Mark Whitfield Essay

His band members include Todd Laningham on guitar, Will Knaak on guitar and vocals, Caleb Jones on the bass and vocals, and Bryan Zanotti on the drums and vocals. They do not interact

From 1955 to 1958, Miles Davis formed a band known as the Miles Davis Quintet. The band originally included trumpeter Miles Davis, tenor saxophonist John Coltrane, pianist Red Garland, bassist Paul Chambers, and drummer “Philly Joe” Jones. Later, Miles Davis added alto saxophonist Cannonball Adderley. The most notable albums the Mile Davis Quintet recorded before adding Cannonball Adderley were Steamin’, Cookin’, Workin’, and Relaxin’ with the Miles Davis Quintet. After Cannonball Adderley was added to the Miles Davis Quintet, the album Milestones was recorded. The style of these albums were much different from the cool jazz style that Miles Davis was known for, these were intense and exciting songs that were similar to hard bop and later styles. From 1957 to 1963, Miles Davis renewed his relationship with Gil Evans and they began to record songs where Davis was the only soloist with a large band. Miles Davis recorded the album Miles Ahead in 1957 and played the

Credibility Statement: I have followed Travi$ Scott’s music since 2009, when he collaborated a duo with Chris Holloway called The Graduates and released an EP on MySpace.

Victor Provost is widely considered one of the premier steel pan jazz artists of the 21st century. Through appearances at concert halls, clubs, and stages throughout the world, he has been meticulously developing a reputation as a “dazzling” soloist, crafting an impressive improvisational voice and style. Provost possesses a thorough knowledge of Bebop language, with a strong foundation in Caribbean sensibilities, and is armed with a virtuosic technical ability that allows him to weave all the elements of music seamlessly in his playing. Provost has two albums to his credit, including his new project entitled “Bright Eyes”, which debuted at number five on the iTunes Top 40 Jazz Charts and have received rave reviews from Downbeat Magazine,

An adaptable drummer, Clarke was still ready to inspire the more customary ensembles of Louis Armstrong and Ella Fitzgerald (1941) and the combos of Benny Carter (1941-42), Red Allen and Coleman Hawkins; he additionally recorded with Sidney Bechet. However subsequent to investing energy in the military, Clarke stayed in the bop field, working with Dizzy Gillespie's enormous band and driving his own current sessions; he co-composed "Epistrophy" with Monk and "Salt Peanuts" with Gillespie. Clarke spent the late '40s in Europe, was with Billy Eckstine in the U.S. in 1951 and turned into a unique individual from the Modern Jazz Quartet (1951-55).

Maynard Ferguson, jazz legend, internationally renowned big band leader and one of the world’s greatest trumpet players with his Big Bop Nouveau Band. He draws upon bebop, straight-ahead jazz, funk, swing, classical and contemporary music to create a fresh sound within the classic big band form. (cite from Jazz Alley web site) Because me being Korean, I personally was little surprised and impressed by two Korean were members of his big band. A massive piano player, Ji Young Lee, pretty amazing in all pieces, her extended work on “but beautiful” was really lovely and the most memorable. Stockton, powerful drum player, thrilled the audience especially one of my friend, with his solos. He was banging away using all his gear, play in energetic and lively. M.F. and his band provided a remarkable arrangement of "Ain't No Sunshine When She's Gone," as well as some elegant and very impressive, as Maynard ended a song by playing a soft muted trumpet, while the rest of the band played softer and softer, creating the effect of a fade-out.

The Keith McKelley Project’s performance was very energetic and the band added variations which surprisingly enhanced already popular songs: “Never Too Much”, “Inner City Blues”, “We Are One”, “Summer Madness” and “Jamica Funk.” Keith McKelley was the lead performer, playing both the tenor saxophone and electric wind instruments. None of the songs that McKelley performed were his originals, so it is difficult to associate Keith McKelley Project to a particular musical style but the performances were mostly contemporary jazz. Of the artists who played tenor saxophone, which were referenced on the Musician Comparision list, the closest match to McKelley’s musical style and timbre was Dexter Gordon. Although Dexter is associated with the BeBop musical style, the similarities they share, within each of their musical prowess, are highlighted within Dexter’s “Long Tall Dexter” and McKelley’s “Never Too Much.” With each of these songs, they begin repeating a simple melody with their sound emanating bright and clear. Dexter begins his engaging solo within “Long Tall Dexter” at 00:32 and McKelley begins his somewhere within a minute of “Never Too Much.”

