Ishita Aggarwal
END 2D8
Oct. 16th, 2017
Word Count: 1062
Hidden by Fear or Insecurity?
Male Dominance over Female characters in John Harwood's novel, The Asylum
Today's society perceives women to be stronger and dominant individuals in comparison to men, although, in reality, there are numerous circumstances in which men exhibit more power and control over the important decisions in women’s lives. In his novel, The Asylum, John Harwood portrays the ways in which men exert power over women through the relationships between Rosina and her father as well as Dr. Straker and Georgina. Through the characters of Rosina and Georgina, Harwood depicts that women face many insecurities which ultimately causes the relationships
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Rather than admitting her true feelings, Rosina gives her consent for the alliance in order to please her father due to her fear of him, exemplifying that her diffident personality in the novel leads to the tenuous bonds between them both. Furthermore, Rosina’s father’s obedience leads him to become very stern towards Rosina’s freedom as “Your [Rosina’s] duty is to obey me, and you will learn to like him [Mr. Bradstone] because I wish it… Until then, as I say, you are to remain outdoors: I have given orders to ensure that you do. Disobey me in this, and you will be confined to your room” (135-136). Thomas’s ascendancy over his daughter's decisions is evident as he is very strict and intimidating, Rosina must obey commands in order to live with him or else there are bound to be dire consequences. Instead of fighting for her rights and freedom, Rosina feebly agrees to her father's instructions, thus reinforcing the one-sided relationship between both father and daughter.
Moving on, Georgina and Dr. Straker’s bond also begins to diminish as Dr. Straker’s dominance over Georgina’s confinement at Tregannon Asylum eventually leads to the loss of control over her decisions. First and foremost, at the asylum, Georgina wakes up to find her
In a perfect world, men and women would live as equals, sharing power in all aspects of life. While this may be an appealing notion, it is nonexistent in society. Strong men are seen by women as abusive and dominating, while strong women are seen by men as castrating and emasculating. The text of Ken Kesey’s novel, One Flew over the Cuckoo’s Nest, in many ways, conforms to the structure of conventional male myth and asks the reader to accept that myth as a heroic pattern. From a masculinist perspective, it offers a charismatic hero in Randle Patrick McMurphy, a figure of spiritual strength and sexual energy, whose laughter restores the patients of the mental institution to life and confounds the combine’s “machines,” or authoritarians.
In conclusion, in Home of Mercy Gwen Harwood highlights the repression of females within society by emphasizing the restrictions put on the girls within the Magdalene Asylums by using descriptive language that shows the dehumanization of the girls and women. Harwood also conveys the hypocritical nature of the Magdalene asylums that were originally set up to be rehabilitation assistance, and stresses how the religion is acting duplicitous and deceiving. Overall Harwood evokes the suppression of women within society using the example of the Magdalene
The social code of the Victorian era places women in a role of obedience. They are expected to fulfill duties such as a mother, keeper of a house, and to be a quiet and “behaved” spouse. The narrator in this story is an obedient spouse, who has become a new mother that experiences postpartum depression. The change in her role sparks a change in her demeanor, causing a “nervous condition”, in which her husband dictates her treatment. John’s treatment of his wife represents the powerless-ness and repression of women during the late nineteenth-century.” (Wilson). John’s authority over her treatment, mimics that of patient to doctor relationship, and further reminds her of her secondary status during the era.
Some skeptics such as Audre Lorde: may, argue that the focus of Larsen’s novella focused primarily on the juxtaposition of race and sexual identity of Black feminism in the early twentieth century. However, Larsen makes use of unstable identities that can been seen through the passage via Brian Redfield and John Bellew. The husbands’ envelope the extent of male privilege and contrarily shows their means of working against it. By exploring these men, it offers a more critical view to understanding Clare and Irene
The Mrs. Hopewell was mesmerized by the charm of the Bible salesman. She thought he was “good country people,” but it wasn’t until Hulga spent time with Manley that we learned his true personality. Manley’s name is symbolism for exactly what it says, masculity. Hulga was a strong woman, but it wasn’t until she allowed herself to be vulnerable to a man that she became weak. When he removed her glasses, he left her blind to her surroundings and to the truth. He took advantage of her. He tried to make her vulnerable by forcing her to say that she loved him, even though she clearly was not ready, and then making her prove her love for him by removing her artificial leg. If Hulga had stayed true to herself and not allowed herself to be manipulated by a man, she would have seen passed his lies. This situation proves that failure to stick to feministic thinking can allow woman to be controlled by
The “fear” of women is one of the novel’s most central features. As most of the male patients in the novel have been damaged by relationships with overpowering women. The hospital, run by women, treats only male patients, showing how women have the ability to emasculate even the most masculine of men. The narrator of the novel, Chief Bromden, witnesses the
One of the major themes expressed in Ken Kesey's One Flew over the Cuckoo's Nest is gender role reversal. Stereotypically speaking males are hardened authoritarians and women are passive non-aggressors. In One Flew over the Cuckoo's Nest these roles are inverted, showing the inhumane, chaotic world of a mental institution. Nurse Ratched, Mrs. Bibbit, and Vera Harding, are the three main power figures of the novel that demonstrate how this is accomplished.
