like White Elephants" and "The Chrysanthemums"

In The Chrysanthemums, Elisa is a woman who is trapped at her husband Henry’s ranch by her gender and society’s idea of what a woman can manage. She is a very strong, capable woman who works all day to make the house spotless and the garden thrive. Elisa is good at her work, “behind her stood the neat white farm house… it was hard swept looking little house, with hard-polished windows, and a clean mud-mat on the front steps”. That show just how much work she puts into keeping the house clean. Elisa knows she is capable of successfully accomplishing any number of what society labels as men’s work and being held back makes her bitter and resentful. In an attempt to feel freedom, Elisa gifts some of her chrysanthemums to a traveling solicitor. She is devastated when she spots the flowers dumped on the road on her way to town with Henry. Elisa, like her flowers, feels discarded and devalued by men and society.

One of the risks Elisa takes is trusting the repairman, also by telling him her thoughts and feelings, and by giving him the “Chrysanthemums” plant. At the end of the story, it shows that Elisa feels sad and betrayed because. When she told the repairman about how she feels he said, “a woman can't live the life he lives.” Then he describes how it feels and she felt even worse. The second way she got betrayed was when she gave him the “Chrysanthemums plant.” Later on in the story when she was going out for dinner on the way there she sees the “Chrysanthemums” holder. She makes up excuses to make herself feel better but it did not work.

Since Elisa is a woman with more than superficial qualities, in addition to being a good worker, she seeks a way to fit into this world she feels is limited to her. She feels that it is limited because it is being dominated and interpreted by men. Thus, she tries to seek out some understanding from a stranger who is looking to find "fix-it" work. Many readers see Elisa as being cold and frigid towards the stranger at first appearance. Yet, this is quite possibly her intelligent reaction from being experienced with the realities of life. This scene portrays a "combat of wits in which she shows herself a person of right feeling, one who doesn't let her charitable instincts run away with her" (Beach, 312). Here we have a strange man, and men have proven to Elisa they have a limited understanding of a woman's gentler qualities. Her reaction shows intelligence, good instincts, and is revealing of the period in which the story

In the portion of the story where Elisa is talking to the "Fixer-Guy" who happens to pull down the road to her farm, Steinbeck shows Elisa's eagerness for attention and how she comes to the realization that there is a more exciting life outside the farm. In the “Fixer-Guy”, Elisa finds somebody who sees her as more than a housewife, someone who can appreciate her from an unbiased viewpoint. He offers his services and she turns him down saying “I tell you I have nothing like that for you to do.” At first she resists conversation with him. Then when he asks about her plants Steinbeck writes “The irritation and resistance melted from Elisa’s face.” “I raise them every year, bigger than anybody around here”, she boasts. She is now very eager to talk about her chrysanthemums. Elisa's face becomes "tight with eagerness" as she talks about them, as if they were her children. The vibes from her infatuation with these flowers are picked up by the old man, and there is an unspoken connection between these two perfect strangers as they have both chosen their own preoccupation in life, his being a passion of pots and hers a love of chrysanthemums. It is this connection that ignites the realization that she longs to break free from the everyday routine she calls life. This feeling is so strong that "her hand went out toward his legs in the greasy black trousers" as if to grasp a piece

The two housewives have a passionate love for gardening and bestow their love and appreciation towards their gardens. In the twentieth century, gardening was advocated as beneficial to one’s life and family. In the New England Quarterly, the journal, “Gardening as ‘Women’s Culture’ in Mary E. Wilkins Freeman’s Short Fiction,” states,“The time women spent in

Steinbeck introduces Elisa, the main character, as a masculine young woman with a “face lean and strong” (Steinbeck 209) and “her figure looked blocked and heavy in her gardening costume, a man’s black hat...clod-hopper shoes.” (Steinbeck 209) He lets the chrysanthemums symbolize Elisa’s true beauty. She feels that her husband does not see her as beautiful woman. All he can see is a house wife and a gardener. He shows little interest in the chrysanthemums. When Henry says, “You’ve got

Elisa Allen is a lonely woman who enjoys growing and nourishing her chrysanthemums. Since her husband is always working the cattle in their farm, she never has enough attention or any kind of affection. The result of this dispassionate marriage leads Steinbeck to describe his main character as follows, "Her face lean and strong…Her figure looked blocked and heavy in her gardening costume, a man's black hat pulled low…clod-hopper shoes…completely covered by a big corduroy apron…" (Page 206-207) This neglect from her busband causes her to turn to her

