Marine View With A Sunset

Some rocks are stretching all the way to the center of the lake, where some people and their cattle are standing. The whole painting don’t have any special focus because the artist didn’t give any part more attention. The whole scene seems clear and calm in a sunny weather. The sunlight comes from the top part of the sky behind trees around the lake on the right side of the painting.

The sharpness of the waves contrasts the soft sky. The equal amount of water to sky makes the this painting balanced. Contrary to the title, the main focus of this piece is the fisherman in the boat. The wind seems to be blowing from the northwest to the southeast as the directions of the waves indicate. The waves have a very defined shape.

Splitting from the tradition, Monet painted the same image several times over, at different times of the day, under changing weather conditions, and rather than finishing them all on the spot, had them taken back to France, sometimes with photographers to refresh the memory of the scenes. This caused some upset, though the quality of his work still had not declined. Exceptionally enough, this piece dates to before his development of cataracts and subsequent removal operations (causing him to see more vivid hues of blue), and the paints are still blended masterfully to give a rendition of fog cover on the riverbanks.

The following is an analysis and an interpretation of Autumn on the Seine, Argenteuil. This oil on canvas painting can be found in the High Museum of Art. Claude Monet, the artist of this piece painted this in 1873, right as the Impressionism Movement was beginning. Monet played the important role of one of the founders of the Impressionism Movement with his works like Autumn on the Seine, Argenteuil. Autumn on the Seine, Argenteuil is from a series of paintings that Monet did while in Argenteuil. In the artwork Autumn on the Seine, Argenteuil, the lighting used throughout the painting, brushstroke techniques, perspective, and color all play an important role in the piece, as well as in the Impressionism

Impressionism is a way of painting which depicts objects using strokes and dabs of primary unmixed colours in order to simulate reflections of light. This style of painting was completely different and new at the time and both Seurat and Monet used these methods to become pivotal impressionist artists in the early 1870s.

The Sea at Le Havre, painted by Claude Monet in 1868, is a 23 5/8” x 24 3/8” oil on canvas landscape painting. Monet was a French artist who lived from 1840 to 1926 and was considered to be an impressionist. A unique quality of Monet was unblended “sloppy” brushstrokes combined with a use of precise choice of color, as seen clearly in The Sea at Le Havre. Because of his vigorous and richly textured painting style, Monet was able to capture the look and feel of the movement of water, which was demonstrated in The Sea at Le Havre, using an impasto style. He used erratic brushstrokes to show the ripples of forming waves and the foam of the waves crashing on the shore. His brushstrokes are also almost completely horizontal, which seemed to make the painting feel heavier. In the sky, Monet used thicker, longer, and more opaque strokes, as well as of varying hues of blue and gray, along with white, to create a look of overcast. To give the clouds fluffiness and substance, the paint that was used for the sky was inconspicuously smudged in some places, with more defined clouds layered overtop. The depth of the painting is attributed to his choices of color. Black is rarely used in the painting aside from where necessary, but rather replaced with darker shades of blue to show divots in the water, heavy clouds, and the distance of the village of houses that line the horizon. The different shades also give a more realistic form of light to his paintings, which was a focus of the impressionism era. His painting appears to be slightly gloomy, but doesn’t convey sadness. The piece is uniform in color, to emphasize the overcast, darkened day. Monet also used symmetrical spacing, with the canvas split nearly in half between the sea and the sky. The only thing that separates the sea and the sky is a piece of jutted-out land that shows he is on a gulf or an inlet. On that piece of land, that goes a little over a third of the way onto the canvas, Monet used heavy contrast, then continues the horizon with a slightly thick, darker blue-gray line to clearly separate the halves of sea and sky. There are three places where it appears that Monet used black along with darker shades of purple and blue, and each of those three places are

Another interesting part of this canvas is the direction of the reflections showing from the water. Van Gogh tries gives us this sense of calm movement with the reflection of the lighting going in a downward course. Also, the artist shows the viewer the grouping from the stars, to the lights from the houses, to the reflection form the water and which again it gives us the sense of the lighting going in a downward motion.

