Essay on Maquiladoras and the Exploitation of Women's Bodies

In several cultures, women are seen as archetypes more than men. The proposition of women are instantly idealized and glorified and instantaneously ignore the true complexity of a woman. Countless of these superficial images can be seen across various cultures where the societies within these cultures define what it means to be a female and what type of behavior is and isn’t acceptable within those parameters. The persistent restatement of these stories throughout these generations reinforces the gender system. Women who step out of the norm in these societies are then held punishable for their actions. Alicia Gaspar de Alba pinpoints the three archetypal roles that are given to the women in the Mexican and Chicana cultures. These are,

Another important issue that Cisneros addresses in her story is gender roles in the Latino community. In Mexico, being born a male is of higher prestige and value

Common stereotypes about women in the Mexican-American culture include that women are uneducated, good housewives, and very fertile. Many parents still believe it’s the woman’s job to stay home and be the homemaker. The concept of gender, which is socially constructed, is reinforced since birth. (Sociology Lecture 08/24/2015) Ana was caught in the middle of gender politics. Her mother oppressed her daughter so she can become a grandmother. The film “Real Women Have Curves” deals with gender stereotypes and struggles of poor women living in East LA. Carmen was trying to have Ana chained to the notion of women being inferior to men. Carmen believed men to be superior, whereas Ana thought differently. However Ana strived to liberate herself from traditional cultural norms by pursuing her college education. Her mother’s negative influence only caused Ana to rebel.

Sandra Cisneros has been criticized by many for her depiction of Mexican Americans in her novel The House on Mango Street. Critics claim that Cisneros portrayal of Mexican Americans sustains an image of negative stereotypes. Those negative stereotypes being men who are dominating over women and women who are submissive. Throughout Cisneros’ story we meet many characters who are portrayed as the critics claim – in a way that suggests the dominance men have over the home and the family. Despite this, I believe this representation is not ment to enhance those negative stereotypes, but to better heighten the feelings of oppression, otherness, and helplessness Esperanza has. One of the most prominent examples of the negative stereotypes being displayed

Social standards may confine individuals from pursuing their own personal interests. Through the relationship between societal standards and individual interests, Sandra Cisneros’ short story, “Woman Hollering Creek,” introduces the roles of men and women in a Hispanic culture. The protagonist, Cleofilas Hernandez, is trapped in an abusive relationship with her newly-wed husband, Juan Pedro. However, Cleofilas tolerates the toxic relationship due to the social norms of her society, which reveals that the Hispanic culture revolves around a patriarchal society and that women have to be submissive to their husbands. As the story progresses, Cleofilas abandons the gender norm to lead an independent lifestyle.

During the Mexican Revolution, Mexico as a nation torn in many directions, people gave up simple farming lives to take up arms against causes that many of them did not fully understand. Gender roles during the period in Mexico were exceptionally degrading towards women. Having little more rights than slaves and treated as trophies or property more than human beings, women role in society was nothing near that of a man’s. In The Underdogs, Mariano Anzuela highlights the issue of gender roles by continuously illustrating the punitive role of women and their mistreatment. Augmenting Anzuelas work with citations from Oscar Lewis and Stephanie Smith will paint a picture of the degrading gender roles for women during the Mexican Revolution. Highlighted points brought up by Azuela are how men speak with and treat women, women’s place in society, and general disregard for women’s feelings.

As previously mentioned, the maquiladoras emerged in the northern border regions of Mexico, and subsequently began to move inwards towards the interior spreading to almost every state in the country. Among the scholars who trace the origins of the maquiladoras, the vast majority locate the city of Tijuana as the first to establish a maquila plant at the time the Mexican government launched the Border Industrialization Program. During the program’s early years, only a select few U.S. companies sought to take advantage of the zones’ cheaper rate of production by relocating at least a portion of their production process to Tijuana’s maquila (Cooney, 2001, p.68; Billes, 2003, pp. 520-521;

What is ironic is that although the Spanish felt that Mexico’s population had to be converted because they were uncivilized and inferior, "mestizaje, the product of racial interbreeding with Indian, black, and mixed-blood women," took place. As a result, Mexicans share a rich mestizo cultural heritage of Spanish, Indian, and African origins. By raping the uncivilized Other, the Spaniards were in turn making themselves uncivilized. Those women represented nothing more but the medium through which the Spanish could vent their sexual desires. This was a major problem that Mexican women had to encounter.

