Male Oppression In Charlotte Perkins Gilman's The Yellow Wallpaper

In Gilman’s story “The Yellow Wallpaper,” John acts as the mirror through which women are viewed negatively in the society, a society in which women are not considered citizens. They are not supposed to be anywhere near the political or public environment. Instead, they should remain in their homes. This view has led to women creating women movements to fight for their place in the society.

Charlotte Perkins Gilman is known as the first American writer who has feminist approach. Gilman criticises inequality between male and female during her life, hence it is mostly possible to see the traces of feminist approach in her works. She deals with the struggles and obstacles which women face in patriarchal society. Moreover, Gilman argues that marriages cause the subordination of women, because male is active, whereas female plays a domestic role in the marriage. Gilman also argues that the situation should change; therefore women are only able to accomplish full development of their identities. At this point, The Yellow Wallpaper is a crucial example that shows repressed woman’s awakening. It is a story of a woman who

In her story, The Yellow Wallpaper, Charlotte Perkins Gilman expresses exasperation towards the separate male and female roles expected of her society, and the evident repressed rights of a woman versus the active duties of a man. The story depicts the methods taken to cure a woman of her psychological state during Gilman’s time, and delineates the dominant cure of the time period, “the resting cure,” which encouraged the restraint of the imagination ("The Yellow Wallpaper: Looking Beyond the Boundaries") Gilman uses the unnamed narrator to represent the average repressed woman of her time and how her needs were neglected in an attempt to mark a fixed distinction between the standards and expectations of men and women. John, the narrator’s husband, take the designated and patriarchal role of a man who believes he knows everything there is to know about the human mind. His belief of his superior knowledge pushes him to condescend, overshadow, and misunderstand his wife. As a result, his wife loses control of her life and escapes into her own fantasy world, where she is able dominate her imagination, free her mind, and fall into insanity. Gilman describes her era’s approach toward female psychology in order to criticize the patriarchal society she lived in as well as to reveal its effects on the women of her time.

Kessler emphasizes the point that this one short story seemed parallel and mirror the views of Gilman in regards to the oppression of women in her society. Comparing the two, Kessler writes, “This once she was able to join her public and private expressions in a work of devastating impact” (Kessler 1991 p.159). Gilman, who was a leader and crusader in the women’s rights movement, tried to expel away the gender bias that plague women, just as the narrator in her story tries to pull off the wallpaper in her room to free the trapped women behind it. The patriarchal society at that time period was Gilman’s wallpaper. She had to work hard at trying to force through societal changes. Just like the resistant old wallpaper in her story, ridged and yellow with age, Gilman and her counterparts had much difficulty in pushing through the wallpaper of tradition.

In literature, women are often depicted as weak, compliant, and inferior to men. The nineteenth century was a time period where women were repressed and controlled by their husband and other male figures. Charlotte Gilman, wrote "The Yellow Wallpaper," showing her disagreement with the limitations that society placed on women during the nineteenth century. According to Edsitement, the story is based on an event in Gilman’s life. Gilman suffered from depression, and she went to see a physician name, Silas Weir Mitchell. He prescribed the rest cure, which then drove her into insanity. She then rebelled against his advice, and moved to California to continue writing. She then wrote “The Yellow Wallpaper,” which is inflated version of her

During the 19th century men considered themselves to be the superior sex. Without a valid reason or explanation, men were the providers, the politicians, and the physicians. Men had the power. The power to make the rules and set the guidelines of how things were supposed to be done and women were expected to follow without question. The 19th century was also the start of the women’s activist movement, more and more women were starting to realize that they had a voice and they wanted to be heard. Women were gaining the courage to speak up against the wishes of men and set their own guidelines. To stand up and tell men that contrary to what they believe, they are not always right. Among these opinionated women was Charlotte Perkins Gilman, the niece of Harriet Beecher Stowe and the author of many short stories and books on gender inequality. Gilman is most known for her Short story “The Yellow Wallpaper” published in 1892, where she writes about a wife and now a new mother suffering from depression. Through her work she reveals the strength and influence men had over women, the lack of knowledge pertaining to mental health and gender roles present during the 1800s.

Charlotte Perkins Gilman was born in 1860, in the city of Hartford, CT. She would later move to California. She would end her own life in 1935, after she was diagnosed with breast cancer. She fought for women’s rights and was an advocate of socialism. She wrote novels, poetry and short stories. She was a woman who was educated; her writing reflected her knowledge, relating to her strong thoughts on woman’s rights and independence and how women of Victorian times suffered from this lack of rights. In her short story “The Yellow Wallpaper”, Charlotte Perkins Gilman conveys her views on feminism and how women are treated through characters who represent this treatment. The characters she uses help the reader really get drawn into her story;

In a classic piece of feminist writing, “The Yellow Wallpaper,” Charlotte Perkins Gilman depicts the mental deterioration of a woman diagnosed with hysteria and prescribed the rest cure, an infamously ineffective treatment for anxiety and depression pioneered by Dr. Silas Weir Mitchell at the turn of the nineteenth century. The story is framed as the narrator’s journal entries, which are infrequent and rushed because writing them violates the rest cure, thus making her writings a better representative of her descent into madness as well as her potent emotions regarding her confinement than had she written one for every day of her three month stay in the room with the repellant and titular yellow wallpaper. Gilman expresses the narrator’s societally mandated respect for her husband in addition to her resentment of the inferior treatment of women through her formal and impassioned tone and virulent imagery in reference to the setting in her 1892 short story, “The Yellow Wallpaper.”

