Mango Street Metaphors

In “The House on Mango Street” gender socialization is a major theme incorporated throughout the novel. Accordingly, Esperanza expresses her own feminist views through her storytelling of her female friends and role models that are in her life. These women help Esperanza build her own identity through giving her awareness of what is expected of women and therefore helping her embrace women empowerment and the breaking of gender roles.

Throughout The House on Mango Street Esperanza learns to resist the gender norms that are deeply imbedded in her community. The majority of the other female characters in the novel have internalized the male viewpoint and they believe that it is their husbands or fathers responsibility to care for them and make any crucial decisions for them. However, despite the influence of other female characters that are “immasculated”, according to Judith Fetterley, Esperanza’s experiences lead her to become a “resisting reader” in Fettereley’s terminology because she does not want to become like the women that she observes, stuck under a man’s authority. She desires to leave Mango Street and have a “home of her own” so that she will never be forced

In today’s world there are countless social problems. People are often treated as an inferior or as if they are less important for many different reasons. In The House on Mango Street, the author Sandra Cisneros addresses these problems. Throughout the story Cisneros does a thorough job explaining and showing how these issues affect the public. This novel is written through the eyes of a young girl, Esperanza, growing up in a poor neighborhood where the lifestyles of the lower class are revealed. Cisneros points out that, in today’s society, the expectation of women and their treatment, discrimination based on poverty, and discrimination because of a person’s ethnicity are the major

Esperanza as a child takes the responsibility to fight for all the women who suffer from men discrimination, because in “Mango Street” mostly women are abandoned and the others dominated by their husband, Esperanza takes the responsibility to invite all the women to organize themselves in order to protect each other from men violence. Esperanza consider herself as the one who can liberate those women such as Minerva, a young woman who have already two children and abandoned by her husband, there is also Rafaela held indoors the house by her husband and she spends all her time in the windowsill to watch what is happen outside and many other women who undergo sufferings caused by their men, that is what characterized her commitment for the liberation of the women of her neighborhood. So as the girl, Esperanza carry the burden to deliver all women in “Mango Street” from all pains and she feels she is the right one who capable to let know her neighbors’

Stereotypes have a way of getting inside your head, and sometimes you end up in a tough situation without even knowing it. In the novella, House on Mango Street, author Sandra Cisneros describes the lives of several women of who live on Mango Street. In the community, stereotypes are given to women, which most of them succumb to. The girls tend to get married young to someone they do not love and end up trapped. Very few women actually made the smart decisions and made a successful life for themselves without a man. Despite the power of negative stereotypes given to women in Esperanza’s community, individuals who are strong and determined enough can overcome the unfavorable outcomes.

In the collection of vignettes, The House on Mango Street, Sandra Cisneros develops the theme that people should not be devalued because of their financial circumstances through metaphors of classism, the motif of shame, and the contrast between minor characters Alicia and Esperanza’s mother. Esperanza, the protagonist, is a Mexican-American adolescent living in the rural Chicago region. She occupies a house on Mango Street with her father, mother, two brothers, Carlos and Kiki, and little sister, Nenny. Mango Street is filled with low-income families, like Esperanza’s, trying to adapt to their difficult circumstances. Esperanza realizes it is difficult, but she dreams of leaving her house and Mango Street altogether.

The vignette “Beautiful and Cruel,” conveys the impact it has on Esperanza. In this vignette, Esperanza feels that she is “an ugly daughter” and “the one nobody cares about” (Cisneros 88). She does not need, or want, a man to lead her life, unlike the women she knows. She does not need, or want, a man to make decisions for her. Unfortunately, she still feels the pressure to look gorgeous and stunning: “Nenny has pretty eyes and it’s easier to talk that way

Through countless stories and the motif of women sitting by windows, Cisneros ratifies how draining it is to be an average woman in Esperanza's community. In The House on Mango Street, women by windows depict women trapped by their families, specifically their husbands, maturing into a disturbing image that portrays the failure to be an individual that makes her own decisions. In the vignette “Rafaela Who Drinks Coconut and Papaya Juice on Tuesdays,” the author tells of a woman who is “too beautiful to look at,” saying, “Rafaela who … wishes there were sweeter drinks, not bitter like an empty room, but sweet sweet like the island, like the dance hall down the street where women much older than her throw green eyes easily like dice and open homes with keys” (Cisneros 80). Rafaela is yearning to be able to leave her home like the women she envies. She compares the bitterness of her fruit drinks to the desolation and seclusion of the house, and wishes the drinks were sweeter, expressing her looking out the window and longing for something more in life, like the fortunate few women in her community have. A character Esperanza knows named Sally has received abuse from her father, and when she gets married, Esperanza says, “She says she is in love, but I think she did it to escape” (Cisneros 101) and, “She sits at home because she is afraid to go outside without his permission” (Cisneros 102). Sally tried to get away from her father’s physical abuse, but in doing so, she is now living the life of a woman by the window, a

Society has built a role for women. And there’s no better example of this idea than The House on Mango Street, in which Esperanza describes specific moments of her life which lead her to believe in women independence and feminism. She has different ideas and thoughts on the definition of women and what they should be. Esperanza doesn’t fit into the constructed definition Mango Street has of how women should be.

