Marjane Satrapi's Persepolis

Despite all the values that the hijab is representing in different countries of the world, the only value that is demanded is the egalitarianism and justice value, whether a woman is wearing the veil or not, they are “calling for equal access to divorce, child custody, and inheritance; equal opportunities for education and employment; and abolition of

Though the veil forms an inconvenience in the lives of all Iranian women, it serves as a form of protection in their lives against the dangerous religious extremists fighting for the revolution. Marjane and her mother did not believe in the religious importance of wearing the veil but knew they had to wear them for their own protection against radical religious men that could try to take advantage of them. The president claimed that “women’s hair emanates rays that excite men” (74). Supported by this proposition, men could claim that a woman without a head scarf excited him and he would rape her because that is what she deserved for being a “little

In the exposition we meet our protagonist who is a young women of Islam who wears the traditional veil that muslim women are advised to wear under the law of the Quran were it says, “And tell the believing women to reduce some of their vision and guard their private parts and not expose their adornment except that which necessarily

One of these incidents occurs when Marjane is in art school. When the students were told that they needed to wear longer headscarves, Satrapi immediately responded that “as a student of art…I need to move freely to be able to draw.” She further questions “why is it that I, as a woman, am expected to feel nothing when watching these men with their clothes sculpted on but they, as men, can get excited by two-inches less of my head scarf?” here Marjane questions the restrictiveness of the veil and comments on the injustice in Muslim society and the gender inequality. The veil represent the repressions and the gender injustices in Iran. By revolting against the veil Marjane is able to protest the repressions. On hearing Marjanes complaint, the school administrators asked Satrapi to design her own veil. Marjane accepts this offer while still in the confines of the veil. Marjane designs the veil to suit the needs of the students and

Persepolis: The Story of a Childhood by Marjane Satrapi is a graphic novel that provides insight into a young girl living in Iran during the hardship of war. Persepolis takes place during the childhood of Marjane Satrapi. It gives a background of the Islamic Revolution and the war in Iran. Satrapi attempts to guide herself in a corrupted world filled with propaganda. She tries to develop her own morality concerning religion, politics, and humanity. Satrapi was blessed enough to have high class status and parents who had an open mindset about the world around them. Thanks to her slightly alternative lifestyle, she is able to reconstruct gender norms that society has set by depicting the different ways women resist them. “Do Muslim Women Really Need Saving? Anthropological Reflections on Cultural Relativism and Its Others” by Lila Abu-Lughod is an essay detailing the misconceptions surrounding the veil. Through this essay we can see how colonial feminism, the form of feminism in which western women push for a western way of living on their third world counterparts, has shined a negative light on cultures all around the world - particularly Islamic women. The essay shows how women who don’t conform to American societal structures are labeled as women who urgently require saving. Through this essay one can develop a thorough understanding of the veil itself and the many representations it holds to different entities. Although in Persepolis: The Story of a Childhood Satrapi

One of the most controversial topics concerning Muslim women’s rights is the idea of the veil. It is believed by some Muslims that the veil is an Islamic obligation that all Muslim women must adhere to. But nowadays, the veil can have different meanings that are not necessarily religious. In her article “Reinventing the Veil,” Leila Ahmed addresses some of the different meanings that the veil can have. Marjane Satrapi explores one of those meanings in her animated autobiography Persepolis (2008). In Persepolis, Marjane tells the story of her rebellion against the Iranian Islamist regime that takes over Iran, oppresses women, and forces them to wear the veil. What was interesting to me was seeing Marjane wear the veil without being oppressed, although she does not believe in it, and is being forced to wear it. In Persepolis, Marjane Satrapi escapes being a subject to the Iranian Islamist ideology by establishing her individual identity through transforming the veil from a means of oppression into a means of feminist rebellion.

Abayas, shailas, burkas, and chadors: all are forms of veiling in the Middle East, and all are perceived as symbols of oppression and patriarchy by the West. The veil worn by a Middle Eastern woman is striking and beautiful in its simplicity and elegance. The hijab, the most common form of veiling, leaves only the face visible with the neck and hair completely covered. Onlookers are in awe at the mystery and symbolism associated with the many veils created out of fine, exotic silk. But such notions of oppression and patriarchy often associated with veiling are not only inherently biased and ironic – it would be interesting to explore the symbolism behind a mini-skirt or a pair of five-inch heels, no? – but they are also inaccurate. Although veiling has most definitely been used in the Middle East as a “mechanism in the service of patriarchy, a means of regulating and controlling women’s lives” (Hoodfar, 5), it has also been used as a mode for rebellion and self-expression. Marjane Satrapi, an Iranian woman who grew up during the Islamic revolution, resisted the regime and the universalizing nature of the veil in the hope that she could maintain her individual identity whilst communicating her political ideologies. By examining the way in which the veil is represented in Satrapi’s graphic memoir, Persepolis, while also considering the history of veiling in Iran, it will become evident that the veil is not just a political tool used by male chauvinists; it also presents an

The book, Persepolis: The Story of a Childhood, was written by Marjane Satrapi; it is the story of her life in Iran from birth to fourteen years old. The perspective of Marjane, in her novel, affects the overall presentation of revolution, religion, and social classes. Consequently, with no background knowledge, we only have her perspective which affects our own opinion about the events of the book.