In almost every culture, machismo (or patriarchy) exists. Women are considered to be inferior and are treated as if they were objects. It is fair to assume that all women have or will face abuse or oppression for the mere fact that they are women. In Honduras, machismo is the backbone of society. In the book Don 't Be Afraid Gringo, Elvia Alvarado tells the story of the life of the Honduran campesinos (peasants) in the context of the military government of Osvaldo López Arellano and the installation of counterrevolutionary military bases between 1972 and 1975. The campesina women are expected to be servants for the men and provide for all of their children. If women dare to break away from these norms, they are denounced as a whore and

Through multifarious ways, female gender roles in Latin American countries have gradually begun to improve over time. These slight improvements have manifested through women’s increasing involvement in politics and presence in the labor force due to immigration, globalization, and global media. Women in Latin American countries have become

A life in the city of Seguin, Texas was not as easy as Cleofilas, the protagonist of the story thought it would be. The author, Cisneros describes the life women went through as a Latino wife through Cleofilas. Luckily, Cisneros is a Mexican-American herself and had provided the opportunity to see what life is like from two window of the different cultures. Also, it allowed her to write the story from a woman’s point of view, painting a vision of the types of problems many women went through as a Latino housewife. This allows readers to analyze the characters and events using a feminist critical view. In the short story “Women Hollering Creek” Sandra Cineros portrays the theme of expectation versus reality not only through cleofilas’s thoughts but also through her marriage and television in order to display how the hardship of women in a patriarchal society can destroy a woman’s life.

The story illustrates the overlapping influences of women’s status and roles in Mexican culture, and the social institutions of family, religion, economics, education, and politics. In addition, issues of physical and mental/emotional health, social deviance and crime, and social and personal identity are

The picture of pre-revolutionary Mexican women was of a woman who had to lived her life constantly in the male shadow. These women were consumed by family life, marriage, and the Catholic Church, and lived silently behind their dominant male counterparts (Soto 31-32). In 1884 (prior to the revolution) the government passed the Mexican Civil Code. It dramatically restricted women's rights at home and at work (Bush and Mumme 351). Soto states that the code "sustains an almost incredible inequality between the conditions of husband and wife, restricts in an exaggerated and arbitrary manner those rights due the woman, and…erases and nullifies her personality" (qtd. Bush and Mumme 351).

In 1960 when maquiladoras emerged in border cities, changing people’s perspective for better opportunities and a better future. The majority of the people working in the maquiladoras were women, the reason for that was because they thought that woman had smaller hands and could assemble the parts faster and more efficiently than men. Some of the women in the interview’s talked about having to work double shifts and even night shifts, in order to be able to survive being single parents. Leaving their children home alone without insufficient care and not growing up with the attention and demand they require. Some of the children from maquiladora employees grow up in the streets and involved in gangs from misguidance and not having the luxury of having their parents come home every night to help them with homework or to put them to sleep, due to the fact of their parent having to work at a low pay job with no incentives and no opportunities to

In a patriarchal society such as colonial Latin America, women were considered second class citizens. No matter their class or ethnicity, all women experienced the social and cultural limitations that are subjected to them by this patriarchal society. Women had limited access to education, women are used to satisfy men’s personal desires and legal systems neglected women’s court rights while heavily advocating men’s. However, not all women are subjected to the same limitations because of the difference in one’s economic status and ethnic identity. Nonetheless, women still found a way to carve out a space for themselves in attempt to overcome these regulations set by a patriarchal society.