Margaret Atwood Rape Fantasies

“Rape is unique. No other violent crime is so fraught with controversy, so enmeshed in dispute and in the politics of gender and sexuality… And within the domain of rape, the most highly charged area of debate concerns the issue of false allegations. For centuries, it has been asserted and assumed that women “cry rape,” that a large proportion of rape allegations are maliciously concocted for purposes of revenge or other motives.”

As Alice was going through major hell during the rape and even after the rape, it seemed as it was not taken seriously by others. Alice describes her pain, fears, and many problems that came along the way when it came for fighting for herself and the after effect of the rape. Being a rape victim was not easy, and Alice showed many signals that she needed more than just comfort, but sadly many of them failed to provide that for her.

A very real, and very common, problem in America is rape—more so the lack of knowledge about rape. This causes many problems for victims of sexual assault. In Speak, by Laurie Halse Anderson, the story of Melinda directly reflects the world today because most kids are not properly educated about rape and many teens in Melinda’s position can’t find a voice to tell their story.

Throughout the poem, Pages Matam explores the key ideas and issues of victim-blaming and silencing rape victims due to society’s taboo of speaking out about sexual, physical, and verbal assault. Matam effectively outlines the harmful idea that beauty determines your likelihood to get sexual assaulted, which society inflicts upon victims, as a constant motif throughout the poem in the lines “Tell Elisabeth Fritzl, how pretty the flame of her skin was”, using sophisticated imagery within an allusion to explore this idea, applying satire to show society’s glorification and romanticisation of sexual assault as society manipulates getting sexually abused to be perceived as a compliment, ignoring the true meaning and aspects of the issue. This idea

This national best seller can relate to the opinions expressed by Peggy Reeves Sanday in The Socio-Cultural Context of Rape. Sandy investigates the characteristics of a rape-prone, and rape-free society. Jon Krakauer was interviewed by NPR books, where he stated, “The upshot was most rapists walked away without any punishment, any accountability” (NPR 1). The response from Krakauer correlates to Sanday’s research in The Socio-Cultural Context of Rape. Reeves Sanday writings examine, “When men discovered that they could rape, they proceeded to do it” (Reeves Sanday

Many individuals might wonder, what is rape culture? “Rape Culture is an environment in which rape is prevalent and in which sexual violence against women is normalized and excused in the media and popular culture. Rape culture is perpetuated through the use of misogynistic language, the objectification of women’s bodies, and the glamorization of sexual violence, thereby creating a society that disregards women’s rights and safety.” Most women limit their behavior because of the existence of rape. (Marshall University)

Looking back at her tragic series of sexual assaults, Samentha Moore reminisces on her habitual inexorable feelings of “self-conscious and blaming” (source 5). Moore experienced her first two traumatic assaults before college; she was left vacant, aloof and disconsolate after the police disdainfully responded to her assaults. Around the time, she experienced her third assault in college, Moore was discourage to report it ands was left miserable and unable to desert her pain, loneliness and self- punishment. Her agony later developed into an eating disorder; Moore thought maybe if she “made myself (herself) less attractive it (the rape) wouldn’t happen again” (source 5).

Tom slammed the door behind him, and walked to his vehicle, which had been parked askew in the driveway in his earlier haste to get inside to Lila. It was only when he entered, and the sound of the ignition broke the silence, and the headlights, the darkness, that he paused to think of what had occurred. Regardless of the surprise gift that had arrived at his office, and the note that had accompanied it, Tom instinctively knew that the acts he’d perpetrated inside weren’t what Lila had wanted. How could any women wish to be struck about the face, called a slut and a whore, and be humiliated and degraded by the man she loved. Possibly in a roleplay, but that hadn’t been roleplay, or what Lila had wanted, but what Tom had. And the, recognition, of the stranger who’d invaded his mind, and raped his wife brought a nausea to the pit of his stomach, and as Tom reversed the car, with his gaze fixated on the living room windows, he wound

