Margery Kemp's Interactions with The Virgin Mary Essay

Here opening line is “Once upon a time there was a wife and a mother one too many times” (Meyer 39). Here we find a stereotypical opening for a fairy tale but soon readers immerse themselves in an atypical tale. The first hints that she has an idea life start to resound in the very first sentence. “One winter evening she looked at them: the husband durable, receptive, gentle; the child a tender golden three.” Then the striking line, “The sight of them made her so sad and sick she did not want to see them ever again.” (Meyer 39). Unlike Melville, Godwin, quickly states the dissonance between the character and the character’s family.

In 1393, at the age of twenty, Margery married John, who was well-known for his talent in business. Becoming pregnant soon afterward, she began to have frightening encounters with Satan, whom she claims tortured her by making her feel guilt and extreme remorse for a sin

Mary Stewart was born December 7, 1542. Her father was James V, King of Scotland and her mother was Mary of Guise of France. Mary was the third child and only daughter of James V and Mary of Guise, since both of her twin brothers had died before she was born at Linlithgow Palace, Scotland. Seven days after Mary was born, James V, died and his infant daughter succeeded to the Scottish throne. Mary Stewart became Mary, Queen of Scots.

As Mary’s story unravels, she continues to suffer long hours of work, starvation, and separation from her family. She reads her holy bible and is constantly reminding herself that God is with her and will see her through these trials. Her spirits are lifted her master agrees to sell Mary to her husband, and her mistress begins the journey with her, but before long the mistress decides not to go any further and they turn back. Not long after, she starts to loose hope that she will ever be reunited with her family. She becomes discouraged, and her spirit

“She wishes she had asked him to explain more of what he meant. But she was impatient…to be done with sewing. With doing everything for three children, alone…” (1125, 3), and “Respect, a chance to build. Her children at last from underneath the detrimental wheel. A chance to be on top” (1124, 2) both reveal the motives behind getting married to this man, despite the religious conflict. She is torn between the pros and cons of this new life. It’s although she is trying to convince herself, but the negative thoughts just keep surfacing.

The reformation of England had been a long drawn out affair dating back to King Henry VIII’s Act of Supremacy in 1534. By the accession of Elizabeth in 1558, many historians believe that she inherited a country, which was still predominantly Catholic in belief. Although people of South Eastern England were likely to be influenced by the peoples of Europe, who were experiencing reforms, Doran (1994) suggests that the number of Protestants accounted for just 14 per cent of the population of Sussex and less than 10 per cent in Kent. Whether rural lifestyles were largely unaffected by changing religious doctrine due to a primitive communications network or general disinterest, as long as the laity

Just like everyone else, she wants to become a good Christian woman to get respect in society. She supports her husband through thick and thin because it is a part of being a good Christian woman. Her loyalty can be seen many times during the book. When Reverend Hale comes and shows his suspicion toward them she clearly denies him by saying, “But sure we never loved the Devil here.” (Miller 63). She does whatever she can to prove that he is a pious man. Even in court, she testifies twice that her husband is not a bad man by saying, “My husband is a good and righteous man. He is never drunk as some are, not wastin’ his time at the shovelboard, but always at his work.” (Miller 104-105) and clearly saying “no sir” (Miller 105) when she was being asked by Danforth that whether or not her husband was a lecher. During this time, in Puritan society, she is a great example of a good Christian woman, because of her loyalty toward her

“Our Father in heaven, hallowed be your name. - Matthew 6:9. The idea of “God the father” is one that is rooted deep in our society predominantly the ways in which it rejoices men. The almighty all and powerful God is outlined as a male figure in the bible, constructed using almost entirely masculine language. This simple fact has provoked men to assume the position of authority, to oversee over his family. This simple fact leads to an imbalance of power between men and women subconsciously oppressing women within our society. In Mary Daly’s “After the Death of God the Father,” Mary explains how the Judeo-Christian culture has served to bring structure to a sexually imbalanced man driven culture." This male-controlled society has its establishments in the most discernible parts of Christianity.” Mary’s work is a continuation of what is known as “The women's liberation movement” furthering the conversation of societies hold on a woman and bringing change. In this critical evaluation of Mary Daly's work, I will discuss the thesis and argument of the reading, along with an analysis of its assumptions and implications.

