What defines a man? A woman? A human? A lingering question that every individual has faced, trying to uphold to a definition of what and who they should be. Los Angeles-based artist Oktavian explores this concept through vivid expressions of diverse emotions, honest depth, and a refreshing sense of realism on his latest single “Man’s Man.” The track’s chopped and skewed heart of R&B flourishes against a bed of electronic beats which swim smoothly upon delivery of a soulful echo. “Man’s Man” recalls traits of Oktavian’s father which cultivated him to the ideal of a “real man”; acting as a constant reminder of how Oktavian should be. The track’s interchangeable line of “standards” resurfaces as a past haunt through self-talk: “Never be afraid
In today’s society, and throughout modern history, masculinity has often taken the role of defining how men should act, and be seen amongst everyday living. Throughout Michael Kimmel’s excerpt from his critically acclaimed nonfiction Guyland excerpt published 2008, he addresses, and researches these social queues and aims to put perspective on why, and how the rules of masculinity define manhood. He does this through his vast use of credible resources, and stories of effected individuals which further support his claims and credibility. Not only does he provide several examples of well-known psychologists whose own ideals support those that he writes about, he also uses a variety of other professions ranging from psychologist, anthropologist, poets, and even well noted playwrights to show that his views and ideals of masculinity can be observed across all aspects of careers, and
Dave Barry, a humorous author writes “Guys vs Men” to try to enlighten the term “man”. He focuses on certain aspects that separate guys and men to separate stereotypical characteristics. Barry entertains readers as he uses funny comparisons, analogies, and entertaining punch lines to support his what he thinks the distinct differences between guys and men really are. Barry argues the idea that “man”, is a term that comes with responsibility and unwritten expectations for guys. The intent is to stress that there is another way to look at males, perhaps not characterize as characteristically masculine, but just as a “guy”.
Never cry or show any emotion, when things happen take it like man, do not get mad, get even. These along with many other rules are makeup “the Guy Code” believed to shape what masculinity in American society. “’Bros before Hoes’: The Guy Code” by Michael Kimmel discusses a set of epigrams and analyzes American masculinity. These ideals of what is takes to be a “man” are often portrayed by hip-hop artists in today’s mainstream music industry.
The movie surveyed a wide array of the troubles faced by boys and men as they try to navigate the realm of masculinity. A common theme was the command “be a man” and the cultural baggage that comes with living up to that ideal. To “be a man” means to not cry, to not be sensitive, to not let people mess with you, to respond with violence, to be angry, to drink, to womanize.
Reread pages 52-54 and copy down quotations that help us understand Okonkwo’s view of “manhood” or “manliness”. After each quotation, write down your analysis of it.
Man Is Hard to Find", O'Connor explores appearances of an individual versus the actuality of
Among the people of this society, the condition of weakness is strongly associated with the state of being female. The worst insult that a man can receive is to be called a woman. The novel's main character, Okonkwo, is often obsessed with proving his strength as a man because he seeks to escape the reputation of his father who was considered by his fellow
The topic of femininity in pop culture is important today because women are still far from achieving equality with men socially, economically, and politically. Music is a huge part of everyday life and affects millions of people. The music industry is intertwined throughout many outlets of the media. From commercials, to television, to the radio, music is a part of everybody’s daily life. What is noteworthy about trendy music today is that the messages that the artists are singing about can influence the listener's behavior, even though they may not consciously know this. With many popular anthems being so influential in every aspect of today’s world, we have to closely look at the correlation between music and how this alters how people act in today’s culture. Those who’ve been closely following the trends in country music over the last few years have had a sense that songs that objectify and degrade women (“bro-country”) have been on the rise, but it was only anecdotal evidence that we could
With things, such as explicit lyrics and depiction of women, drugs, and violence an assumption can be made that gangster rap represents a masculinity that rappers portray themselves as in their songs. Dating back to its origins, African Americans had always been the face of gangster rap, with such names like Tupac, Biggie, Jay-Z, DMX, and much more, as covers of rap magazines. Gangster rap had always been seen as what people interpret it to be and that is a raw rhythmic and explicit version of poetry in motion, but gangster rap depicts more than what people interpret it to be. Gangster rap depicts the image of how a strong African American male should look like, a bold, angry, rebellious, and fierce man. Strong African American males are subjective to gangster rap, mainly because of how gangster rap portrays masculinity. In “Brotherly Love: Homosociality and Black Masculinity in Gangsta Rap Muscic” Oware argues that although gangster rap music portrays the masculinity of African American males through the use of hyper masculinity, misogyny, and violence in lyrics, gangster rap music also provides a way for rappers to express themselves to commemorate their fellow friends through lyrics that depict family/friend relationships, success by association, and have a tribute for lost friends.
