Marjane Satrapi 's ' The Iranian Revolution Of 1979 '

Marjane’s friendships are few and far between, after the wake of the revolution. In the beginning of the novel, Marjane’s best friend is God and how she mainly identifies herself. This is significant to understanding the depth of Marjane’s thoughts as a child. She is very different from the rest of the kids. This is evident when Marjane’s says when she wants to be a prophet and her classmates say they want to be doctors, or teachers. Growing up in Iran makes it hard for Marjane to express herself and really identify herself. This affects her friendships with children her age. Marjane is very sympathetic for a child her age, and she deeply understands what her country and family has been suffering through. She sat in a bathtub for hours trying to understand how her grandfather felt. Other children her age were not doing things like this. She often talks to God as mentioned before and this is when Marjane can express herself. She cannot do that with other children so she leans on God and identifies with him. As Marjane grows she meets her uncle who be¬comes the light of her life and her new best friend. He tells her stories about his struggles and Marjane begins to identify herself in his stories. In this quote her Marjane is talking to other children her age, she says “ There are lots of heroes in my family, my grandpa was in prison, my uncle Anoosh too: For nine

At the same time, Marjane feels tension between her parents' political actions. Their belief in equality for the working class

Marjane’s outspoken personality helps her and hurts her in various ways. Marjane is around her family most of the time, so that affects her and makes her think more about what’s happening around her. She was affected by how her parents treated the maid, so she wanted to revolt against “the difference in social classes”. She has shown that in page 38 when she decided to demonstrate; this shows how her outspoken personality helps her to help others in a good way. Her outspoken personality also hurts her because of how she misinterprets some situations. For example, Marjane and her friends attempt to imitate the people around them by applying the physical violence that the people

One of these incidents occurs when Marjane is in art school. When the students were told that they needed to wear longer headscarves, Satrapi immediately responded that “as a student of art…I need to move freely to be able to draw.” She further questions “why is it that I, as a woman, am expected to feel nothing when watching these men with their clothes sculpted on but they, as men, can get excited by two-inches less of my head scarf?” here Marjane questions the restrictiveness of the veil and comments on the injustice in Muslim society and the gender inequality. The veil represent the repressions and the gender injustices in Iran. By revolting against the veil Marjane is able to protest the repressions. On hearing Marjanes complaint, the school administrators asked Satrapi to design her own veil. Marjane accepts this offer while still in the confines of the veil. Marjane designs the veil to suit the needs of the students and

Furthermore, facial expressions also enhance the understanding of the story by showing the character 's body language. Almost all of Marjane’s pictures show her frowning and sad face as a result of the new Islamic system that invades her life. Even though the pictures don’t have a lot of texts or details, they still serve what Marjane wants to deliver. In conclusion, all of these pictures and images are used for the purpose of delivering the message that everyone should have the right and the freedom to do what they think is convenient for them without any restrictions or rules against them. Marjane shows how she is proud of her mom for raising her voice, even though everyone is against her. Everyone should be treated the same no matter what religion they follow, or what gender they are.

For example on page 143 and 144, she starts to develop a rebellious personality after seeing the death of Neda Baba-Levy which made her not afraid of anything anymore. No matter how many times the principle yells at her, she still refuses to take the bracelet off and end up hitting the principal and getting expelled from the school. Then, even after her mom sent her to a new school, she still expose the truth out loud and disagrees with what the teacher is informing the students. These events shows how Marjane really became a rebel like she said and a bolder teenager who wants to have her own freedom. As the fourteen year-old Marjane slowly becoming a more serious rebel, Marjane’s parents made a few important decisions. First, they decided to tell Marjane about the other side of the society that she didn’t knew about. On pages 145-146, Marjane’s parents informed her about how the regimes treats the young girls that they arrest and prove to her that it was what happened to Niloufar. Although Marjane’s parents told her about the results that might occur if Marjane continues to act that way, her parents seems still doesn’t have the reassurance that they need. Therefore, they made another decision to send Marjane to Austria in order

On pages 3 and 4, Marjane gives us the years for, when the revolution began, when children were required to wear a veil and her date of birth. The dates, enable the reader to get a sense the time period and the historical background of Iran. Timelines are imperative to understanding her life story. Next, Satrapi demonstrates pathos through illustrations and the speech bubbles. The emotions of the characters can be shown through their facial expressions and actions they take.

