Margaret Garbo Research Paper

Renowned feminist film theorist, Laura Mulvey, explores how classic Hollywood cinema is shown through a masculine perspective that fetishisizes women as objects of desire. This perspective is also known as the “male gaze”, which creates a voyeuristic and scopophilic layer to the viewing of film. According to Mulvey, “in their traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote to-be-looked-at-ness.” One of the staples of classic Hollywood cinema is women consistently being put or made into a visually erotic role for both the male characters on screen, and the audience. This staple is of course found in the

When Katherine Garetson filed a claim on 160 acres of land in Tahosa Valley, she was 37 years old. The general consensus was that she was doomed to fail in her endeavor, as she knew nothing about homesteading and the extent of her skills were cooking, sewing, reading and writing. Her desperation for independence was way greater than her shortcomings, though. When her father suffered financial trouble, she had to move in with her married sister, Helen Dings. Because one of Helen’s sons was sick with was thought to be tuberculosis, the family made a trip to Colorado on the advice of the child’s physician during the summer of 1909. The family chose the Longs Peak Inn in Estes Park for their stay. They were so fond of the area, that they returned

This project is about Gabby Douglas the Olympic gymnastics darling since 2012.The project will tell the history of Gabby Douglas and her success. This project is about how she overcame many obstacles to be who she is today.This project will show that despite race,beliefs gender or hairstyle you can do anything you set your mind to. Miss Gabrielle Douglas is the definition of what means to give it your all. I plan on following in her footsteps and being my all in everything I do.

Regina Jose Galindo was born in 1974 in Guatemala. She currently lives and works in Guatemala. Regina practices her art works with her own body. Her works are based on violence or any cruelty caused by certain political events and personal disgrace. Those works are open to the public and to whoever relates to what is being depicted in the art work. (Regina Jose Galindo Portfolio, 2014). Galindo won the Golden Lion award in 2005 as the best artist under 35 at the 51st. Venice Biennale. Two years later, she sold this award to a Spanish artist, Santiago Sierra, who in return sold back to a collector. Ironically, in 2011 she decided to order an exact copy of the award to her friends, Angel and Fernando Poyón who were sculptors in Guatemala. Her friends gave her the exact copy, but this time the Golden Lion was casted in bronze coated in Guatemalan gold. Regina’s work is also present in private and public collections, such as the Pompidou, Guggenheim, Rivoli Museum in Torino, or the Miami Art Museum and Cisneros Fontanals Collection in Miami

Ellen Gilchrist is an award-winning American poet, writer, and radio-personality. She is best known for her works like Victory over Japan, where she won a 1984 National Book Award, and The Age of Miracles.

As society changed in the 1920s, a new kind of woman emerged with the “flapper girl”, a new kind of modern woman that the movie business replicated on and off screen with Clara Bow. Bow was a superstar of the 1920s, exemplifying the concept of the “it” girl that surpassed the conventionality that existed in the traditional view of how a woman should be depicted and moved forward to the standard of the new modern woman. Richard Koszarski emphasized this concept in his book An Evening's Entertainment: The Age of the Silent Feature Picture, 1915-1928, in which he described how filmmakers looked to create an image of the modern 1920s woman using Bow to reflect new trends in the female realm, especially that of the “it” girl, having Bow “...[personify] the giddier aspects of… The Roaring Twenties…” with her “...position as a prototypical flapper…” seen throughout her movies, as she displayed the qualities of the “it” girl: comedic humor, sexuality, and confidence (Koszarski 308).

From this week’s reading the most important event for woman was the Female Liberation. During the 1920’s “The Culture of Modernity” occurred and the “modern woman” developed. “The modern woman was typified by shorter hair and hemlines, and the ability to work in the white-collar workplace.” The actress Clara Bow and Jazz music contributed to Female Liberation movement. During Clara Bow’s performance in the movie “It Girl” her imagine of “bobbed hair, short skirts, and flirtatious behavior personified the flapper image that many women emulated.” The actress Clara Bow set the trend for the Flapper Girl and became “the sex symbol of the age.” The influence of the flapper girl imagine helped make it more socially acceptable for women to drink,

In 1981 an epidemic occurred that affected mostly homosexual men. The first few cases came in with a rare type of pneumonia. The virus would be known as HIV and the disease would be later called AIDS. In the same year Elizabeth Glaser contracted the virus through a blood transfusion. She took a stand for the people who lived with AIDS by creating a research foundation, speaking out in interviews and wanting everyone to have health care she was not only able to bring awareness to the disease her foundation has helped millions of mothers and children receive treatment for HIV and AIDS.