The idea of marriage is praised in all the in last few stories we have read. Marriage or domesticated relationships are held to a very high status back then in Victorian times and even now with some people today. In The Coquette written by Hannah W. Foster, marriage played a huge part of the power and dominance in the text. The men’s sexual control from the text used sex and marriage for their own personal desires showed power. She was abused and if she would have lived, she would have been chastised for her actions.
An expecting couple awaits to discover the gender of their baby. The nurse announces that it’s a girl. The couple is extremely excited, but do they truly grasp the weight of what this implies? Gender is not simply a physical trait, as it affects nearly every aspect of a person’s life. Stereotypes repress the potential in all men and women. The same stereotypes are found throughout literature such as Medea by Euripides, Chaucer’s “The Wife of Bath’s Tale”, “Sonnets” by Shakespeare, “The Yellow Wallpaper” by Charlotte Perkins Gilman, and Frederick Waterman’s “The Best Man Wins”. A common thread between these pieces is that power can be gained by those who are suppressed by defying gender stereotypes and social hierarchies.
claims to believe in gender equality. Throughout the novel Coverdale and Zenobia discuss the issues of feminism and gender roles. Although he appears to sympathize with Zenobia’s feminist cause, there were occasions in the novel which proved otherwise. Coverdale’s support for Zenobia’s fight for equality might only be an act to win her approval. The purpose of the Blithedale community was for it to be a place where individuals would be treated equally, however, Coverdale’s mindset has a challenging time of remembering the goal of the community. During The Blithedale Romance, Coverdale would be analyzing people’s masculine and feminine traits. Coverdale does believe in gender stereotypes by constantly thinking about the aspects each gender should possess and his desire for power over women.
Shirley Jackson’s novel, The Haunting of Hill House, explores the cultural anxieties in the mid 20th century. Specifically, men use womanhood (societal norms) as purposely infantilizing women in order to confine the female mind. Jackson utilizes symbolism, metaphor, and anaphora in her novel in order to convey the message for men to stop infantilizing women. Moreover, Jackson spreads awareness that women are being confined by a system that men developed: womanhood. Hence, in effect, the novel serves as an informal protest against male repression through a medium that can be read by a wider audience —more importantly an indirect challenge to male readers. According to Krolokke, Second Wave Feminism became prominent due to cultural discontent with patriarchy during the mid 20th century. Moreover, Krolokke informs the readers that Second Wave Feminism influenced women to challenge traditional family roles and male ideologies about women not belonging in the workplace (11-12). Mid 20th century is also when Jackson published The Haunting of Hill House. So, with these historical and cultural contexts in mind, Jackson’s The Haunting of Hill House ends the novel with Eleanor killing herself because she wants women to challenge the ideas of patriarchy into effect. Hence, Second Wave Feminism has a connection to Eleanor having a childlike personality (can not think for herself) because she wants women (especially young and single women) to explore their rights (their choices) and
The lack of control women have in a society mainly controlled by men is presented through the author’s effective use of anecdote. In the beginning, when the speaker introduces the audience to her relationship, in which her partner takes lead in day-to-day activities, the audience immediately get an insight into the lack of power women receive with the author’s use of anecdote. The speaker is quick to tell the readers about her“[h]olding the log / while he sawed it. Holding / the strings while he measured” (Atwood lines 1-3). Atwood employs anecdote as the speaker’s explanation of helping her partner out in everyday activities is presented to the reader in forms of an account of an event in the speaker’s life. This forms a greater insight for the reader, as the anecdote creates an understanding of the way the actions in day-to-day activities men and women take when together, women are appointed smaller tasks within a society, which is dominated by men, whereas men are the driving force and do the important parts of the activities. Furthermore, when the speaker describes herself sitting in
The trails and tribulations of life can cause a person to go down a road they could have never imagined. Some people are able to rise above the issues that come their way and while others become consumed by their problems. In a male dominated society, the issues of women are often pushed to the side and they are left to deal with them alone. Therefore, some women become abused by their thoughts and problems due to the fact that they do not have the ability to tackle them alone. It becomes an internal and external battle for the scorned woman to please herself, husband (or father) and the society at the same time. In the short stories, “A Rose for Emily” by William Faulkner and “The Yellow Wallpaper” by
Charles Dickens, “Great Expectations” follows a boy named Pip through a journey of meeting new people around the town and also is considered an Orphan. There are a lot of characters that are introduced like Miss Havisham who always wears a wedding who shows up a lot in the book. Pip changes a lot through the novel with wanting to be a gentlemen but has made a lot of mistakes and blames it on his sister Mrs. Joe who raised him by hand. The women seem to be different from the men in this novel with different roles they play so I’m going to show they are different.
For many years, men have always held and desired power, especially when pitted against the fairer sex. The struggle for men to assert power is prevalent in Ken Kesey’s One Flew Over the Cuckoo’s Nest, as the mentally-ill patients, led by Randle McMurphy, strive to remove Nurse Ratched’s subordination. Furthermore, Ernest Hemingway’s The Sun Also Rises explores the role reversal of power in the sexes, through the adventures of expatriates in post-WWI Europe. Despite being written decades apart, Kesey and Hemingway both explore the concept of sexual empowerment and degradation in both sexes. This is seen through the dominating role women partake in both novels, the notion of male insecurity, and the symbolic representation of the main