Margaret Atwood The Landlady Poem

The narrator falls into a state of deep depression following the birth of her baby, which is currently known now as postpartum depression. During the 1800’s they called it “temporary nervous depression- a slight hysterical tendency” a diagnosis common to women during that era. There was little or no knowledge for the treatment of postpartum depression. The doctors used “rest cure” as a form of treatment, the patient is prohibited from doing any kind of work. All they need is to rest, exercise, eat well and get enough air then they will recover. No external stimulation which lead to the deterioration of the narrator’s mental health in the story. She is ordered by her husband and brother, who are respected physicians to rest. She is isolated from everyone except her husband John and her sister in law Jennie the house keeper. Locked in a room with yellow wall paper, windows facing all direction, all the

The essay The Writer's Responsibility by Margaret Atwood is written with the intent of urging the privileged writer to utilize their position to speak out for those who are unable to. Her intention is a noble one which I am in agreement with, however, in order for her to express this intent her tone is quite straightforward. It is this candid tone in combination with several generalizations which I have a gripe with. For example, on several occasions Atwood degrades her readers through grand generalizations such as when she says “on a whole the audience prefers art not to be a mirror held to life but a disneyland of the soul” (Atwood 1).

Literally, the persona of the poem is outside when some aspects of the nature around her, like violets and a blackbird, trigger a memory from her childhood. The poem then flashbacks to a childhood memory of the persona as a young girl, which is shown through the indentation of the stanzas, where the girl wakes up in the afternoon thinking it is morning and becomes upset when she

Although these are “homely” things someone may face on a staircase, they actually mean things that she has encountered in her life (Emanuel 148). She says that she reaches landings, which means that she has come up on place where she could rest. When she says she turns corners, it is when her life changes and she has to turn away from her original path. Her final comparison is when she goes in the dark, which are times in her life when she does not know what she can do to help herself. The metaphors in this poem show a conflict in the mother’s life and makes the poem seem complete.

The “rest cure” was a common treatment for depression in women in the nineteenth and early twentieth century. Women were locked in a room involuntarily and forced to “rest.” The patient was locked in a room and not allowed to leave or function in any type of way. The narrator in Charlotte Perkins Gilman’s story The Yellow Wallpaper is subjected to this cure. The story is written to expose the cruelty of the “resting cure”. Gilman uses the wall paper to represent the narrators sense of entrapment, the notion of creativity gone astray, and a distraction that becomes an obsession.

Since the narrator is left alone for most of the day, she allows her mind to go wild with fantasies and is forced to deal with her thoughts by herself. This ultimately chips away at her mental condition and makes her illness far worse. "I can see a strange, provoking, formless sort of figure, that seems to skulk about behind that silly and conspicuous front design." (Gilman 185) This quote

The surroundings which one is placed in can drastically contribute to their mental state. Deterioration and a lack of stimulation will be reciprocated within the mind of the inhabitant. “The Yellow Wallpaper,” written by Charlotte Perkins Gilman in 1892, depicts a young, unnamed woman who is suffering with post-partum depression. In this time period, the treatment of mental illness typically did more harm than good as electroshock therapy, and the rest cure were the classic treatments of choice. Similarly, William Faulkner, the author of “A Rose for Emily”, written in 1930, gives the reader an inside look upon an elderly woman experiencing mental distress. Although there are major signs of an issue being present within Miss Emily’s old, southern house, the town chooses to ignore and cover them up as to not disrupt the elderly woman who buys poisons without a reason and sleeps next to the dead corpse of her lover. Theme and setting play two very distinct and important roles within each of these stories allowing the reader to have a more complete understanding of the message the author is trying to convey.

Memorable ideas are evident in Harwood’s poetry. In her poem, “At Mornington”, she considers the philosophical idea that the passing of time leads to gaining of wisdom. Harwood shows that growth and development are a critical part of defining our individuality. She has effectively used poetic techniques such as construction; vivid imagery and the context of her own life to explore this idea and contributed to the textual integrity of the piece. External contextual readings and values of the poem have illuminated the significance of the piece in asserting the value of friendship and relationships, and presented various ideas such as the inevitability of death, the significance that past events and memories play in shaping present perception as well as the defining of individuality through growth and development. Together, this contributes to the memorability of the poem.