In his painting, there is a term to expressing how light varies from its original light. For instance, the background of the painting is adding with brown color, yet using tint and shade effect to the sun sets with distinctive brightness. Brightness is adjusted by horizontal movement, and Breton increases, and decreases his painting’s brightness at the background view. Upper part of the pieces, twilight shines with varying brightness, depending on the darkness of the sky surface. Brightness for the mid-gray tones in the surrounding space, with significantly affecting the highlights and shadows. Overall painting allows depress emotion. Figures is luminous such as the sky and houses, also for the woman, she is apparently describing with a energetic sense of natural, and mournful atmosphere. The light at the back part of the drawing gives viewers to pay attention to the woman rather than the background, since there is bright white T-shirt with dress, and the woman’s face. Breton uses tint and shade effect at the upper part of the painting, and clouding of the back scene maintains a tenderness. Breton uses bright light at the sun sets, and it expressed that it was the dawn and bring message with a bright future will come soon to the woman, and the

She created the “spontaneity and freshness…associated with sketches” through “[painting] on unprimed and unsized white canvas,” allowing her paintings to appear much more in the moment, a hallmark characteristic of Impressionist art. Sometimes, she would leave the edges of the canvas devoid of paint, furthering the sketch-like quality of her paintings. White was dominant in her palette, be it through the application of paint or the peeping through of the canvas, giving her paintings the luminosity she desired. Her palette consisted of vibrant colors that “[were] admirably suited to her essentially feminine subjects” and she created the illusion of depth through

We can also see the use of black shades to create a hole at the bottom part of the rock. With his excellent use of colors, we can identify the good, healthy and green grass from the bad, unhealthy, brown grasses. Looking beyond the main focus of the painting, he uses colors to separate the sky from the land in the background creating a solid form of perspective on the painting. He also uses colors to create water forms as seen behind the young character. Now, for the sky, he uses shades of white to magnificently differentiate the thick clouds from the light ones. He also uses this to create a source to light to the whole area. All these put together creates a splendid, realistic and familiar atmosphere for the viewers to relate with.

Claude Monet’s piece titled Sunrise (Marine) illustrates the daylight in the industrial port of Le Havre of the north coast, France. This piece was made in March or April of 1873. The piece’s present location is the J. Paul Getty Museum, west pavilion, gallery w204. The medium is oil on canvas and is next to another piece made by Monet called The Portal of Rouen Cathedral in morning light. Claude Monet was part of the impressionist movement that changes French paintings of the nineteenth century. For Sunrise (1872), people criticized the paint due to the appearance of an unfinished painting, however other artist saw it as an honor and eventually called themselves “impressionist”. The painting brings out a beautiful image due to the colors, texture, and technique that plays an important role in society and culture.

Paintings that have textures that can be smooth and flat or have tooth and be lumpy which can depend on the type of paint or how it is applied the surface of a canvas. In many of Monet’s Impressionism paintings, he uses a dry brush technique and created dabs. In Sunrise, the paint is not blended together instead it is layered, which created a

Claude Monet was born in Paris in 1840 and would become known as one of France’s famous painters. Monet is often attributed with being the leading figure of the style of impressionism; but this was not always the case. Monet started out his career as a caricaturist, showing great skill. Eventually “Monet began to accompany [Eugène] Boudin as the older artist . . . worked outdoors, . . . this “truthful” painting, Monet later claimed, had determined his path as an artist.” Monet’s goal took off as his popularity grew in the mid 1870s after he switched from figure painting to the landscape impressionist style. William Seitz supports this statement through his quote, “The landscapes Monet painted at Argenteuil between 1872 and 1877 are

Monet's painting Sunrise displays vivid color, which is commonly used among impressionists. The painting is of the sun rising over the lake, over looking the bay and the boats within. "Sunrise is a patently a seascape; but the painting says more about how one sees than about what one sees. It transcribes the fleeting effects of light and the changing atmosphere of water and air into a tissue of small dots and streaks of color-the elements of pure perception" (Fiero 114). This painting is typical of its style because it captures light at that moment. The sun is rising and its color is projected to everything in its path. Monet seems to capture this

Claude-Joseph Vernet made a painting that brings your attention to the foreground. In the front, there is a boat being boarded. Some of the people that are not boarding the boat are standing by the sea. In the sea, some boats are sailing off in the distance. One of the boats in the distance is a large boat that gives the illusion of being three-dimensional. The form gives this illusion because of the reflection in the sea. If you look in the lower-right, you can see the light from the sun illuminating the sky. This light is hidden behind a large mountain that also has a three-dimensional form. There is also lots of texture in the painting. Some texture is seen in the mountains and ground giving a rough look, and some is seen in the sea in the form of ripples. On top of the mountain in the lower-right, there is greenery that has an illusion of being light and feathery. In that mountain, there is an arch that makes the other side visible. In the far distance, you can see a faint