Marshall Mathers Controversy

In this book, Jeffrey Ogbar talks about the beginning of rap, where it started, some of the artists of this genre and some of the controversial topics the artists rap about. He also talks about the usage of the N word as well as men calling women the B word. In the first chapter of the book, Ogbar contextualizes the debate by talking about the history of the minstrel figure in American popular culture, relying mainly on the work of W. T. Lhamon and Patricia Hill Collins. He talks about how the earliest manifestations of hip-hop music in the 1970s came from the Black Power movement and often included direct rejections of minstrel tropes for example in the artist KRS-One’s song “My Philosophy”. Before going on a chronological study of the internal debates that many rappers have over their relationships with the minstrel trope, Ogbar finds the source of the debate in early twentieth-century black writers’, mainly W.E.B Du Bois, interest in elevating many portrayals of African Americans in the arts, versus Harlem Renaissance writers’ rejection of the emphasis on

Black and white teenagers listen alike to rock music on the radio and attended clubs to hear it, together. Rock ‘n’ Roll’s roots helped accustom white teens to black music through the lenses of white, male vocalists—a normalcy to ground these drastic changes in race relations. The stars, like Elvis Presley—know for his sexual and riveting performances—began to blur the line between different forms of music and more importantly, black and white music.3 Rock ‘n’ Roll music was a blend of these two different cultures, demonstrating the enormous consumer power of this emerging youth culture and giving it the power to unite an entire

The article “Jazz and White Critic” by Amiri Baraka brings light to an element of jazz criticism that he is frustrated by. Baraka finds controversy in the ideas white critics write about regarding jazz music. Baraka states, “Most jazz critics have been white Americans, but most important jazz musicians have not been.” In the 1960’s, when Baraka made this statement, jazz was becoming more popularized and socially accepted. African American jazz musicians took a long, strenuous journey over decades to push their music into the spotlight to become one of the most popular music styles in society internationally. The special element of jazz is its raw emotion. Baraka distinguishes between “White Jazz”, music

Elvis Presley is one of the biggest names in rock and roll. Singer, musician and actor he was an American icon. He is best known as the King of Rock and Roll. His musical influence included the country and pop music of the time, the gospel music he sang in church and the black R&B music he listened to as a teenager (Comprehensive History of Elvis Presley’s Dynamic Life). Elvis has influenced American culture not only while he was living but also in today’s 21st century. It wasn’t easy for him to be accepted; in fact many adults and the older generations of his time were appalled by his performances and his music. In time though, people were able to accept him and he became well-known all over the world. Even after his death Americans are

Elvis Presley was one of the most influential rock and roll singers in the American history. Presley’s work revolutionized the music and brought about significant changes in the entertainment industry. He grew up in an environment where racial segregation between the whites and African Americans was highly pronounced. In fact, Presley schooled in Memphis where he graduated from a whites-only high school. However, he upheld the Black’s music and made it possible for their music to be accessed by the White American youths. Presley’s tracks broke past the racial barrier as many teenagers loved his amazing voice. Through his music, he confronted racism and challenged both social and moral values. Elvis Presley changed the manner in which the Black minority were treated in the U.S. through his music, and this initiated the fights against racial discrimination leading to the civil rights movement.

African American influence in music has been an ever present and controversial subject in American history. Stemming from many different cultures, religions and backgrounds, large portions of American music was introduced by, and credited to African Americans. Although in many cases, this music was used for entertainment by the masses or majority, contrary to popular belief, black music served a greater purpose than just recreation. Dating all the way back to the beginning of slavery in the U.S. during the 17th century, music has been used to make a statement and send a message. As African American music progressed over the years, there were common themes expressed as the genres evolved. It has been an open letter to the world, documenting and protesting the ongoing oppression faced by blacks in the United States, as well as an outlet for frustration. For many African Americans, the music gave them the only voice that couldn’t be silenced by their oppressors.