The text is very descriptive and loaded with symbols. The author takes the opportunity to relate elements of setting with symbols with meanings beyond the first reading’s impressions. The house that the characters rent for the summer as well as the surrounding scenery are introduced right from the beginning. It is an isolated house, situated "quite three miles from the village"(947); this location suggests an isolated environment. Because of its "colonial mansion"(946) look, and its age and state of degradation, of the house, a supernatural hypothesis is implied: the place is haunted by ghosts. This description also suggests stability, strength, power and control. It symbolizes the patriarchal oriented society of the author’s time. The image of a haunted house is curiously superimposed with light color elements of setting: a "delicious garden"(947), "velvet meadows"(950), "old-fashioned flowers, and bushes and gnarly trees"(948) suggest bright green. The room has "air and sunshine galore"(947), the garden is "large and shady"(947) and has "deep-shaded arbors"(948). The unclean yellow of the wallpaper is

The use of symbolism and imagery is beautifully orchestrated in a magnificent dance of emotion that is resonated throughout the poem. The two main ideas that are keen to resurface are that of personal growth and freedom. Furthermore, at first glimpse this can be seen as a simple poem about a women’s struggle with her counterpart. However, this meaning can be interpreted more profoundly than just the causality of a bad relationship.

During this period (late 1800 -- early 1900's) it was common for physicians to treat depression with the "rest cure" of complete bed rest and limited intellectual activity. Therefore, despite her opposition to the treatment the narrator adheres to the restrictions with the exception of covertly writing in a journal about her feelings, daily routine and the mansion. Her initial focus is on the mansion, the surrounding gardens and the bedroom chosen for her during her stay.

The mental struggle and impetuous behavior about her unhappiness make her stretch out her feelings onto her surroundings, especially the wallpaper, which becomes a symbolic feature of her situation. She feels sad whenever she thinks about her condition of both depression and condition in general within her oppressive marriage.

The poem, "The Night House" by Billy Collins, is very symbolic and meaningful, and most people can relate to because everyone has something they are not content with in life. Collins is a great, straightforward writer that people can depict with in his poems because he is practical and uses simple things or everyday experiences in an easy way. This poem in particular is very symbolic and effortless to analyze because it is the everyday life--- going to work, coming home, and then going to sleep--- the cycle then repeats over and over. He talks about "the body works" at the beginning (which sets the tone for the rest of the poem), which symbolizes that our hearts and minds are not always into what we are doing. He talks and illustrates figurative parts of the body: the heart, mind, conscience, and soul. When he talks about the woman sleeping, all these figurative body parts are restless and come out at night to do what they really want to do.

To start off the analysis, the setting of the entire poem is significant. Though the poem takes place in a house, the atmosphere the house is set in is also important. The month is September which is a month of fall which can be seen as a symbol for decline. It definitely insinuates that the poem is leading towards death. Line 1 has “September rain falls on the house” which gives the feeling of a dark and cold night with a storm on top of that. To further develop that, Bishop gives us the failing light in line 2 to also give us an idea of the grandmother’s struggle. Bishop uses the cyclical theme of changing seasons to show the unending nature of what is transpiring within the

In the story “The Yellow Wallpaper,” Gilman creates a character of a young depressed woman, on the road to a rural area with her husband, so that she can be away from writing, which appears to have a negative effect on her psychological state. Lanser says her husband “heads a litany of benevolent prescriptions that keep the narrator infantilized, immobilized, and bored literally out of her mind. Reading or writing herself upon the wallpaper allows the narrator to escape her husband’s sentence and to achieve the limited freedom of madness which constitutes a kind of sanity in the face of the insanity of male dominance” (432). In the story both theme and point of view connect and combine to establish a powerful picture of an almost prison-type of treatment for conquering depression. In the story, Jane battles with male domination, because she is informed by both her husband and brother countless brain shattering things about her own condition that she does not agree with. She makes every effort to become independent, and she desires to escape from the burdens of that domination. The Yellow Wallpaper is written from the character’s point of view in a structure similar to a diary, which explains her time spent in her home. The house is huge and old with annoying yellow wallpaper in the bedroom. The character thinks that there is a woman behind bars in the design of the wallpaper. She devotes a great deal of her