Maria Amparo Ruiz De Burton's 'The Squatter and the Don': An Analysis

Frontiersmen have existed throughout America’s history. According to Turner’s hypothesis, they push forwards for civilization and have shaped America. The stories All the Pretty Horses, The Gift of Cochise, and The Martian are all works of frontier literature. Each in their own way show frontiersmen during different times in America’s history with characters that interact with their respective frontiers in different ways. Through these three books one can see how the core interactions between frontiersmen and the frontiers call out the qualities of frontiersmen stated in Turner’s frontier hypothesis.

Bartolomé de Las Casas was born in Seville, Spain in 1474. His father joined Columbus second voyage and in 1502 Las Casas became part of the journey. The purpose of the father and son voyage was to replace Columbus as a royal governor of Hispaniola (Las Casas 9). When they arrive Las Casas saw the reality of his people mistreating, torturing, and enslaving the Taino Indians. He felt that the Indians did not deserve this kind of treatment and that he begins to write the things he would see. His book, The Very Brief Relation of the Devastation of the Indies, vividly describes a more gruesome treatment of the indigenous people ruled by the Spaniard. Even though it was his people. He wanted to reach the royal administration of Spain to change this

In A Short Account of the Destruction of the Indies, Bartolomé de Las Casas vividly describes the brutality wrought on the natives in the Americas by the Europeans primarily for the purpose of proclaiming and spreading the Christian faith. Las Casas originally intended this account to reach the royal administration of Spain; however, it soon found its way into the hands of many international readers, especially after translation. Bartolomé de Las Casas illustrates an extremely graphic and grim reality to his readers using literary methods such as characterization, imagery, amplification, authorial intrusion and the invocation of providence while trying to appeal to the sympathies of his audience about such atrocities.

In Deborah Miranda’s memoir “Bad Indians”, she uses documents, images, and drawings to expose colonial violence and provides evidence of a history of conquest. There are different types of colonial violence that are depicted throughout her memoir, such as: physical, emotional, sexual, and cultural violence. Additionally, Miranda exposes the nature of colonial violence by providing evidence by implementing particular sources to contribute in confirming the history of conquest throughout the lives of California Mission Indians.

Esperanza, a strong- willed girl who dreams big despite her surroundings and restrictions, is the main character in The House on Mango Street by Sandra Cisneros. Esperanza represents the females of her poor and impoverished neighborhood who wish to change and better themselves. She desires both sexuality and autonomy of marriage, hoping to break the typical life cycle of woman in her family and neighborhood. Throughout the novel, she goes through many different changes in search of identity and maturity, seeking self-reliance and interdependence, through insecure ideas such as owning her own house, instead of seeking comfort and in one’s self. Esperanza matures as she begins to see the difference. She evolves from an insecure girl to a

Can you imagine setting sail with about 600 men on a conquest hoping to successfully complete a task. Instead your castaway and you are one of four survivor’s out of 600 men; We can all attempt to imagine, but this was reality for Alvar Nuñez Cabeza de Vaca. In the early 1500’s Alvar Nuñez was amongst the first Europeans to step foot in what is known as North America today. The narrative and film Cabeza de Vaca Relacion and Cabeza de Vaca the film, recounts the trials and tribulations of the eight year journey. The film adaptation of Chronicle of the Narváez Expedition compares to the text in many ways. The film is merely a mirror to the narrative and although the film is not as long as the book it gives its audience visual validation of the hardships Alvar Nunez and his men endured, The way in which Alvarez was inhumanly treated by the Indians and how Alvar Nunez became popular and respected in the Indian community.

Deborah Miranda’s Bad Indians utilizes a unique blend of writing styles to piece together a clearer and more distinct view on the Mission system, Gold Rush, and settlement of California. Through this revolutionary collection of writing, we receive a detailed account of the treatment that California Indians had to endure during the Missionization era and are able to draw our own conclusions in regard to whether the missions were a positive or negative aspect of California history. Although Miranda’s ancestors suffered and survived horrible conditions, she, in my opinion, does not villainize the Mission system, but rather displays the facts as they are, therein allowing us to reach our own conclusions in relations to this history. Because there

