Male Utopian And Dystopias

Although Utopian societies create an ideal sense of what society should be like, not all Utopian societies share the same beliefs when it comes to overall gender roles. The male may come off as the stronger, wiser individual, whereas the female is the more fragile character in the background. We wonder if the roles could reverse or how can these roles differ in certain societies. In Sir Thomas More’s Utopia, males play the dominant role when it comes to society, whereas in Looking Backward by Edward Bellamy focuses on female-dominated aspects of society.

Envision a realm, filled with genderless inhabitants. A realm of pure bliss, where there is no such thing as “mankind and all beings are [biologically] equal. Now imagine an opposite realm, a realm in which Andrea Dworkin resided. Advocate turned author turned agitator. Andrea Dworkin was a heterodox feminist vanguard who paved a path of her own to support this women’s crusade. Defiant, confrontational and arguably offensive, she immersed herself into the tacit realm of patriarchy, seeking to enlighten and expose the sinister sexual methodologies of man that preserve the role of women as besmirched objects of male indulgence and exploitation. Her ideas and concepts of such is best expressed in Dworkin’s two earliest novels; Pornography: Men Possessing Women [1981] and Intercourse [1987]. Consecutively loved and loathed, Dworkin’s has exerted an important impact on the means and degree of male dominated sexuality and female oppression.

Sexuality has an inherent connection to human nature. Yet, even in regards to something so natural, societies throughout times have imposed expectations and gender roles upon it. Ultimately, these come to oppress women, and confine them within the limits that the world has set for them. However, society is constantly evolving, and within the past 200 years, the role of women has changed. These changes in society can be seen within the intricacies of literature in each era. Specifically, through analyzing The Scarlet Letter by Nathaniel Hawthorne and The Bell Jar by Sylvia Plath, one can observe the dynamics of society in regards to the role of women through the lens of the theme of sexuality. In both novels, the confinement and oppression of women can be visibly seen as a result of these gender roles. Yet, from the time The Scarlet Letter was published to the time The Bell Jar was written, the place of women in society ultimately changed as well. Hence when evaluating the gender roles that are derived from sexuality, the difference between the portrayals of women’s oppression in each novel becomes apparent, and shows how the subjugation of women has evolved. The guiding question of this investigation is to what extent does the theme of sexuality reflect the expectations for women in society at the time each novel was written. The essay will explore how the literary elements that form each novel demonstrate each author’s independent vision which questions the

The Blithedale Romance, written by Nathaniel Hawthorne, is a story of a twisted utopia. This perfect world is twisted in that the roles of gender have a traditional utopian representation, only with a more contemporary take. Of course, this is interesting because this book was written and published in the 19th century when such ideas were beginning to establish a form for the genre of writing. Hawthorne combines fantasy, philosophy, mystery, gothic, and even [what would be called today] science fiction. This novel illustrates the early break from even fresh ideas. The writing style allows for the "genderizing degenderizing" affect as well as nature of the self.

Reading literature, at first, might seem like simple stories. However, in works like William Faulkner's “A Rose for Emily,” Katherine Mansfield's “Miss Brill,” and Kate Chopin's “The Storm,” the female protagonists are examples of how society has oppressive expectations of them simply because of their gender.

During the 20th century, the women’s rights movement changed the role of women in society for the better, causing a change in the traditional gender roles that culture dictated before the turn of the century. Women won the right to vote in 1919, which was a major turning point in the respect of women as equal members of society as compared to men. In addition to this newfound right, women also took steps to become part of the work force rather than stay home and raise the children like traditional housewives of the time. This sudden interest was sparked by the two major wars that were fought during the 20th century, each causing women to feel that it was their duty to fill in for men while they were fighting for our country. Another significant feature of this time period was the exploration of sexuality for women, especially in the case of determining whether or not a woman was a lesbian. Given these issues, John Dos Passos and Patricia Highsmith both wrote novels that touched on the issues of being a woman during the 20th century and the certain rights that one had as a woman in society. In their respective works, Dos Passos and Highsmith explore the view of women through the characters of Janey and Therese Belivet, which portrays the distinct nature of women that are defying the traditional gender norms of the time.