Charlotte Perkins Gilman’s short story, The Yellow Wallpaper, reveals to it’s readers the unethical and at times tortuous treatments for women during the late eighteen to mid nineteen hundreds, specifically the resting cure. Part of Gilman’s great success in portraying the personal feelings and thoughts of the narrator during this treatment can be attributed to her own tragic encounter with the resting cure shortly after her first child’s birth. Throughout Gilman’s life, she became a strong asset to the women’s rights movement, and the destruction of the resting cure by using her writings such as The Yellow Wallpaper to do so. At first glance, Gilman’s story begins in a innocent manner, but slowly escalates as the main character Jane’s

Gilman includes many biographical parallels in her short story, “The Yellow Wallpaper.” In Gilman’s short story the protagonist, Jane, is meant to be a partial reflection of Gilman herself. Gilman, a women’s activist ahead of her time, was not fond of the idea of marriage or motherhood at all. She married nevertheless and proceeded to give birth to her daughter Katherine. After the birth of her daughter, Gilman would suffer from post-partum depression for two years before seeking help under the care of Dr. Weir Mitchell in 1887. Gilman was treated with Mitchell’s renowned Rest Cure, and escaped his care upon the conclusion that the attempted treatment proved unsuccessful. Gilman eventually killed herself in 1935. Gilman utilizes her own experiences

“The Yellow Wallpaper” is a story which explores the themes of misogyny in a time in which they were the norm of society. During Gilman’s lifetime, she published works of non-fiction concerning the topic of economic independence for women and gave lectures which would cement her identity as a social theorist (Biography.com). After giving birth to her daughter, Gilman developed severe depression, for which she was subjected to many odd treatments (Biography.com). This is believed to have inspired the main event of her story, “The Yellow Wallpaper” (Biography.com). Her husband was the one who encouraged these treatments, and Gilman’s interactions with him served to drive the plot of the story, which is shaped by the interactions between the two sexes.

In “The Yellow Wallpaper”, Charlotte Perkins Gilman tells a story pertaining to demeaning nature of men towards women in the 1800s. The narrator of the story is a woman who was diagnosed as depressed and is being treated for her illness through isolation, prescribed by her husband, John. At this time, the relationship between husband and wife was overbearing. Male dominance has been present throughout all time periods; specifically in this era, women did what was expected of them. Women were spoken down to, controlled by men throughout their entire lives, and often went unrecognized.

Using Feminist Theory the reader can understand the meaning of “The Yellow Wallpaper” by Charlotte Perkins Gilman, which is about how men oppress women. The author uses tone, diction and syntax to show the meaning. First off, the tone throughout the story changes from a light tone to a darker and depressed tone. At the beginning, the narrator says “You see he does not believe I am sick” which shows the reader how John did not have very much respect for his wife. Later on in the story John says “I could and would, but you really are better, dear, whether you can see it or not. I am a doctor, dear, and I know.” which shows that John is making decisions for her even though the narrator thinks that she has gotten worse or stayed the same. Both

The narrator of “The Yellow Wallpaper” (1892) embodies the spirit of first wave feminism. Charlotte Perkins Gilman and the narrator, whose character was modeled off of Gilman, both stressed the importance and need for “physical autonomy and intellectual freedom” (Vertinsky 3) for women of the 19th and 20th centuries. Throughout the short story, the unnamed narrator is constantly questioning and pushing against the male authority. She critiques her prescribed “rest cure”, takes small measures such as writing in her journal to defy John, and independently makes the decision to lock herself in the nursery. Although the narrator in “The Yellow Wallpaper” actively rebels against the questionable medical practices and the social limitations of women of that

Throughout history the female gender has been considered the lesser sex, where they had little to no power over anything. Eventually they got tired of their mistreatment and those who wanted it to end became known as feminist. They hold the idea that both men and women should be treated as equals. Many feminist were authors who contained the feminist literary theory within their works. The theory mainly focuses on critiquing how women must comply with gender roles and how they have been denied their rights by men. The feminist literary theory has many forms, one of them would be cultural feminism, which focuses on the stereotypical women who is only meant to look pretty and take care of minor jobs such as cooking, cleaning, and watching the children. The feminist literary appears in the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman, which is about an unnamed female narrator who suffers from a nervous condition during the late 1800s, and is locked within her bedroom. The feminist Kate Chopin has written many works containing the feminist literary theory, such as her short story “The Story of an Hour” which revolves around Mrs. Mallard, who has lost her husband in a train accident, so she starts to shed tears of sorrow, however her tears of sorrow transform into tears of joy. One of Chopin 's novel, The Awakening tells the story of Edna Pontellier a woman who starts to realize the truth of society. Feminist literary theory can be viewed in many different