Male Vs Female : Playwrights Of The 1950 ' S

Every black male's plight in America can be regarded as a provider for his family. However, society does not afford black males the benefit of feeling secure about providing for their families. It can be easy for anyone to criticize society and place the blame on America for not affording Walter the opportunities of his white counterparts. Walter does not have control over his own responsibilities. Therefore, if he was given all the resources needed to provide his family his poor judgement and lack of business sense would create further stress on the family. Ruth, Mama, and his sister Beanetha attack him from every angle about his doubtful ideals. Ironically, those ideals are what Walter needs to shape and justify his manhood. Without ideals and proper resources to obtain them, a man's existence can be regarded as insignificannot

At the beginning of the play Walter Lee younger believes that manhood stems from being able to provide for one’s family. We first encounter Walter’s concept of manhood when he and Ruth are arguing over breakfast and Walter says, “I’m thirty-five years old; I been married eleven years and I got a boy who sleeps in the living room and all I got to give him is stories about how rich white people live…” (Hansberry 478). This begins to show his ideas because it shows that he is getting older and he still cannot provide for his family. One thing that might hurt Walter the most

Walter struggles in understanding who he needs to be for his family. He wants to take his place as the patriarch of the family, but he feels incapable of providing them with the lifestyle they deserve. This concern is always at the forefront of his mind, and it affects his attitude and outlook. The anxiety that Walter is dealing with creates confrontation with his sister. He fears that her dream will interfere with his own agenda of making a better life for his family. The severity of the tension becomes more and more apparent with Walter’s unwise investment. Walter is dealing with the burden that he has let his family down, while Beneatha is flabbergasted by the reality that her future has been snatched away from her, and she had no control over it. While reflecting on the situation, Beneatha remarks, “ I sound like a human who just had her future taken right out of my hands! While I was sleeping….things were happening in this world that directly concerned me and nobody consulted me—they just went out and did things—and changed my life” (Hansberry 3.15). Walter and Beneatha’s individual issues with the outcome of the situation cause them to find fault with one another during a time when their family needs to pull together to get through such a financial hardship. Walter is in an emotional pit; his turning to alcohol and music instead of his family for support expands the

After Mama tells Walter she was out taking care of business Walter replies with ”What kind of business?” This short simple reply from Walter gives the effect that he’s worried about something and wants an answer quick. Walter being in such a state of worrisome shows that he is really worried about the money and if Mama spent it or not. The insurance money was key to Walter’s plans of owning his own liquor store. After Mama isn’t quick to answer Walter’s first few questions he grows even more restless and says, “Where were you, Mama? Mama, you didn’t do something with that insurance money, something crazy?” Finally, Mama answers saying she took care of business Walter gets even more upset because he could tell she used the insurance money and could almost see his dream crumbling before his very own eyes. Lorraine Hansberry asks numerous questions when she writes as Walter in order to create a sense of urgency and worry on the whereabouts of the money. This is an example that supports the theme because Walter dreamt of having his own liquor store while Mama and much of their family dreamt of living in a nicer house, which she decided to

Walter would be the so called ‘typical’ black man archetype, he tries throughout the play to fix the family’s problems of his own accord and does not play much into racial problems except simply distrusting the white man. Walter differs from the other two black archetypes presented in the play as his character seems to be less concerned with racial problems and more concerned with the problems at hand. This can be seen in that most of his thought, speech and effort is more concentrated on his venture to open a liquor store to solve the family’s financial problems. While his character is not heavily concentrated on racial problems, he still has a disdain for the white man which is what

Walter is in for a big surprise. When his mother finds out about his plans, she rains on his parade. She decides to exercise her authority as the holder of the check. She’s going to fulfill her dream instead; buy a house, with a garden, for her family. Walter still thinks he’s going to get the money.

Through her character Walter Younger, Hansberry created a real example of Black America's struggle to reach the American Dream. Walter’s Dream was to invest in a liquor store. He was going to achieve this dream by asking his mother to take the check and invest in the liquor store. His dream was deferred because his mother already made a choice on making a down payment on a house. Walter says “WILL SOMEBODY PLEASE LISTEN TO ME TODAY” (p.70). It shows that nobody wants to take the time to listen to what he thinks or wants to do.To him he’s trying to find a way to get the family out of poverty. Walter’s American Dream of getting out of the Chicago ghetto was also deferred because he isn’t making enough money on his own to invest into

The Younger family has not been able to experience the finer things in life, and Walter, being the authoritative male figure, feels he is at fault knows that a change is needed. Walter’s solution is to use his father’s life insurance money to fund the acquiring of a liquor license. The women of the household are always ordering around Walter. It’s Ruth, Mama, or Beneatha telling him how to run things, and when he gets a chance to take the initiative by using the money to invest in his liquor license, his friend betrays him, and his dreams are crushed.

In Lorraine's Hansberry A Raisin In The Sun. Walter wants to make money to support his family. He wants money because he thinks it makes him a “man”. How ever when his money is stolen, Walter’s perceptions of manhood shifts from valuing wealth and power to valuing family and pride.