The avant-jazz trio Thumbscrew, a collaborative project co-led by guitarist Mary Halvorson, bassist Michael Formanek, and drummer Tomas Fujiwara, augmented their discography with the release of two new complementary if conceptually distinct albums, suitably entitled Ours and Theirs. Following the example of their second album, Convallaria, these sessions were born from a residency at Pittsburgh’s City of Asylum and demonstrate the strong sonic chemistry of musicians who have been regular presences in one another’s bands.

According to the notes, the majority of the most significant fusion bands came as sidemen in Miles Davis’ band. One band was Larry Coryell and the Eleventh House, although Coryell was not a sideman in Davis’ band. Another band was Tony Williams and Lifetime which had John McLaughlin and Larry Young who were the guitarist and keyboardist respectively for Davis. The next band was Return to Forever with Chick Corea who was also a keyboardist for Davis. Weather Report had Joe Zawinul and Wayne Shorter. Zawinul was the last keyboardist discussed that was in Davis’ band at one point. Another fusion band was the Mahavishnu Orchestra that had John McLaughlin in it.

DJ Jazzy Jeff is a big name producer and DJ with many hits and even turntable scratching styles named after him. All of DJ Jazzy Jeff's talent and DJ skills have made him gain a huge following and name as one of the industry's "musical godfathers". Being around for over 20 years in the music industry and a repertoire of Jazz, hip hop and much more he is still releasing music today. He may be best known for working as a duo with Will Smith in his early career days.

It was in the hopeful progression of chords, ushering me back to my childhood in “Welcome Home,” and the intricate way his fingers danced across the frets in “With the Wind.” As he covered some of his favourite tunes, he placed his own spin on them, having us believe he could have written them through the minute rise and fall of every chord.

In addition to Coltrane’s stepdaughter and sons, we have devoted admirers from the world of music, like guitarist Carlos Santana, an honorary chair of the Coltrane Home in Dix Hill, and contemporary saxophonist Kamasi Washington, who was strongly influenced by Coltrane’s language in his own explosive blend of jazz and soul. Curious was a couple of unexpected (and perhaps redundant) appearances from the former American President Bill Clinton. Still, the most engaging stories derive from Coltrane’s fellow musicians back in time – Sonny Rollins, McCoy Tyner, and Jimmy Heath, all of them living jazz

The songs I chose to listen to and write about are Sonny Williams “Saxophone Colossus”(Prestige) and Charles Mingus “Mingus Ah Um”(Colombia). Starting with the Charles Mingus, the band members that played “Mingus Ah Um” are Charles Mingus who played bass, Jimmy Knepper and Willie Dennis who both played tuba, John Handy who played alto and tenor saxophone also clarinet during “Pussy Cat Duos”. Shafi Hadi who played alto and tenor saxophone, Booker Ervin tenor saxophone, Horace Parlan who played piano and lastly Dannie Richmond who was on Drums.

In a few months, the highly expressionist saxophonist is going to release another five albums on Leo Records, entitled “The Art of the Improv Trio - Volumes 1 to 5. One of them will feature this powerhouse trio with one difference: Morris will be playing guitar instead of bass, exactly as it happened in 2012 with the album “Living Jelly”.

A producer that is known for experimenting with his music is Timbaland. Timbaland is known for working closely with artist such as Justin Timberlake, Missy Elliott and the late Aaliyah. His style of music as a producer was different and because of this he built a reputation for using non-conventional sounds within his beats. I picked the song from the Dr. Dolittle soundtrack “Are you that Somebody”. This song was composed by Timbaland and the late Stephen Garrett and performed by the late Aaliyah. Timbaland’s style incorporates a lot of bass drums, percussions and experimental sound effects.