Hemingway wastes no time establishing the conflict between the girl and the man through symbolism; the title of the story itself implies that there is an unwanted gift, a “white elephant,” in this case referring to Jig’s pregnancy (Hemingway 311). A plethora of symbols within the setting ultimately expose the opposing opinions between Jig and the American on what to do about the baby. The most obvious example of this symbolism is found within the description of the terrain around the train station. On one side of the station there are “brown and dry” hills and “no trees,” representing the barrenness

Both “Hills like White Elephants” by Ernest Hemingway and William Faulkner’s “A Rose for Emily” center around two women who are repressed by their lives’ circumstances. However, outside of their feelings, their situations could not be more different. Miss Emily Grierson is trapped in a life of solitude, despondency, and desperation. The girl, or “Jig”, is equally as desperate, but her repression is not born of loneliness or restraint—it is the child of her freedom. Repression comes in several forms, but it will suffocate and consume you.

Elisa is especially proud of her chrysanthemums and how big they are this year. Steinbeck exhibited this pride Elisa portrayed as "she straightened her back and pulled on the gardening gloves again. Yes they'll be strong this coming year." Elisa worked hard at her garden and it was important to her. In fact it was the only thing she had to be proud of. For Elisa the chrysanthemums symbolized the work she feels she is capable of as a

The negative connotation of a white elephant is expressed in this explanation. It is this negative meaning that is describing the hills, or her pregnant stomach and the unborn child. Further on in their conversation regarding the decision to be made, Jig says to the man, “I know. But if I do it then it will be nice again if I say things are like white elephants and you’ll like it?” (Hemingway). The girl deliberately asks the man whether the decision of aborting the child will better their lives, or continue moving them down the path of unhappiness. The decision that Jig is faced with ties back to the main theme that Hemingway portrays throughout the short story, decision and indecision. The constant uncertainty that is revealed through the girl’s character is seen in other instances as well.

There are many symbolic references to Elisa Allen as a sexually repressed and frustrated woman. One representation of the chrysanthemum is Elisa's passion and eagerness to live and experience life a content woman. While tending her chrysanthemums "she pulled out the crisp little roots and trimmed of the leaves of each one with her scissors (Steinbeck 1464)." This is a symbolism of Elisa Allen closing off all opportunities to grow as a sexual woman; She has resigned herself to the monotonous life as a complacent farmer's wife (Lee 1). The "figured print dress (Steinbeck 1463)" under the apron shows the readers that Elisa is aware of her sexuality but instead of acting on it has chosen to subdue it. She keeps her sexuality and passions under control like she cares for her chrysanthemums "laid [in a] small [and] orderly pile (Steinbeck 1464)" (Lee 1). Elisa begins to allow this sexuality to emerge when the traveling tinker romantically describes her

The main symbol in this story is not hard to find, since it is right in the title. All throughout the story we can see these so called “white elephants” being referenced. Although the reference to white elephants may seem like just a thought coming from Jig, it really symbolizes something big in the story. In some cultures, people view white elephants as an unwanted thing, or an uncomfortable subject. Hemingway relates these white elephants to the unwanted conversation about Jig’s abortion. At first glance, readers may not know what these two characters are talking about, but later in the story we can get a better idea of what they are talking about.

Steinbeck uses Elisa’s clothing to symbolize her masculinity as well as her isolation from the outside world in order to reveal how society’s standards cause women to become frustrated with the opportunities

The short story “The Chrysanthemums” by John Steinbeck tells the story of Elisa Allen, a woman living with her husband in the Salinas Valley. Elisa is unsatisfied with her role as a rancher’s wife and would like to gain more independence and importance, yet she lives in a time when women were generally not as independent as men. The singular effect of entrapment is present throughout aspects of Elisa’s life from her personal identity, to her relationship with her husband, to her interactions with the pot mender. When the travelling pot mender arrives and speaks of his lifestyle, Elisa’s desire to see and do more in life is stirred. In the end he discards Elisa’s importance, which leaves her feeling dejected. Ultimately, she becomes defeated in her pursuit for a more meaningful existence. In “The Chrysanthemums,” author John Steinbeck represents the theme of gender inequality through the development of Elisa’s primary dilemma of a lack of purpose and importance in a society that did not see men and women as equals.