A trait that stands out in the book is the symptom of bodily memories. In Melinda’s case, during a frog dissection in her science class, she remembers the opening up and even says, “She doesn’t say a word. She is already dead. A scream starts in my gut – I can feel the cut, smell the dirt, feel the leaves in my hair.” (81). One of the other symptoms that Melinda has is self-harm. The first time that this is shown in the book, Melinda says this, “I open up a paper clip and scratch it across the inside of my left wrist. Pitiful. If a suicide attempt is a cry for help, then what is this? A whimper, a peep?” (87). Melinda also has a hard time talking to her parents about the rape to which she says, “How can I talk to them about that night? How can I start?” (72). Some victims recover from such a traumatic experience, while others don’t and live a lifetime of depression and must undergo intense therapy. In Melinda’s case, she finds redemption by talking to her parents and the guidance counselor, and putting her faith into her teachers, friends, and her art project at school. Because rape can affect anybody anywhere, everyone should be aware of the circumstances, and how to deal with it.

Some Boys by Patty Blount covers one of the most controversial topics in today's society: rape. I would be lying if I told you that reading this book was easy, because it isn't. How would you feel if no one believed what you had to say? How would you feel if the person that found you bleeding and unconscious didn't believe you, either? What about your own father? This is what Grace is going through, and her story mirrors the story of thousands of girls today.

The acceptance of rape myths and sexual scripts are also major contributors to the thriving rape culture. Rape myths are the false but commonly-held beliefs about rape, and they are closely related to sexual scripts, the culturally established prototypes for how sexual encounters should proceed. Both of these elements support the act of rape and promote the victim blaming and normalization that rape culture entails. Key rape myths include: 1. Husbands can’t rape their wives, 2. Men must engage in sex once sexually aroused 3.Women ask to be raped 4. Rapist are different from most other men 5. Women enjoy rape 6. Women lie about being raped. These incorrect principles can be traced to the patriarchal system that accepts and fosters rape as an

Patricia Lockwood’s The Rape Joke is a risky composition- not because it discloses information about Lockwood’s personal rape experience, but because it does so from a comedic stance, ridiculing the unfortunate event and the events leading up to and after it. While the creation of the poem was prompted due to the sexual assault she experienced, the content and subject are not centered around the incident or the assaulter but around rape culture and the sociological concept of victim blaming, from both society and oneself. There is no such thing as a rape joke-the joke is the incredulous ways society has guided people to respond to it.

Feminist scholarship has argued that rape ideology encourages and justifies sexual coercion, trivializes sexual violence and demeans and devalues women who have experienced sexual assault. The foundation of this argument is based on women's experiences in patriarchal societies. Due to the fact that

Rape and rape culture is a serious issue within the world we all live in today. What’s worse is men and women’s responses to rape, consequently promote ‘rape culture’ in society. The teachers statement was reflective of this problem and how societies perception and judgement of rape cases is far too tolerant. She is a woman, a wife and a stepmother to young girls, yet her comments only contribute to the “sweep it under the rug” attitude society holds for rape and rape culture. In her statement she indirectly validated the act

Rape culture is an environment in which social attitudes have the effect of normalizing sexual violence against women and excusing it in the media and other popular cultures. Rape culture attempts to rationalize a continuum of sexual violence that range from sexist remarks to unwanted sexual touching, and rape itself. Rape culture has become so desensitized by society that perpetrators may not be aware of their wrongdoings and victims may not realize they are being victimized. It is a culture in which victims are suppressed when they decide to speak up about their traumatic attack, because they are seen as being dramatic or untruthful while the perpetrator's actions are left unpunished. While the majority of victims are women, rape culture is not solemnly an issue of female oppression, it is a general disconnect between human beings. It is a culture that many of us refuse to accept exist, however there are numerous examples that normalize rape and sexual assault on a daily basis. Rape culture is not a new topic. The term was first used back in the 1970’s by a group of feminist to raise the awareness of the normalization of sexual violence in society. In recent years the topic has become a popular, controversial issue and has come to permeate virtually every aspect of our lives through media, song lyrics, and everyday jargon.