Negotiating Conquest is a scholarly work written by Miroslava Chavez-Garcia, which analyzes women 's roles in history, and discusses how the political system has affected their roles. It covers the period between the 1770 's to the 1880 's, the periods before and after American Conquest. Likewise, this book is divided into two sections, chapters 1-3 discusses "Women in Spanish and Mexican California," and chapters 4-6 discusses "Women in American California." This work analyzes the major ideas present within each period and how it affected women 's roles and power. The time and effort put into this book, is something that the author enjoyed, calling it a "labor of love." Overall, she then claims that her purpose in writing this work is to, "honor and recognize woman of all ethnic backgrounds, social classes, and regions, who established households, nurtured and reared families, and rose above personal adversity in societies that often ignored, overlooked, and rendered them invisible."

The American desire to culturally assimilate Native American people into establishing American customs went down in history during the 1700s. Famous author Zitkala-Sa, tells her brave experience of Americanization as a child through a series of stories in “Impressions of an Indian Childhood.” Zitkala-Sa, described her journey into an American missionary where they cleansed her of her identity. In “Impressions of an Indian Childhood,” Zitkala-Sa uses imagery in order to convey the cruel nature of early American cultural transformation among Indian individuals.

In contrast to D’Ortega, Lina, a captured Native American, values courage and commitment to the community. To Lina, Vaark’s sumptuous plantation represents everything negative the European

Colonialism has a historical context that has long obscured and distorted the experiences of indigenous people, particularly those who endured the brutalities of the California Missions. Although indigenous people are portrayed in history as docile people, who openly embraced invasion, Deborah Miranda dismantles this depiction in her memoir, Bad Indians: A Tribal Memoir, through two stories called “Dear Vicenta” and “Novena to Bad Indians”. Throughout the stories run various narratives of survival and resistance, which form new understandings of colonization and missionization. Miranda practices decolonization through oral history in order to form new and ongoing indigenous identities. Evidently, through decolonial practice and deconstructing dominant narratives about “colonized” peoples and replacing them with stories that use traditional memory and practice, Miranda disrupts the commonly accepted narrative of indigenous peoples by reconstructing the dichotomy between good and bad Indians through acts of resistance and survival.

Over the years, the idea of the western frontier of American history has been unjustly and falsely romanticized by the movie, novel, and television industries. People now believe the west to have been populated by gun-slinging cowboys wearing ten gallon hats who rode off on capricious, idealistic adventures. Not only is this perception of the west far from the truth, but no mention of the atrocities of Indian massacre, avarice, and ill-advised, often deceptive, government programs is even present in the average citizen’s understanding of the frontier. This misunderstanding of the west is epitomized by the statement, “Frederick Jackson Turner’s frontier thesis was as real as the myth of the west. The development of the west was, in

The emergence of western history as an important field of scholarship started with Frederick Jackson Turner’s (1861-1932) famous essay “The Significance of the Frontier in American history.”[1] This thesis shaped both popular and scholarly views of the West for the next two generations. In his thesis, Turner argued that the West had to be taken seriously. He felt that up to his time there had not been enough research of what he in his essay call “the fundamental, dominating fact in the U.S. history”: the territorial expansion from the Atlantic to the Pacific coast. The frontier past was, according to Turner, the best way to describe the distinctive American history and character.

It is easy to see that current events and issues of the world around them have had an impact on authors and what they have written from the stories in this time period. The Native American authors wrote stories describing life during and after white man came to America. We read Oratory’s by two Native American’s COCHISE and CHARLOT. They gave heart-wrenching speeches, giving great details into the history of the tribes and the devastating effect the white man had on them. Author Zitkala Sa gave us a powerful interpretation of her life as a Indian and how the white’s coming to America affected her life.

The evening after John Grady’s grandfather’s funeral, John Grady rides his horse along his favorite trail, which is just west of his house (5). While riding the trail, John Grady imagines the Native Americans that had once traveled down that road with their “painted ponies” and “faces chalked” (5). McCarthy uses this image to emphasize the oversimplification of the disputes between white men and Native Americans that ultimately defined the American West. “John Wayne’s West,” which “exists primarily in the minds of movie producers,” was promoted during the 20th century and was what Americans came to depict the West as (Folsom Par. 1-2). This false representation included bank robberies, “hour-long shootouts,”and battles between cowboys and Indians (Folsom Par.