Manchurian Candidate : Movie Analysis

The film The War Room is a documentary about Bill Clinton that has very little to do with Bill Clinton himself. The primary focus of the film is devoted to the team of campaign strategists that got Clinton to the presidency. The two main players the film focuses on are James Carville--the Lead Strategist for the Clinton campaign and George Stephanopoulos the Communications Director. The film follows them and their team of campaign strategists and experts as they try to get Arkansas Governor, Bill Clinton, to the presidency. The documentary highlights many key moments in Clinton’s campaign, for example the Gennifer Flowers scandal. However, the film showcases what was happening behind closed doors in the War Room, where Clinton’s

The vision Christopher Nolan had for The Prestige (2006) was to add to the outbreak of street magician film, whilst playing a large dramatic subplot equal in grandeur to the magical performances within the film. In the final sequence of the film, I will analyse how the cinematography and sound resolves the plot so that it summarises the themes present in the film, whilst also invoking a response from the audience. Nolan predominantly uses close up shots, non-diegetic sound (music) and dialogue collaboratively to convey the dramatic, personal subplot of the characters and their relationships, whilst appealing to the audience bringing forth an emotional response from the audience. The heavy, slow, dramatic atmosphere of the ending sequence uses various techniques to summarise and uncover the underlying mysteries of the events throughout the film and consolidate themes introduced during the exposition.

SS General Reinhard Heydrich was in charge of the “Reich security” and appointed to lead the infamous Wannsee Conference. This conference featured many established leaders in the Nazi Party, SS, and German government and gets its name from the location of the meeting, a wealthy German suburb. The purpose of this conference was to inform the slightly lower ranking German leaders of the “Final Solution” to the ‘Jewish question.’ The movie Conspiracy focuses on the Wannsee Conference and shows the influence on many of the aforementioned leaders. Kenneth Branagh, the actor that portrays Heydrich, is able to successfully imitate his commanding presence throughout the film with his use of body language and tone. From the opening scene of the

As time goes on, history has a way of getting distorted from its most truthful form. Time causes people to drift away from accuracy and become more interested in what they want to remember. Hollywood has a reputation of creating films that cater more to the average viewer, rather than the history buff. Inglorious Basterds, by Quentin Taratino, take very liberal liberty with a history story, and creates a story that will sell to the crowd. This may seem dubious, but it is often not such a bad thing. Hollywood can take a story that may have one connotation, may it be serious or dreary, and turn it into something that evokes different emotions, will still addressing historical issues or topics. Taratino chooses to film a movie of this type

The 2012 movie Argo is based off of a true event in 1979. During the Iranian Civil War, President Jimmy Carter gives the Iranian Shah refuge in the U.S. due to his illness. In retaliation, Iranian activists invade the U.S. embassy in Tehran, Iran and the staff are taken as hostages. This is famously known as the Iranian hostage crises. Although six of the staff members escape and are taken in by the Canadian Ambassador. Determined to rescue the six, Tony Mendez, who is our main character, from the CIA is brought in because of his expertise. After talking to his son one day while watching a science fiction program on TV, he comes up the idea to go into Iran, under the guise of Canadians

The Patriot. A person who is willing to fight for their country against enemies. The Patriot begins in the year 1776 in the colony of South Carolina. Mel Gibson plays a planation farmer who fought in the French-Indian war named Benjamin Martin. A War was about to begin and Benjamin wanted no share partaking in the soon-to-be American Revolutionary War. He was more concerned about his two eldest sons who wanted to fight under General George Washington. The beginning of the movie starts out with Benjamin Martin peacefully living with his kids whom no longer have a living mother. Benjamin’s oldest son, Gabriel, joins the war without permission from his father. As the rest of the family are at home one afternoon, Colonel William Travington burns the Martin Plantation to the ground and his second oldest son was killed immediately for interrupting Travington’s plan. Benjamin finds a way to seek revenge because of the rage he experiences after his family is hurt. He begins to realize that he needs to fight for his children and he will not do it alone. Both Benjamin and his oldest son, Gabriel, decide to join the militia as a way of showing what they are capable of. Throughout the film, Benjamin Martin becomes a soldier whom others respect and admire. He shows the militia what it means to truly care for not only his men, but also for his family. As the film progresses, a turn of events take place that show Benjamin’s continued want of revenge against General Charles Cornwallis. The Continentals and the militia soon commence the battle at Cowpens. This is when Benjamin Martin meets his enemy, Travington, who murdered his two eldest sons. After a drawn-out battle, Benjamin stabs Travington in the neck and kills him for the sake of his children. It is then that General Cornwallis retreats his forces and the rest celebrate. Even though some portions of The Patriot aren’t as accurate as we perceive, it is a film full of war and despair, but also a film that contributes to the importance of dignity and the love for one’s family.