While wearing a metaphorical mask helps a woman hide the ugliness nobody wants to see, a literal mask conceals too much. Men want to see women, especially if they are the correct size with the correct amount of curves; if they reach the right size, arrogance or pride will take away from the physical attraction. The Middle East takes the right to flaunt their beauties away by participating in the custom that most know as veiling (the act of covering with a light gauze cloth). The practice alone seems unimaginable but even scarier, the girls seem apathetic towards the demeaning tradition. Much like India, they brainwash girls to believe in a repulsive custom. They choose to believe they help men resist the temptation of a woman’s body. In Behind the Veil by Elizabeth W. Fernea, a woman attempts to clarify the lack of self-respect: “If I wanted to take it all off (her ababbayah and veil), I would have long ago. It wouldn’t mean as much as it does to you.” (Behind the Veil, Robert Fernea). Covering up the problem does not present triumph, but among the wreckage and turmoil of this wretched tradition, hope remains. They have a stronger force on their side; America will save them from their

Many middle eastern women that have religions like Muslim or Islamic are either required or choose to wear a form of veil, whether fully covered or just their hair, but lots of women who have can decide still choose to wear these articles of clothing. The most commonly known veils are burqas and hijabs, although there are much more options that all range on preference and religion. In middle eastern culture, religion and clothing are two main customs that they practice, which includes women being or not being oppressed by headpieces. “A Thousand Splendid Suns” is a book based on the Afghanistan war, showing the viewpoint of two women and how their different lives collide. “From Behind the Veil” is a story about a middle eastern veiled woman meeting a man and, by religion, is forbidden from seeing him, but she continues to see him in the privacy of her burqa.

There are several similarities between Marjane Satrapi’s graphic novel, The Complete Persepolis and Scott McCloud’s graphic novel, Understanding Comics. Scott McCloud stresses the importance of amplification through simplification, and Satrapi uses this technique in her memoir. The simple images Satrapi uses shows how her time in Iran was depressing and historic. Often in Persepolis, the figures look similar to one another by faces and clothes.

Explicitly, this illustrates self-expression and individuality for the girls have been illustrated differently, however, in the background of the frame, you see five girls depicted all wearing the same black veil. Implicitly this shows how the veil is masking personal expression. This overwhelming sense of similarity qualifies the idea of forceful placement of a religion onto the Irani society. This veil prohibits society to know what that girl's hair looks like or anything else that would exhibit idiosyncrasy. This use of a personal story from Satrapi's childhood is an attempt to appeal to emotions of the reader by seeing the opinions of the children regarding the veil.

Throughout the book, “The Veil” comes up twice as a chapter name emphasizing how the new government forces women to consistently be self-conscious about how they look in front of people whenever they leave the house, and sometimes even in the house, when there’s a male figure present; restricting their right to the freedom to express themselves. Another incident is when Satrapi’s mother comes home one day crying that the men who came up to her when her car broke down insulted her, saying that “women like [her] should be pushed up against a wall and fucked and then thrown in the garbage” (Satrapi 10.19) . The story repeats how harshly the government prioritized the veil causing

In Marjane Satrapi’s graphic novel and memoir Persepolis, she describes life in Iran under the Islamic revolution. The novel focuses on her formation identity amid the authoritarian and oppressive regime. She creates her identity through self-education and personal rebellion and expression regardless of the risk she faces. The novel follows the way she seeks to control her life within a system that is trying to remove that autonomy from her control. Marjane fights the personal oppression through small acts of rebellion and through self-education even as she faces risks from the Iranian regime.

In the beginning of the graphic novel, Satrapi portrays a frame where the children are playing with the veil to reveal a rebellious nature against the Islamic Revolution. “We didn’t really like to wear the veil, especially since we didn’t understand why we had to” (Satrapi 3). The narrator refuses to accept the change implemented by the Islamic Revolution’s philosophy. She conveys a message where many the children do not want to follow the new custom by creating an image where kids disrespect the veil. This image convinces the readers many of the children do not want to wear the veil is powerful. Western readers always stereotyped that all middle eastern girls dressed in a