Rap music has become one of the most distinctive and controversial music genres of the past few decades. A major part of hip hop culture, rap, discusses the experiences and standards of living of people in different situations ranging from racial stereotyping to struggle for survival in poor, violent conditions. Rap music is a vocal protest for the people oppressed by these things. Most people know that rap is not only music to dance and party to, but a significant form of expression. It is a source of information that describes the rage of people facing growing oppression, declining opportunities for advancement, changing moods on the streets, and everyday survival. Its distinct sound, images, and attitude are notorious to people of all

In this article, the speaker must be an expert in politics, ethnicity and the music industry. There is a linkage between the above fields hence the speaker must have had a superlative background on these issues. The audience targeted by this literature were seemingly music enthusiasts to be educated on understanding what Hip-Hop entails and hoped to achieve this as it was established. The subject was Hip-Hop as a music genre that was largely developed by African American men to express their plight on injustice and oppression. The principal issue was how Hip-Hop has been used as a form of resistance and need for deliverance of the African Americans.

“The rise of rock ‘n’ roll and the reception of it, in fact, can tell us a lot about the culture and values of the United States in the 1950s. According to historians James Gilbert, there was a struggle throughout the decade ‘over the uses of popular culture to determine who would speak to what audience, and for what purpose”. At the center of that struggle, rock ‘n’ roll unsettled a nation had been “living in an ‘age of anxiety’” since 1945” (p.15). Altschuler talks about how music and race interlock with one another. Rock had become a “highly visible and contested arena for struggles over racial identity and cultural and economic empowerment in the United States” (p.35). Other chapters within the book state the battles involving sexuality, generational conflicts, as well as other social issues. The author states ideas that are somewhat problematic. For example, he states that there is a myth that rock ‘n’ roll went into a “lull” following the payola hearings (the practice of record promoters paying DJs or radio programmers to play their labels ' songs) of 1959 and did not come about again until the arrival of the Beatles in 1964.

Elvis Presley was best known for his integration of R&B and country music. The public was scared that not only Presley would integrate music but also the white and black community. Which was something he did actually achieve according to Little Richard “He was an integrator. Elvis was a blessing. They wouldn’t let black music through. He opened the door for black music” (Elvis After 198). Parents were afraid of his music, considering it was said that he had a voice of a black man. He caused controversy, a white man singing black music on the radio.This controversy grew as Presley grew in

Additionally, people made a change in the music they listened to. Elvis Presley the pioneer of rock and roll changed entertainment forever. Elvis’s fleshy face, erotic physique and sexually suggestive gyrations attracted the baby boomer of the decade. Because of these features and his unique dance moves, he faces controversy in the face of the media and some common American people. Parents did not want their children to adapt to the “King’s” ways. The new attitude followed on youths disobeying order. The same situation would follow on to the next decade and eventually on to the future.

Presley, the king of Rock ‘n’ Roll, the influence for hundreds of musicians for decades. He began as a poor young southern boy, but with his unique, unheard of sound, his fame exploded. Girls fawned over his jet black and wild hip movements and parents despised Presley’s “profanity”. From the time he was a child, his talent was eminent and his love was exponential. From growing up with various influences, to finding his style, to his exploding fame and time in the service, Elvis Presley became a household name, and an icon to the world.

The emergence of Rock and Roll was one of the most pivotal moments of our nation’s history. The impact that this genre of music made is still evident in our culture. However, before this genre was able to gain momentum, it faced many cultural conflicts. The book, All Shook Up: How Rock ‘N’ Roll Changed America by Glenn C. Altschuler analyzes the impact that rock and roll music has made on American culture. It explores how the Rock and Roll culture was able to roughly integrate and later conflict with preceding cultural values. This is especially apparent in chapters regarding race and sexuality. Overall, Rock and Roll was extremely controversial amongst parents and educators. This new music genre was condemned by the previous generation as

Jazz was born in New Orleans and has been with us for more than half a century (Helm 1). Jazz has grown popular in the eyes of critics. This makes it easy for many people to have access to it and have their own views tainted by the opinion of others. Amiri Baraka, formerly known as LeRoi Jones, wrote about the negative sides to having white critics write on Jazz. This is important because in his writing Jones discussed music critics not understanding the true meaning of the song. Amiri Baraka’s theory of music critics is correct because it sheds light on how music critics have had a hand in changing Jazz.

Marshall Mathers, widely known as Eminem, is an American rapper, record producer, and actor, who is recognized as one of the most controversial and best-selling artists of the early 21st century (“Eminem”). Marshall writes most of his lyrics through his personal life experiences while adding a comical “I don’t give a S***” vibe to them. He struggled through a rough and lonely childhood, had relationship issues, became a father at a young age, and worked hard with dedication and persistence to get where he is today.