Since the late 1940s, American cinema has been obsessed with the idea of the atomic bomb and what it stands for; whether that be destruction or absolute power depends on the film. This symbolism would then come to define the 1950s, and later on American cinema as well. This symbolism then must be addressed from the lenses of, both, history and socio-political commentary. Then the question must be posed why specifically these two lenses? The answer to this question, then, lies in the films of the 50s, and beyond. Whether this answer lies in the apocalyptic imagination present in the films or the politics of the time, McCarthyism would influence American culture far beyond the 50s, depends on the historian who is asked. The answer, then,

The film opens with President Dwight Eisenhower’s farewell speech at the end of World War 2. Eisenhower’s speech is significant because he warns Americans about the seemingly permanent presence of the arm industry, that had taken root in America. Moreover Eisenhower is not stating this from a liberal point of view, signifying that the concern of the military industrial complex is not a party issue or an ideology issue, but rather an universal one. This piece of

During the late 1940s and the early 1950s, the thought of communism instilled fear within many Americans because it was portrayed in such a way that confined diversity and corroded political culture while the United States was supposed to be the land of the free. This fear of communism was nicknamed the “Red Scare” and was fed by Joseph McCarthy’s accusations of hidden communist in the country. The Manchurian Candidate was a black-and-white American film released in 1962 that depicted the Cold War and the affects of that paranoia had on the nation. It was released at the peak of the Cuban Missile Crisis and the spread of communism. This film was about Raymond Shaw, the son of a right-wing political family, who was brainwashed to act as an assassin

During the late 1940s and the early 1950s, the thought of communism instilled fear within many Americans because it was portrayed in such a way that confined diversity and corroded political culture. This fear of communism was nicknamed the “Red Scare” and was fed by Joseph McCarthy’s accusations of hidden communist in the country. The Manchurian Candidate was a black-and-white American film released in 1962 that depicted the Cold War and the effects that paranoia had on the nation. It was released at the peak of the Cuban Missile Crisis and the spread of communism. This film was about Raymond Shaw, the son of a right-wing political family, who was brainwashed to act as an assassin for his mother in a communist conspiracy theory. Major Bennet (Ben) Marco was another main character that played an important role in discovering the truth of Shaw’s brainwashing. Raymond Shaw faced the conflict of acting upon his free will while still being subconsciously manipulated by someone else. Throughout the film, Shaw was shown committing actions that he does not recall whatsoever later due to his programming which was triggered by the Queen of Diamonds playing card. Through the use of film techniques, The Manchurian Candidate creates a scenario which resembles the manifestation of America’s “Red Scare” paranoia in that the film portrays Raymond Shaw as an individual who lacks human agency due to his brainwashing because of a communist conspiracy.

In an effort to capture the effects of paranoia of the Red Scare in 1950s America, The Manchurian Candidate is filmed with the intentional techniques of character-following shots, plays on lighting, and mise-en-scene. These film techniques are utilized to make the argument that paranoia can be used to control others with the use of force as one tries to make sense of the chaos around themselves. Throughout the film, audiences fall into a sort of confusion when trying to determine the characters on the side of good or evil. Just as the audience gets trapped in the confusion of the film, the American people fell into pandemonium during the Cold War and were forced upon by the government to be on the side of freedom and democracy or be forced

The films The Manchurian Candidate (1962), Seven Days in May (1964) and Fail Safe (1964) were the emergence of a new political film genre recognized as political thrillers. The films individually focused on specific political issues that were going on in real American society like The Manchurian Candidate focused on McCarthyism and communism, Seven Days in May focused on inside betrayal in the White House, and Fail Safe focused on issues with Russia. What made these films create a new genre was that collectively they had a twist that the audience wouldn’t expect to see. For example the Manchurian Candidate add a complexity to each and every character that for the length of the film they’re deemed to be troubled like the brainwashed veteran from the Korean War Major Bennett Marco portrayed by Frank Sinatra to assassinate when commanded to do so. The shocking conclusion of the film is that in the end it was his mother (portrayed by Angela Lansbury) who was commanding him to do so since she herself was a communist and did a very well job at manipulating not only her son but blaming other people for being communists in order to keep her own cover something that wasn’t incorporated into films quite yet until this film. The twists, complexity, and manipulation by the characters are what made this a political thriller and the first and foremost established as one in 1962. The thrill continues in Seven Days in May, but the story line shifts completely, it’s something fictional but

“The Revisionaries” is a 2012 documentary meant to provide a brief view of who makes the decision that affects the American curriculum and on what grounds they are made. In Austin, Texas, fifteen people influence what is taught to the next generation of American children. Once every decade, the highly politicized Texas State Board of Education rewrites the teaching and textbook standards. Don McLeroy, a dentist, Sunday school teacher, and young-earth creationist, leads the Religious Right charge. After briefly serving on his local school board, McLeroy was elected to the Texas State Board of Education and later appointed chairman. During his time on the board, McLeroy has overseen the adoption of new science and social studies curriculum standards,

Just as the Civil War lead to sentimental domesticity, the Cold War brought to light the idea of Momism. The Manchurian Candidate was released in 1962. The film offered an exaggerated alternate reality in which soldiers were brainwashed in order to infiltrate the American Government. Directed by John Frankenheimer, the film introduced the idea of Momism through the relation established by Raymond Shaw and his mother. By employing body language, dialogue and alluding historical figures one is able to understand the development of Momism and the effects it can have on an individual.

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