Louise Brooks, a silent movie star, was an idol of the flappers, and their prototype for offending older generations and pushing the bounds of acceptable female behavior. She led an exuberant social life, hanging in a social circle that included George Gershwin, F. Scott Fitzgerald, and other authors such as Benchley, Mencken, and Anita Loos. Louise Brooks epitomized the flapper culture and could be described as “flamboyant”, or “ambivalent”, yet always with an uneasy sense of pessimistic depression underneath it all.

During the Roaring Twenties, the topic that was interesting to me was the change in women’s behavior. This was due to the “Postwar Prosperity in the urban areas in which helped to release long-suppressed impulses” among women. The Flapper replaced the Victorian woman. The Flapper women change their appearance. During this period one of the best know writers named F. Scott, Fitzgerald called “Bernice Bobs Her Hair” (pg.12). The short story explores women’s feelings. Compared to the Victorian women Flapper women had short cut hair, short dresses, and sack-like dresses. In the 1920’s women embraced new fashion, personal freedom, and challenged the traditional roles of women. Flappy women were more open to their sexuality and less worried about

Margaret Atwood is one of the most well known Canadian authors of all time. She has countless awards such as the Governor General’s Award, Los Angeles Times Fiction Award, Queen Elizabeth II Diamond Jubilee Medal, and many more all for her terrific works as well as her works in activism.

March is Women’s History Month, and so I wanted to find an article pertaining to a prominent woman supervisor. The article I found was about Valerie Grillo who is the Senior Human Resources Business Partner for American Express. She is responsible for over 5,000 employees. She has been at American Express for 12 years and has held numerous leadership roles. Perhaps her most notable role was her position as the Chief Diversity Officer. Her duties in the job included being responsible for the company’s diversity and inclusion strategies for more than 60,000 employees.

I believe that I was an imperative figure in inspiring women to pursue and connect with the actors and actresses of the era. In the 1930s, I stood as one of the most vital stars at MGM. Furthermore, women involved in the Great Depression era associated themselves with me in intimate and explicit ways. At this time, my career was at its prime, impressing both film executives and movie patrons. Despite the adversities, I was a self-motivated and resolute individual, able to create a remarkably stout and varied body of work in a career that often emulated both the themes and trends of the industry. In the '20s, I was the embodiment, according to writer F. Scott Fitzgerald, of the sprightly yet expressive flapper. Moreover, in the '30s, I personified a Depression-era nation's hopes with my renderings of both spirited working girls and glamorous society women. In becoming a successful and well-known performer from particularly humble origins, I gave hope to young women in a position similar to mine. With this said, I hope to serve as a paradigm of perseverance and integrity when addressing dedication to one’s work and

In the rapidly shifting world of modernity, where political landscapes were changing as quickly as the urban environment, expectations of femininity also experienced great change. During the early 20th century, particularly in Paris, a new archetype of the modern woman began to develop . Many artists like Tamara de Lempicka, used portraiture to further perpetuate this figure. By the 1920 's this character, known as: the New Woman, the flapper, and the garçonne, had begun to permeate public perceptions of femininity instigating ideas of female emancipation . This woman smoked in the streets, drove cars, was sexually liberated, and generally less reliant on her male counter parts . The domesticated ideal of bourgeois femininity had fallen out of fashion.

In society, women are often perceived as the weaker sex, both physically and mentally. In modern times women have leveled the playing field between men and women, and feminism is a highly discussed topic, but for years, women faced discrimination and prejudice both in life and in the workplace, due to their sex. This way of thinking flooded into the world of film. In their works, the authors of each of the various sources address the limitations and liberations of women both on and off the screen in nineteenth century Film and Cinema. Not every source is completely filled with information related to the research topic, but they do cover and analyze many of the same points from different perspectives. Prominent points addressed in each