In The House On Mango Street, the metaphor of the “[red] balloon tied to an anchor” (Cisneros, 9) helps reveal the theme of how societal roles limit women. The anchoring of the red balloon demonstrates how gender roles oppress women. Cisneros uses red to indicate sexuality as in the “Red Clowns” and “red lips” (88) of the femme fatale in the chapter “Beautiful & Cruel”. Additionally, the red balloon represents women because the anchor keeps the balloon from being free and in a similar way, gender roles keep women from being free. Women on Mango Street enter a stifling cycle of taking up the typical roles of women. Society expects women to “wait... for a husband” (88) and to “spend [their] lives… behind a rolling pin.” (31-32). In Sally’s case, she is dependent on men and she marries “young and [unready,] but married just the same.” (101). Sally marries “to escape” (101), entering the cycle that women on Mango Street go through, and ends up a prisoner of her own home. Sally is the red balloon tied to an anchor because she can’t escape and she doesn’t have any freedom. By submitting to the gender roles of her

First of all, Cisneros showcases the metaphor of balloons as Esperanza’s personal views about being “stuck” in Mango Street. Cisneros makes an apparent connection to having some sense of shame with being an occupant of Mango Street. Esperanza carries this burden of shame around with her, similar to a “red balloon, a balloon tied to an anchor” (Cisneros 9). This develops an image in the reader’s mind, allowing them to see the balloon, free to move around, but with no range or hope of becoming unattached to the anchor. Cisneros conveys that Esperanza is fed up with her “temporary” (5) life that should only last “for the time being” (5). The reader learns that it is near impossible to simply leave the neighborhood, and leave the shame behind with the neighborhood itself. Cisneros also chooses the color red for Esperanza's balloon. This is significant because since red is a standout color, the shame of Mango Street stands out to those who have not experienced anything similar to this type of neighborhood. Such a burden singles out Esperanza in the crowd, making her unfavorably unique. This includes being seen as the “other half” of society, that is unsuccessful and that barely has enough money to make repairs to their own house. The red balloon describes the ideal and vision of freedom, with several strict limitations and drawbacks that encompass the weight of the anchor.

People from all over the world change, change in either mentality, thoughts, maturity, physically, mentally, appearance, feelings and etc. What causes the transformation of that person is important, but how much did it affect them is also crucial. In Sandra Cisneros novel, entitled The House on Mango Street,the story depicts a Latina girl who transform throughout her time being on Mango Street. The girl named Esperanza is to faced obstacles of female oppression that she witnesses in the life of women on her street who they depends on men to bring them out of the street. In The House on Mango Street, Cisneros uses characterization to express the

In the vignette “Boys & Girls” Esperanza states “Until then I am a red balloon, a balloon tied to an anchor” (Cisneros 8). This is the first key and memorable piece of symbolism in the story. As the red balloon suggests, Esperanza is a vibrant young lady with great potential,

Sandra Cisneros’, “The House on Mango Street” focuses on the narration of Esperanza, a young adolescent growing up in Chicago. Throughout the novel, Esperanza strives to develop her own sense of identity, while searching for the means out of her poverty-stricken neighborhood. With the help of her friends and family, Esperanza discovers how the world works, and what she needs to do in order to successfully better herself. The novel features several concepts of gender and sexuality studies including that of class structures, red-lining, gender, sexuality, intersectionality, and beauty. Those listed are simply a few more prominent features, as each character Esperanza introduces displays many more concepts within each scene. The concept of gender is portrayed widely throughout the novel and creates a foundation for the expectations the girls are about to face as they grow. Intersectionality interplays within the daily lives of each girl, and is seen within every page of the novel. Finally, beauty standards play an important role in the transition from adolescent to young adult each girl faces. Together, gender, intersectionality, and beauty standards, make up the novel, as it portrays the importance of each of these three core concepts of gender, women and sexuality studies.

The novel The House on Mango Street is filled to the brim with women who are unhappy and unsatisfied with their lives. Readers meet wives who are destined to spend their lives in the kitchen, mothers who waste away cleaning up after their kids, and girls who are stuck in a hole that they can’t escape. Through Sandra Cisneros’s use of literary devices such as motifs, symbolism, and imagery, we are able to learn that the women end up in these situations by conforming to femininity, and we find the theme of women are often held back by their own gender roles.