In the book Persepolis by Marjane Satrapi, Marji is a ten-year-old girl living in Iran in the year, 1980. During this time, the Islamic Revolution is just beginning and Marji experiences major changes in her life. For example, she has to wear the veil at school and the boys and girls are not allowed to interact. The students of the school find themselves “veiled and separated from our [their] friends” (Satrapi 4). Also, there are protests and demonstrations where people voice their beliefs and feelings towards the government.

Marji's role in life changes drastically throughout the novel. In the beginning, as a young child, Marji believes that she is a prophet. As the story progresses and they the revolution continues, Marji begins to feel dismay towards the revolution and towards God. Later in the novel, Marji’s mother also feels sadness. Her former revolutionary spirit is gone and replaced with fear. When Marji’s principal calls the house to complain that Marji disrespected of the teachers, her mother in the past would have been proud, but this time around she fears for her daughter and goes on to explain the things that happen to girls in Iranian prison. Her mother had given up optimism and established that war

For instance, she reads all these books about Karl Marx and then she applies it to her life.She starts putting herself into these Communist characters. Since Marjane’s parents pass communist beliefs down to her, she tries to fit in, causing her to preach communist ideals.

When she sends Marjane away from Iran, she assures her: “I know how I brought you up. Above all, I trust your education” (147). Marjane’s mother doesn’t want her daughter to live in such an oppressive time. When the veils become mandatory, Marjane’s mother wishes to take her to an opposition demonstration: “She should start learning to defend her rights as a woman right now!” (76) In growing up with such strong female role models, Marjane learns to express her opinion and always stand by her beliefs. They taught her to stand up for herself as a woman, and in doing so, introduced her to a feminist perspective on life.

Another historical event that we see is the rise and effects of the Islamic regime in Marjane’s life. This event is arguably the central issue that affects Marjane during her upbringing in Iran. Marjane shows how the regime begins to control schools, and how this affects her life by separating her from her friends (4, 3-4). We also see how the regime decides to close universities as they “educate future imperialists.” (73, 1-3) This demonstrates the negative effects that the regime has on society, as they prioritize Islamic values over education. The Islamic leaders portrayal shows them as upset and bored, and are given much different facial expressions than those that Marjane sees as intellectual (such as Uncle Anoosh (54/3) or Marjane’s grandfather (23/8)). This imagery communicates the backwards-thinking of these leaders, and as such, also effectively communicate Marjane’s opinion of the leaders without needing to discuss it with text. Additionally, we see both of Marjane’s views: Marjane not understanding the veiling and separation (3/5) as well as Marjane’s depression over the closing of the universities (73/7). The text here illustrates her opinions on the situations that she experiences, and the imagery allows us to see a visual representation of her basic thoughts and emotions, which are well communicated. A final example of the regime’s changes is the difference between the fundamentalist and modern women

Bertrand Russell, a respected British philosopher, once said, “War does not determine who is right - only who is left.” Marjane lives in Tehran, which is subjected to continued ruthless bombings throughout Marji’'s childhood there. Many of her closest friends and family members also who either served in the war, are prisoners of war, or are experiencing it with her. She perfectly conveys a clear image that war is hell, no matter who or how you experience it. 10 year old Marjane with no average little girl, instead of fantasizing of dolls, she was convinced she was going to be a prophet - but throughout the story, we see the drastic

Seen many times throughout the film, Marjane can't help acting immature even reckless. Marjane’s surroundings are consistently influencing her, but luckily she never seems to fully drop her personal beliefs. Marjane certainly has her flaws and her strong-will makes it difficult to adapt to the world that surrounds her. But throughout the film it is clear that her heart in Iran. Marjane eventually moves back to Iran after her life falls apart in Europe. She soon finds out that Iran’s conditions are still as brutal, if not more, has before she left. Marjane realizes that home isn't the safest place for her to be and she is better off flourishing in another place, patiently waiting for her home to become the paradise she has always felt it was.

All women in their lifetime go through an experience that makes them feel proud and dignified to be a woman. Marjane Satrapi strives to find this feeling of self-worth and the satisfaction of being a woman in Iran as she grows up during her war torn childhood in her bildungsroman, Persepolis. Marjane experiences both positive and negative moments throughout the memoir such as growing up alone in Austria, speaking against women's dress codes, and her constant struggle to make her grandma proud, all which help her learn independence and help form her into a strong feminist woman.