Malvolio's Mistreatment in Shakespeare's Twelfth Night Essay

In this time, Jewish people were banned from owning land and property, also being restricted with what work they could do. Those in power forced the Jews to take on positions in money-lending and business trades, become public enemies of taxpayers for years to come. This is later represented in Nazi propaganda, showing fat Jews sitting on piles of money while they look at thin and withering Aryans, usually with a large nose and a matching grin. This is still the image that many people associate with a Jewish person today, as many conspiracy theories pop up that the Jewish people are controlling the Western

Malvolio is introduced to us in Act1Sc5, presented as pompous and assertive, first impressions of him depict a man desperate for superiority. This is shown when he calls Feste “a barren rascal” even though Feste is of the same social standing as Malvolio. The fact that our first introduction to Malvolio involves him mocking another character using degrading language immediately

For instance, when he finds the love letter that is supposedly written by Olivia, confessing her love for him, and telling him to smile, wear yellow stockings and go cross-gartered, he says, “I will smile, I will do every thing that thou wilt have me.” (2, 5, 165-6). He thinks the letter is from countess Olivia, who he is in love with, and believes that the greatness of being her husband is about to be given to him. Before finding the letter, he wanders around in Olivia’s garden and dreams about himself “To be Count Malvolio!” (2, 5, 32). He imagines how the other characters of the play would serve him, which again shows that Malvolio thinks he stands above everyone. In addition, when Malvolio is hailed by Olivia, he arrives smiling, wearing yellow stockings and cross-gartered, which makes Olivia think he has gone insane: “Why, this is very midsummer madness.” (3, 4, 51). Consequently, in this part of the play Malvolio’s inside does not match his outside. Throughout the play he is a grave character, that detests other persons having fun, so his actions of smiling and wearing strange dress make him look like a madman, which is why he gets locked up in Olivia’s basement. Towards the end, he returns to his initial manner, and declares that he will “be reveng’d on the whole pack of you!”, referring to the characters that tricked him into believing that the letter was

Jealousy is a powerful emotion that can blind oneself from identifying the truth. Shakespeare heavily emphasizes this theme throughout the drama Othello, especially through the actions of characters. In the play the heinous antagonist, Iago, uses each character’s jealousy to deceive that person and manipulate the truth. His false promises and deceitfulness bring to the demise of many of the main characters in the play, including the protagonist, Othello. Othello could not have been deceived if it were not for his powerful jealousy. Therefore, Shakespeare is telling us that jealousy is an ugly trait that can hide the truth, which in turn causes many problems between characters in the play.

Jews are a standout amongst the most stereotyped religious social orders ever, with the media every now and again utilizing negative pictures at whatever point they write about Judaism and the Jewish race. History demonstrates that Jews were constrained from their country and turned into an itinerant individuals, spreading all through Europe. Regarded as untouchables in Europe, local people were suspicious of the Jews and made numerous myths and pessimistic generalizations about them which are propagated today. Numerous limitations on callings were put on the Jewish individuals in the medieval times. The Catholic Church and numerous Christians accepted that loaning cash for premium was a wrongdoing and was prohibited. This pushed Jews into cash giving and rent gathering sort occupations which the congregation saw as second rate. This prompted the generalization that Jews are ravenous, shabby, mean and even degenerate.

When looking at European history, it is easy to identify where the stereotypes against the Jews first originated. In Medieval Europe, for instance, Jews were limited to the types of occupations they could hold. They were banned from farming and entering guilds, so many of them became merchants and money-lenders (Singer). Since both these occupations dealt with the exchange money, dealing loans, setting prices, and charging interest, people began to stereotype the Jews as scheming merchants who demanded money from their customers, but refuse to give back the money they owed to others. Since then, the Jews have been popularly characterized as “cheap” individuals. Never before in history, however, has stereotyping against the Jews reached such a climatic level than in Third Reich during World War II. As the German economy was suffering from the affects of the war, many Germans blamed the Jews for the country’s decline since the Jews held positions in finance, commerce, and the press. When Germany’s most influential leader, Adolf Hitler, came to power in the year 1934, he confirmed that the Jews were the cause of the depression within the country, proclaiming that the Jews were greedy, evil, cowardly, and corrupting

