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Mandan And Hidatsa Summary

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The traditional historical narrative surrounding Mandan and Hidatsa mourning culture was largely shaped by the journals of Anglo-American and European fur traders, explorers, and anthropologists who did not comprehend or blatantly ignored the centrality of female agency and spirituality. Instead they produced sensational accounts of “melancholy spectacles of decayed and decaying human forms” that were so horrendous “civilized” observers stayed clear of the site. Others saw the funeral practice as justification that “filial, conjugal, and parental affections are not necessarily the result of civilizations; but that the Great Spirit has given them to man in his native state; and that the spices and improvements of the enlightened world have …show more content…

In contrast, 19th and early 20th century indigenous narratives describing Mandan and Hidatsa death and mourning culture shift the focus from descriptions of decay and “affections” in the midst of “barbarity” to narratives of familial care, self-sacrifice, and intimate interpersonal and spiritual connections. By refocusing the narrative of death and mourning culture on these indigenous experiences and their perspective on matrilineal clan relationships and spirituality, I seek to decolonized narrative of morality culture. Through care for the dying, preparation of the dead, and funeral rituals, the women in the Mandan and Hidatsa matrilineal clan systems honored their relatives’ autonomy, demonstrated familial care, and facilitated ongoing spiritual unity between living and deceased clan …show more content…

Infant and maternal mortality were high as disease and post-natal care fluctuated with the seasonal movement during hunts and village relocations. Gilbert Wilson, an anthropologist who interviewed indigenous individuals at the Fort Berthold Reservation recorded, “women often died in childbirth when overtaken in labor while on a deer hut or where assistance was not readily available.” When mothers died in childbirth, her sisters and mothers adopted her children to preserve the clan system and transmit Mandan and Hidatsa culture to the next generation. Buffalo Bird Woman’s mother died during a smallpox outbreak, and her aunts and grandmother Turtle cared for her physical and emotional needs. Even after sixty years, Buffalo Bird Woman remembered how Turtle showed extraordinary kindnesses by creating a buckskin doll for her to care for when many children did not have many toys. Turtle also shared her stories of loss and healing, like Old Yellow Elk’s death and religious stories of Woman Above to bring her hope and comfort. If there were no living relatives, other women who shared spiritual connections of the children’s family brought them into their clans and acted as foster mothers. These women made sure no child was left without caretakers. The children were taught their cultural stories and the oral traditions that enabled their integration into Mandan or Hidatsa society. Through this

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