Mango Street Identity

In “The House on Mango Street” gender socialization is a major theme incorporated throughout the novel. Accordingly, Esperanza expresses her own feminist views through her storytelling of her female friends and role models that are in her life. These women help Esperanza build her own identity through giving her awareness of what is expected of women and therefore helping her embrace women empowerment and the breaking of gender roles.

In today’s world there are countless social problems. People are often treated as an inferior or as if they are less important for many different reasons. In The House on Mango Street, the author Sandra Cisneros addresses these problems. Throughout the story Cisneros does a thorough job explaining and showing how these issues affect the public. This novel is written through the eyes of a young girl, Esperanza, growing up in a poor neighborhood where the lifestyles of the lower class are revealed. Cisneros points out that, in today’s society, the expectation of women and their treatment, discrimination based on poverty, and discrimination because of a person’s ethnicity are the major

Sandra Cisneros has been criticized by many for her depiction of Mexican Americans in her novel The House on Mango Street. Critics claim that Cisneros portrayal of Mexican Americans sustains an image of negative stereotypes. Those negative stereotypes being men who are dominating over women and women who are submissive. Throughout Cisneros’ story we meet many characters who are portrayed as the critics claim – in a way that suggests the dominance men have over the home and the family. Despite this, I believe this representation is not ment to enhance those negative stereotypes, but to better heighten the feelings of oppression, otherness, and helplessness Esperanza has. One of the most prominent examples of the negative stereotypes being displayed

“She walks, she talks, she cleans, she works, she IS, but she is NOT, all at once. She is here, but part of her is elsewhere for eternity” (Anonymous). This quote by an anonymous person illustrates a woman who is rooted in who she is but dreams to be someone else. She dreams to be another person, far away from her dreary life. Sandra Cisneros establishes that many young girls within the Hispanic culture represented in The House on Mango Street are forced into roles they do not wish to take, resulting in a loss of identity and ultimately, a sense of powerlessness in the girl without anyone to show her how to be powerful.

In “The House on Mango Street”, the young daughter desires to leave her neighborhood as a way to escape her Mexican-American culture. One of the cultures which are most powerful in this story is the Hispanic culture that Esperanza and all of her neighbors emerge from. Her Hispanic culture has such a powerful influence on her

Eventually, Esperanza decides she does not need to set herself apart from the others in her

This relates to the theme of the struggle for self definition, because at first Esperanza was under the impression she could change a man, but as she’s exposed to these horrible encounters she comes to the conclusion that boys and girls live in different worlds.

Esperanza is able to look at her great grandmother and realize what she does not want to become, but also she realizes what she does want: to become a strong, independent woman.

In the book The House on Mango Street, author Sandra Cisneros presents a series of vignettes that involve a young girl, named Esperanza, growing up in the Latino section of Chicago. Esperanza Cordero is searching for a release from the low expectations and restrictions that Latino society often imposes on its young women. Cisneros draws on her own background to supply the reader with accurate views of Latino society today. In particular, Cisneros provides the chapters “Boys and Girls” and “Beautiful and Cruel” to portray Esperanza’s stages of growth from a questioning and curious girl to an independent woman. Altogether, “Boys and Girls” is not like “Beautiful and Cruel” because Cisneros reveals two different maturity levels in Esperanza;

Next is Marin; she is a beautiful green-eyed Puerto Rican woman. She sells Avon products and babysits to make a living. Her family lives in Puerto Rico and she’s living with her cousin, saving money for when she goes back to Puerto Rico. Alike Esperanza, Marin is hardworking; she desires a real job where you could wear nice clothing and look beautiful. Marin often relishes in singing and dancing and dreams of getting married to a wealthy gentleman that will take her to a large house far away, altering her life forever, unlike Esperanza who doesn’t wish to be tied down in

A poignant figure in Esperanza’s life is her own grandmother. In fact, Esperanza was given her birth name after her grandmother. A touching gesture that came from good faith. A name may have some value, but for Esperanza there was a high intrinsic quality to such a simple component. Despite, never encountering her own grandmother in person, Esperanza was grateful to have fond memories by carrying her legacy through her name. Life’s motto concerns dealing with adversity and carrying the legacy of one’s family eternally. Being confident and smart was the only way to live by. No man was needed to help raise and nurture herself. Her grandmother instilled in Esperanza a sense of fortitude and independence. It is sad that a regret of Esperanza is linked to her grandmother, further illustrating the physical and mental hardships one can endure in

Esperanza’s gradual establishment of her identity as an independent woman in The House On Mango Street by Sandra Cisneros, is illuminated as she encounters multiple hardships that relate to the unfair expectations put on Hispanics and the mistreatment of women. For example, in the vignettes “Cathy Queen of Cats” and “A Smart Cookie”, Esperanza is faced with two occurrences in which the racist expectations of Hispanics are revealed. Specifically, in “Cathy Queen of Cats”, Esperanza’s first friend Cathy, says that she will be moving away in the next week. Cathy states “...the neighborhood is getting bad.

Women are constantly put down and left to do the housework that men do not want to do. By rejecting these ideals, Esperanza is showing that she can accomplish more than what is expected of her. A change in behavior can create a whole new world for Esperanza to explore. By declaring that she wants boys to desire her but wanting to hold the power in these relationships, there is already a change from where Esperanza was in the beginning of the novel. As she grows and matures on Mango Street, Esperanza is shown to be cognizant of injustices that are happening with the women around her. “Getting out” of Mango Street is a vision that Esperanza keeps in her back pocket through the full novel and “Beautiful and Cruel” is a perfect example showing how to fight back against the stereotype that comes along with the

In life, one gets inspired by others, which can also weaken their ability to live their own life in a personal-unique way, but in most case it makes their lives better. In the novella, The House on Mango Street, by Sandra Cisneros, women and their roles are discussed. Esperanza is a 13 year old girl that questions her life in many ways. She is not proud of who she is or where she lives. When facing discouraging events, she sees who she is as a person. Esperanza has a variety of female role models in her life. Many are trapped in abusive relationships, waiting for others to change their lives. Some are actively trying to change things on their own. Through these women and Esperanza’s reactions to them, Cisneros’ shows not only the hardships

“The House on Mango Street” by Sandra Cisneros is a perfect example of feminist theory in literature in the twenty’s century. In “The House on Mango Street,” Sandra Cisneros pictures the lives on Mango Street. She shows us how differences between the roles of men and women in Esperanza’s life, and Latino women’s lives are influenced by the Spanish culture. She also lets