The only thing he (Okonkwo) fears most is not ending up like his father, Unoka. However, Achebe ‘‘makes an insightful comment on the nature of masculinity through his representation of the tribal leaders. Achebe basically, was conducive in creating four alter egos of Okonkwo: one of which were the masculinity; next of his fatherly abilities; and the last of his family progress and four of his likelihood of success’’ (Achebe.179). My paper will explain how Okonkwo’s Masculinity from Achebe’s Things Fall Apart will be characterized by his fears, beliefs, and emotions for several reasons.
The 1980’s consisted of several historical events and societal changes that have been relived though the lyrics of many young hip-hop artists. Of the numerous genres of songs, hip-hop has been labeled as of the most relatable genres. During this 1980’s, many of the songs that were written by male hip-hop artist tend to focus on the relationship aspect of male and female interactions. This finding is similar to what was stated in Frith’s article (1986) that most successful pop songs were about being “happy in love” and “frustrated in love” as well as having a sex interest (p. 78). Instead of using derogatory terms to describe women, men felt the need to use more delicate and gentle terms. Through their music, artists portrayed women as individuals who provide love, support, happiness and fulfillment to a man’s life. Furthermore, male artists portrayed themselves as men who weren’t afraid to express their emotions, admit their dependency on women, and their willingness to do what it takes to keep a woman. There were no signs of hypermasculinity or dominance in the first few songs
. During the 1980s, the way Americans perceived homosexuality, race, and violence was challenged. In response, Prince’s eccentric and extravagant music style and attire dismantled conventional gender barriers of what it meant to be masculine and feminine in American society. Therefore, his musical creations set an example by pushing the limits of authenticity and self-expression. Prince’s fearless dedication to breaking down conventional expectations of style, music, gender norms, and conformity can be seen in his vocals, instrument choice, and lyrics. In the late 1980s, Prince was a music icon who blended funk, soul, pop, and hip-hop and presented his work in an androgyny atmosphere to advocate for racial and gender equality. His musical creations and appearance had disrupted the societal confines that fenced in the minority groups and pushed the limits of what it meant to be a black man. Prince’s distinct attire, extravagant performances, and persona helped contribute to a new music era of funk-rock and challenged the taboo concepts of the 1980’s. Prince’s musical work impacted society by encouraging wildly free and creative behavior during a time where it was not acceptable to be who you were. In this paper, I will analyze the auditory significance of two of Prince’s songs: “If I was your girlfriend” (1987) and “I Would Die 4 U” (1984). Analysis for both songs were based on music videos and a scene from Prince’s film, Purple Rain. In addition to these songs, Prince’s
Furthermore, the male body, for the narrator, the male body has significance in the narrator's mind. With their perfect, muscular body, Omi, St. Sebastian, and Yakumo all have the "definition of the perfection of life and manhood." To the narrator, the body is not only a manifestation of manliness, it is the embodiment of the "untamed
Thesis: I believe that the identity of manliness, is not only defined by a male. Think you are able to gain manly qualities, and lose them.
In Chinua Achebe’s novel, Things Fall Apart Okonkwo’s identity of being a respected clansman is challenged, after the arrival of the missionaries, Achebe utilizes this to bring out the theme “a man’s violence will be his