Throughout history, people have used paintings and art as a tool to express their religious beliefs and values. Illustrations depicting the Virgin Mary and child, often referred to as Madonna and Child, are one of the most recurring images in Christian and European Art through the ages. Though these paintings and sculptures may have similarities in their iconography and style each work of art varies based on the different artists’ and time periods. Two paintings that portray these features currently reside in the Museum of Fine Arts Houston. The first, Virgin and Child by Rogier van der Wyden, was originally painted after 1454. In the painting, the Virgin Mary is holding Christ against her shoulder as he twists around to face toward the viewers. The second painting is Virgin and Child with a Donor, painted by Antoniazzo Romano and originally painted c. 1480. In this painting, Virgin Mary is supporting Christ who seems to be standing and includes a figure of a man with his hands crossed in prayer. While both paintings depict the mother and child, there are both similarities and differences in style and portrayal. In this paper, I will thoroughly examine these traits, as well as address the similarities and differences associated with the two paintings. This analysis will be done by using information gained from reading Gardner’s Art Through the Ages, in class lectures from ARTH 1381 Art and Society Renaissance to Modern and ARTH 1300 Ways of Seeing Art, and close visual

violent things she had endured. She always talks to God asking him to give her

Many literary critics throughout the years have labeled the Wife of Bath, the "gap-toothed (23)" character of The Canterbury Tales by Geoffrey Chaucer, a feminist. She is a strong-willed and dominant woman who gets what she wants when she wants it. However, this is not the definition of a feminist. A feminist is someone who believes that women and men are equal, while also is able to recognize and appreciate the unique characteristics of both sexes. A feminist celebrates what it means to be a woman, and a feminist is definitely not what Chaucer meant his character to be interpreted as. If anything, the Wife of Bath could safely be called a sexist. She constantly emphasizes the negative

“She was a king’s daughter, she was a king’s sister, she was a king’s wife, she was a queen, and by the same title a king also” # Mary Tudor was an influential women of her time period. Many in modern society know her for her particularly bad reputation as Bloody Mary, however they do not realize the contributions she made, or her influence on history . The story behind Mary’s reputation gives insight as to her true accomplishments as England’s first queen.

The Holy Virgin Mary was created by Chris Ofili in 1996. It is a mixed media painting, including paper collage, oil paint, glitter, polyester resin, map pins and elephant dung on linen with the size of 243.8 cm X 182.9 cm. The artwork portrays Mary, a black virgin, wearing a blue cape covers from her head down to her body. The cape wraps around her body, leaving an open space that reveals her right breast that was actually a dried lump of elephant dung. The woman was positioned standing in the center on a yellow-orange background with swirly lines that created a little detail in the background.

Often, literal commands of Jesus such as pilgrimages have two and three fold benefits. Besides the very physical connections with the sacred that they offer arriving at places of sacred history, pilgrimages are also a form of penance for sins. Because of the sacrifice of time, money, and risk to make these pilgrimages, best seen by Kempe's outrageous devotion in leaving behind her life and family for long periods of time, pilgrimages assist in erasing sins in ones life. Another reason that Margery and medieval Christians would embark on these pilgrimages is for the reverence of saints and their relics that they would visit. The Middle Ages emphasized an important connection to the lives of past saints believing that the saints still had power to intercede blessings into the lives of religious people on Earth. Where Margery is set a part from common laity, during her pilgrimage to Jerusalem she receives a special spiritual gift of “cryings” that she can not control when religious emotion comes over her. Describing these outbursts, the author of her autobiography says, “The crying was so loud and so amazing that it astounded people…” (Windeatt, 104). It is assumable that emotional experiences upon pilgrimages of either laity or monastics to such places as the Holy Land would be common, however that people were

Mrs. Ramsay thrives in this role of wife and mother, and men support this role by loving and adoring her for it. In watching her fit the stocking to James' leg and at another time, read James a fairy tale, Mr. Bankes can not help but contemplate the wonders of Mrs. Ramsay. He sees her is the best of light, as childlike and beautiful from within. "If one thought of her simply as a woman", one who wished to be admired, they were mistaken. In his opinion, she was beyond all of that. Her self sacrificing nature brought her to a higher level, where although she was strikingly beautiful, she wanted only to be like everyone else, "insignificant", so as to serve those around her.(p. 30) The simple acts which she