Man And Evil In Joseph Conrad's Heart Of Darkness

    Literature is never interpreted in exactly the same way by two different readers. A prime example of a work of literature that is very ambiguous is Joseph Conrad's, "Heart of Darkness". The Ambiguities that exist in this book are Marlow's relationship to colonialism, Marlow's changing feelings toward Kurtz, and Marlow's lie to the Intended at the end of the story.

In Heart of Darkness, Joseph Conrad created the impression of ‘other’ with the way the characters Marlow encountered were described. Words lead a reader to form an opinion and Conrad directs his reader’s into believing the natives are wicked. In the novel, Joseph often times calls the African people savages or creatures, “... unhappy savages” (20) and “...one of these creatures...” (22). Savages and creatures give the connotation that they were evil and animalistic. His words impact on how we think of the African characters in the novel.

The Problem of Evil questions the existence of evil in a world constructed by a seemingly omniscient God. Evil’s existence in a world with a God that is both benevolent and all-knowing is within itself a paradox. Therefore, a God that is omnipotent cannot exist with evil being present in the world. I argue that Leibniz’s argument for the Problem of Evil outclasses that of the likes of John Perry’s because Leibniz’s argument states that evil is a result of there being a need for a greater rather than a limitation on God’s power. Leibniz’s main position in addressing the Problem of Evil is that the world with evil is more than likely better than the world without evil due to evil being often accompanied by a greater good or meaning.

     Heart of Darkness by Joseph Conrad is a novel about a man named Marlow and his journey into the depths of the African Congo. Marlow is in search of a man named Kurtz, an ivory trader. Though Marlow?s physical journey seems rather simple, it takes him further into his own heart and soul than into the Congo. The setting, symbols and characters each contain light and dark images, these images shape the central theme of the novel.

Although the author Joseph Conrad never met the German philosopher Gottfried Wilhelm Leibniz, who died more than a century before Conrad’s birth, their distinct philosophies still have numerous points of intersection, suggesting some fundamental truths within the structure of the human reality. Through the novella, Heart of Darkness, Conrad details his perspectives on the faults of man and reality as a whole, with views often coinciding with many of Leibniz’s own, as found in his numerous philosophical works. Consequently, the two perspectives combine together, like a cyclopean image, to enhance and deepen each of the two men’s philosophies on humanity.

In Joseph Conrad’s novel Heart of Darkness, the cultural collisions illustrates the struggles Marlow experiences as he questions the nature of evil in humanity.

Inherent inside every human soul is a savage evil side that remains repressed by society. Often this evil side breaks out during times of isolation from our culture, and whenever one culture confronts another. History is loaded with examples of atrocities that have occurred when one culture comes into contact with another. Whenever fundamentally different cultures meet, there is often a fear of contamination and loss of self that leads us to discover more about our true selves, often causing perceived madness by those who have yet to discover their own self.  Joseph Conrad’s book, The Heart of Darkness is a story about Man’s journey into his self, the discoveries to be made there and about

Cruelty in Heart of Darkness In Joseph Conrad’s novel, Heart of Darkness, many motifs were mentioned in the story. Savagery, meaning an act of cruelty, was one of the most important motifs that were exemplified multiple times throughout the novel. As Marlow, the main character of the story, traveled along the Congo River to find Kurtz, he encountered many forms of savagery. In the beginning of the novel while Marlow was taking a break on the Nellie with other crew members, he described how the Romans felt when they were in his position on the river.

Beyond the shield of civilization and into the depths of a primitive, untamed frontier lies the true face of the human soul. It is in the midst of this savagery and unrelenting danger that mankind confronts the brooding nature of his inner self.  Joseph Conrad’s novel, Heart of Darkness, is the story of one man's insight into life as he embarks on a voyage to the edges of the world. Here, he meets the bitter, yet enlightening forces that eventually shape his outlook on life and his own individuality. Conrad’s portrayal of the characters, setting, and symbols, allow the reader to reflect on the true nature of man.

    Joseph Conrad's Heart of Darkness is full of oppositions.  The most obvious is the juxtaposition of darkness and light, which are both present from the very beginning, in imagery and in metaphor.  The novella is a puzzling mixture of anti-imperialism and racism, civilization and savagery, idealism and nihilism.  How can they be reconciled?  The final scene, in which Marlow confronts Kurtz's Intended, might be expected to provide resolution.  However, it seems, instead, merely to focus the dilemmas in the book, rather than solving them.

"The horror, the horror!" Kurtz exclaims prior to his last breath of life on earth. In those final moments, Kurtz was able to say something so true about the whole mess of human life. A life dominated by the fittest, perceived differently through each human eye, and full of judgement lacking understanding of all sides. The various ways the world is viewed causes many problems amongst its people. Whether they are about racism, wealth, or even common sense, conflicts are still subject to arouse. Why? The answer to this is not yet clear because of its complexity and endless variables. Yet what is clear is that it ties into two other aspects-prejudice and social

Evil: Morally bad or wrong; wicked. Causing ruin, injury, or pain; harmful. Characterized by or indicating future misfortune; ominous. Bad or blameworthy by report; infamous. Characterized by anger or spite; malicious. The definition of evil, a term used very cautiously in modern society, is very diverse among different people. In Joseph Conrad’s Heart of Darkness, the term evil is articulated through several ways mainly four characters: the cruelty within the people of the Belgian Congo, main mystery of Kurtz, the setting upon which the characters reside, and the atmosphere in which the Belgian Congo produces from the elements prior stated. The smarter Europeans used their intelligence and arms strength to cruelly overcome the weaker

Heart of Darkness is written by Joseph Conrad and published in 1899. It is a novella written in the early modernism literary period.

The two major themes of Heart of Darkness are the conflict between “reality” and “darkness,” and the idea of restraint and whether or not it is necessary. Conrad’s passage describing the restraint of the hungry cannibals exemplifies both themes:  It describes how reality shapes human behavior, and contrasts the characters of Kurtz and Marlow.  “Reality,” as it is used here, is defined as “that which is civilized.”

It has been said that although Conrad may not have been 'the greatest novelist, he was certainly the greatest artist every to write a novel';. I feel that this is an apt description of Conrad's writing style in Heart of Darkness (1902), as he paints many verbal pictures by using expressive words and many figurative descriptions of places and people. An extensive use of words relating to colour, is evident throughout the novella. The idea of darkness (and light) is emphasized from the title of the novella, and continues to play an important role throughout in the story .