Charlotte Perkins Gilman does a remarkable job letting us get inside the head of her unnamed main character in “The Yellow Wallpaper” giving us a taste of the female psyche, in particular showing how historically some women subject themselves to the control of men. Alternatively, Nick Hornby does something altogether similar with “High Fidelity”, introducing us to Rob Fleming, whose male psyche reveals, among other things, how men focus and base their success one expectations influenced by gender roles. In the paragraphs that follow, I will attempt to compare and contrast Gilman’s and Hornby’s findings regarding the male and female psyche. In particular, I hope to explore how gender divisions have vastly influenced society.

In a world where male-dominance is the standard for societies, there will always be a group of the subdominant gender that is looking to change the way that society functions, to achieve equality. However, opposers to the form sometimes head towards the extremes and surpass equality, only to achieve dominance. In Sarah Hall’s novel, Daughters of the North, she follows the protagonist, Sister, on her journey away from the dystopian, patriarchal society of England to an off-the-charts, female-only commune, named Carhullan. Sister dreams of a matriarchal, utopian community that is far different than the city she had left; however, what she finds is that Carhullan is not necessarily better, but simply ruled by a different, dominant gender. All in all, this paper argues that matriarchal societies are not superior to, but rather an inversion of patriarchal societies.

In Marge Piercy's book, Woman on the Edge of Time, sex plays a major role in both the utopia and the dystopia. The portrayal of sex in the novel comes from a feminist point of view. The main character, Connie, is caught between a utopian world and a dystopian world where the takes on sex are on different levels. By using a feminist approach, the two worlds of sex can be examined and contrasted.

Women in literature have been portrayed in a multitude of ways throughout time. From goddesses to witches, and even prostitutes, women have not been limited in their representations. One challenge, in particular, is repression of their sexuality. In novels by Kate Chopin, George Orwell, and Kazuo Ishiguro, female characters live in societies that seek to regulate their sexuality. Published in 1899, The Awakening by Chopin focuses on Edna Pontellier, a woman who seeks to create a life outside her marriage by pursuing relationships with various lovers. George Orwell’s 1984, which was published in 1949, features Julia, a woman who rebels against her society by having sex for pleasure and not for reproduction. In addition, like Chopin and Orwell,

During the 19th century, women were controlled by a male dominated society. The women were in pure agony knowing that there was no faith for them to have a crucial change in civilization. This could often lead to “clinical depression” in which a human could feel lonely, empty, confounded and miserable. In this time period, women’s role in society was to be simply mothers and wives. A world where women had rights, control, and power was a fantasy. According to Hall, he states, “Key to all feminist methodologies is the belief that patriarchal oppression of women through history has been profound and multifaceted” (Hall 202). In other words, it is known that the male takes complete cruel supremacy over the years in our history. In The

All characters in the novel are living in a man’s world; nevertheless, the author has tried to change this world by the help of her characters. She shows a myriad of opportunities and different paths of life that woman can take, and more importantly she does not show a perfect world, where women get everything they want, she shows a world where woman do make mistakes, but at the same time they are the ones that pay for these mistakes and correct them.

The world in any society has two sides, Utopia which is defined as the perfect world and the peaceful life that is free from disasters. This word " Utopia " is derived from Greek roots by Sir Thomas More which means "a good place" (More 37). Merriam Webster defined Utopia as "an imaginary place, all life aspects are perfect, as the world suffers from nothing" (Webster 19). while Dystopia is defined as an imagined universe in which the unequal society controls the fancy of an ideal society which are maintained through technological, moral, corporate or totalitarian control " Beauty of dystopia is that it lets us vicariously experience future worlds but we still have the power to change our own" (Condie 75). in which the genre challenges utopia’s

In Utopia written by Sir Thomas More, he talks about the idea of a perfect world, if it could ever be possible, and what it would be like. The reader is given a chance to think for himself about what his own ideas would be for his “perfect world”. For women who read this

From its preface, More expends a substantial amount of effort to persuade readers that Utopia is real. He layers facts into the text, with his initial ‘letter’ to Peter Giles, his use of real life references (Amerigo Vespucci (10), John Morton (15), Giles and More himself), and his conversation with Raphael Hythloday amidst an actual visit to Antwerp for diplomatic business. His indefatigable attention to detail, such as when he struggles with the length of a bridge over the Anyder (5), and his microscopic descriptions of Utopian society, serve to reinforce his credibility, and its authenticity. By going to such lengths to create a vivid and realistic Utopia, More wants readers to believe that Utopia can exist, and approach it as a serious piece of work.