Walter does not have control over his own responsibilities. Therefore, if he was given all the resources needed to provide his family his poor judgement and lack of business sense would create further stress on the family. Ruth, Mama, and his sister Beanetha attack him from every angle about his doubtful ideals. Ironically, those ideals are what Walter needs to shape and justify his manhood. Without ideals and proper resources to obtain them, a man's existence can be regarded as insignificant. There are many obstacles in the way of Walter?s dream of opening a liquor store, as he tries to explain to his wife, Ruth, about what he has to do, ?Baby, don?t nothing happen for you in this world ?less you pay somebody off!?(Hansberry 33) Walter's determination to open the liquor store can be viewed as means to an end to his family?s hardships.

Walter presumes that ‘it’s always money’ and how Mama can’t use it in the right way. Walter later responds that ‘money is life,’ explaining to Mama that success is now defined by how much money one has. This conversation takes place early in the play and reveals Mama’s and Walters economic struggles. However we see a turn of events when Walter plans to accept Mr. Lindner’s offer. Walter is not concerned with the degrading implications of the business deal; it is simply a way to recover some of the lot money. However, Hansberry challenges Walter’s crude interpretation of the American Dream by forcing him to actually carry out the transaction in front of his son. Walter’s inability to deal with Mr. Linder marks a significant revision of his interpretation of the American Dream. Walter comes to a realisation that money is not everything and how family is so much more valuable. During the late 1950’s money was defined as one of the main characteristics of a man, and who that man will become. Walters dream is to obtain enough money to provide enough for his family, this dream of his suggests how his American Dream is also vanished, as money was an immense part of this dream of his. Wily Loman is the complete opposite; he fails to understand that there is so much more to becoming successful than being rich. The failure to understand this concept brought him to a sudden death. Willy is like every

In the Africa American culture, there has been a longstanding discussion of the black woman’s physical appearance and how they identify themselves in society. Though there are many themes of the Black experience in the media that discuss the standard of beauty Black women should have. However, theatre has a creative and tactful way of exploring these topics that are considered taboo in the African American culture. During the Black Arts Movement, topics such as black empowerment and self-identity were the blue print for what the movement stood for. In reference to, A Brief Guide to the Black Arts Movement Writers, “African American artists within the movement sought to create politically engaged work that explored the African American cultural and historical experience” (A Brief Guide to the Black Arts Movement Writers.1). Prolific writers such as, Ntozake Shange 's, Amari Baraka, and Nikki Giovanni, just to name a few, were revolutionary in a creative and political movement, which allowed for writers and poets to demonstrate the pains and qualms of what African Americans faced in Western society. Two African American playwrights, Lorraine Hansberry and Adrienne Kennedy, expounded on these topics in their plays A Raisin in the Sun and Funny House Negro. In the further exploration of stigmas of African American female hair and self-identification through theatre, these plays will be used as a platform to

First, Hansberry uses Walter to show the negative consequences of what happens when a dream is deferred. Walter, a stuck up and disrespectful man, always has some plan to make them a lot of money. Walter is the son of Mama and the brother of Beneatha. Walter wants to be the man of the house. They have lived in the same little apartment for his whole life and he has always had a dream to get out. His family has always been poor but he is the only one who seems to be really bothered by it. Everyone else always just knows what they can and can not have and manages to be fine. He always has some plan to make money that turns out bad. This time he has a dream to open a liquor store with his two friends. They will have to do it illegally so the family is not on board. With the money on his

Before the relatively short life of Lorraine Hansberry tragically ended, the African-American playwright distinguished herself in American theatre and literature as she creatively and unknowingly challenged the views of African-American life, among other inescapable issues of the nation and the world, on the theatrical stage. The great playwright’s life story began on May 19, 1930. Although born during a time of hardship introduced by the Great Depression, Hansberry grew up rather comfortably in a middle-class African-American family from the Southside of Chicago (“Lorraine”). Her father, Carl Augustus Hansberry, not only established Lake Street Bank, one of the first Chicago banks to solicit black patronage, but also established himself as a successful real-estate businessman (Jacobus, “Lorraine” 1223). Despite the middle-class status, the family experienced racial tension, especially when the family bought and moved into a home in a racially restricted covenant—which later resulted in the Hansberry vs. Lee U.S. Supreme Court case that influenced Hansberry’s writing (“Lorraine”).

The author Lorraine Hansberry is able to write about these characters because she was once one of them. Lorraine Hansberry was the first African American woman to write and publish a screenplay that was performed on Broadway. Lorraine Hansberry also inspired other African American writers and paved the way for them as Steven Carter writes “the first black and youngest American to win the New York Drama Critics Circle Award, and a trailblazer whose success enabled other blacks to get their plays produced. Having exhilarated audiences for over twenty-five years by its profound affirmation of black life in all its diversity and creativity and of black strength through generations of struggle” (Carter