In William Shakespeare’s Twelfth Night, Malvolio is considered an outcast by almost everyone in the play. He doesn’t act the same way that any of the other characters act, in that he doesn’t participate in any of their activities, he enforces rules that the others could care less about, and he is just overall a socially awkward guy. Malvolio not only claims to adhere to the rules of the household himself, but uses his relations with Olivia to try and help make the others follow the rules as well. This upsets certain characters more than others. For instance Sir Toby, Sir Andrew and Maria find his behavior particularly detestable. But Malvolio’s strict coherence to the rules allows him to have a rather high position in Olivia’s household.

Many scholars classify William Shakespeare's The Tragedy of Hamlet, Prince of Denmark as a revenge tragedy, a genre popular during the Elizabethan era (Gainor 41). Shakespeare's tragedy focuses on three sons–Hamlet, Laertes, and Fortinbras–seeking retribution for the unfortunate death of their fathers– King Hamlet, Polonius, and King Fortinbras respectively. In the play, the father-son relationship is the primary motivator for each son's revenge. Because Elizabethan society places a strong emphasis on the relationship between father and son, each son feels obligated to right his father's wrongs. According to Fredric B. Tromly, author of Fathers and Sons in Shakespeare: The Debt Never Promised, “A defining . . . feature of Shakespeare’s

In Hamlet, Shakespeare uses revenge as a major theme present throughout the work. Revenge plays a crucial role in the development of Fortinbras, Prince of Norway, Hamlet, Prince of Denmark, and Laertes, son of Polonius. All three men seek revenge for the murder of their fathers. Revenge can be interpreted as a separate character in Hamlet. Revenge is set to overcome anyone who seeks it. Initially, after each of the murders, every son had a definite course of action to obtain vengeance. Or in Hamlet's case the choice was to seek no vengeance. As the play unfolds, each young man approaches the desire for revenge and chooses a different path towards gaining it based on the guidance of another character in

Jealousy is described as someone who is feeling or showing envy of someone because of their achievements and advantages. Jealousy plays a major role in Shakespeare’s play Othello. There are many instances throughout the play that show jealousy between the characters. Throughout the play, jealousy is used for destructive purposes only. I believe that Iago longed to get revenge on Othello for previous issues. This only results in a long line of accusations and disputes between the characters in Othello.

first of all the characters in the play to be attacked by the "green -

The Role of Malvolio in Twelfth Night The main storyline in Twelfth Night is love between Cesario, Orsino, Olivia and later on in the play Sebastian. Malvolio’s part in the play is a backdrop situation separate from the main story. He brings a level of both humour and sympathy to the play. Malvolio is one of the main sources of humour in Twelfth Night.

Dominating the protagonist in William Shakespeare’s tragedy Othello is the passion of sexual jealousy. Dominating the antagonist is another type of jealousy toward Cassio, and hatred toward the general. Let us look closely at the concept of jealousy as it is revealed in this drama.

William Shakespeare's The Tempest Generally acknowledged as one of Shakespeare's final plays, 'The Tempest' may be described as a romantic tragi-comedy - where love and contentment prosper despite the threatening presence of evil forces. However, beyond the almost 'fairy-tale' like exterior lies a seemingly direct approach to a greatly topical debate at the time. This was the supposed contrast between civilised and uncivilised persons, brought to the fore as a result of recent expeditions overseas. Although pioneering voyages of discovery were not a recent commodity since the travels of Christopher Columbus, almost a century earlier, it wasn't until the early sixteen hundreds that such voyages

Through the play each character’s behavior is changed. The biggest change in behavior was that of Malvolio who began to believe in his own delusion. This delusion made him believe that the fair Lady Olivia loved him. His delusional state got him locked up in a shackles and isolated. This state of mind is an effect of love for him. Then the Lady Olivia’s behavior when she is not in love is a melancholy state. She had just lost her brother and her