Manha's House Story

"They're doing pretty good", I said. Of course I would never tell her what really happened. I still couldn't believe it. It really bothered me. Had he always liked me in that way? I don't even want to answer that. Really.

I could see her face trying not to laugh at my accent, I never felt so embarrassed in my whole life, but at least she did not ignore me, she replied with a smile and said “yes”. Well what a great start to my day, as I walked into the building I saw a seemingly endless line to nowhere, but as I got in line a person tapped my shoulder. I immediately turned around thinking it was the girl again, however, it was just another student, he was a tall guy, however, he did not look like he played sports, he was really scrawny, and with a surprised look at his

Judgement is a very frequent occurrence in today’s world. It usually isn’t an encouraging judgement though. Throughout the book, The House on Mango Street, the message of judgement of others being cruel is revealed. This isn’t just in Esperanza, the main character, but everyone in the book. It is important that everyone in the book progresses and matures as a person because, it causes everyone to become more together. This all proves the claim of, The House on Mango Street portrays an aspect of maturity by showing that what people imagine about others is often not how they truly act and are as a person, how they grow as a person, and what they strive to become.

“Home is where the heart is.” In The House on Mango Street, Sandra Cisneros develops this famous statement to depict what a “home” really represents. What is a home? Is it a house with four walls and a roof, the neighborhood of kids while growing up, or a unique Cleaver household where everything is perfect and no problems arise? According to Cisneros, we all have our own home with which we identify; however, we cannot always go back to the environment we once considered our dwelling place. The home, which is characterized by who we are, and determined by how we view ourselves, is what makes every individual unique. A home is a personality, a depiction of who we are inside and

In A Home Is Not a House, Reyner Banham starts by arguing that the main function of the typic American house is to cover its mechanical structure. In fact, he states that the use of mechanical services in architectural practice varies constantly because mechanical services are considered to be new in the profession, as well as, a cultural threat to the architect’s position in the world. To show his argument, Banham states that American houses are basically large single spaces divided by partitions inside that give a relative importance to the use of internal mechanical services, causing a threat to the need of architectural design. Similarly, American cultural characteristics, like cleanliness and hygiene, also foster the use and need of mechanical

In life many people set goals for themselves. For some people it maybe a goal such as obtaining a high test grade and for others it maybe to one day own a race car. Everybody has a different outlook on life and everyone has different goals in which they one day hope to achieve. The people who achieve their goals are those who are motivated and determined to do so. When these goals are achieved it is then when you are a hero to yourself.

In life, we are often deeply influenced by the people who surround us. Consider the age-old adage “Birds of a Feather Flock Together”; this familiar saying reminds us that, in life, we gravitate toward people who appeal to us, and those people can have a great impact on who we are and the choices we make. In Sandra Cisneros’ The House on Mango Street, Esperanza meets many women who play a role in her life. Some of the women impact her in negative ways, but others help her to see that she can make more of her life than what her Chicago neighborhood offers. Of all the women in Esperanza’s life, Esperanza is most influenced by her mother and Alicia because they teach her to rely on herself in order to escape Mango Street.

Everyone who matures has a family and that family shapes that person into who they come to be. The main character, Esperanza from The House on Mango Street by Sandra Cisneros, is an excellent example of that; Esperanza is an insecure young Latina girl who is shaped by her family as she grows up. In the novel, Esperanza has the perspective of life from the experience of living in poverty. Esperanza dreams of a perfect home with amazing flowers and enough rooms that everyone in her family would each have one. However, she moves to the house on Mango Street, and reality is so different from what she has dreamt of. She receives a tiny run-down house with bricks that are broken down in numerous places around the house. Throughout the

After papa died, Mama, Esperanza, Abuelita were in shock. They lived without saying any word or talking until they ran out of money for livestock.Then soon, Hortensia, Miguel, and Alfonso decided to move to urban areas to get a job to live. Since Esperanza and Mama´s bank money was empty, they couldn't pay them for servants. They greeted them goodbye, hugged and told them that they would be back in couple of years. Then the next day, Mama thought we wouldn't obviously survive without money. So on Saturday, she went out with Abuelita to look out for a job near Él Rancho, in the late night when Esperanza was sleeping.When the sun was shining in Esperanza's eyes, she woke up with the birds chirping, chickens crying, but especially Mama

Often in literature, authors create plot by writing about characters maturing throughout the story. One work that explores childhood to adulthood is The House on Mango Street by Sandra Cisneros. In this novella, Esperanza Cordero is a young girl who lives in a poverty stricken area in Chicago. During the story, Esperanza grows up from being an adolescent to a young adult. In the novella, the theme is that losing innocence brings about maturity. Cisneros expresses Esperanza growing up by juxtaposing vignettes. Tone is also used to enhance the change in Esperanza’s thoughts while maturing. Both the juxtaposition of vignettes and tone support the theme that the loss of innocence and the gaining of

She called out numbers. We got in groups. He was in my group. I studied him and liked what I saw, but even then I didn't feel the attraction. Strange.

In The House on Mango Street, the vignette “The Family of Little Feet” first seems like a random story, and is often disregarded, overlooked, and labeled “insignificant” because the story is oriented around three pairs of high-heeled shoes that arealmost immediately thrown away. As a result, seems like an arbitrary story that isn’t connected with the other vignettes. However, after careful reading, the story is relevant to the story since the shoes are a symbol that helps us further understand the characters and develops a theme.

     I started to walk across the street to my friend Lacey’s house. Lacey lives just outside Detroit, but like my family, her family comes to the cape for the summer. Our families’ have been friends for about 10 years, but we normally don’t see or talk to each other during the year, only summertime seems to bring us together. Traditionally Lacey and I leave for the beach together,

"My Grandparents, My Parents and Me." My Grandparents My Parents, Mis Abuelos Mis Padres, Frida Kahlo, C0160. N.p., n.d. Web. 29 May

In the film, Maid in Manhattan, directed by Wayne Wang, Marissa Ventura is a single mother who works as a maid in an upscale Manhattan hotel to provide for her son, Tyler. By mistake, Marissa meets Christopher Marshall who believes she is a guest at the hotel, until her true identity is revealed. Marissa and Christopher must find a way to make their opposite worlds collide for the sake of their love all while Marissa’s mother doubts her hopes and dreams the entire time. In the article,” Cinderella: Not So Morally Superior” author Elisabeth Panttaja claims that even though Cinderella’s mother is not physically there, she continues to live through Cinderella, the hazel tree, and the animals that live upon the tree providing advice and stability for her daughter. The article tells how Cinderella is not successful because of her work ability, but because of her mother helping her throughout life.Her mother is not physically with her, but she finds other ways to help her daughter by using alive commodities to give Cinderella the advice she needs. In the article, “Cinderella and the Loss of Father-Love” author Jacqueline M. Schectman claims that the readers feel for Cinderella since her stepmother doubts her dreams. The author tells how Cinderella has not only lossed her mother physically, but has lost her father mentally too. Cinderella’s stepmother gives her no pity as she has raised two daughters with no husband. Director Wang reveals the complicated relationship between Marissa and her mother, their personal problems, and the result of Marissa’s mother’s degrading words, similar to authors Panttaja and Schectman also uncover the power of a mother-daughter relationship.