Marxist Perspective In Macbeth

Lady Macbeth had a very powerful hold over Macbeth. Just by questioning his valor she could shift Macbeth’s whole thought process and second-guessing of the murder of Duncan (Booth, 24), and he allows it because he cannot bear to disappoint her. His love for her and need for her approval is what ultimately leads him to commit each and every one of his crimes. She is the center of his world and if she does not see a problem in the murders than why should he. This is naïve ignorance caused by a blindness that is induced by love, and that is both heart breaking and tragic.

Shakespeare employs a great deal of imagery to depict certain situations, for example he uses the image of blood many times. At this stage in the play Lady Macbeth is confident while Macbeth is subject to frightened loyalty. However, what Macbeth fears is evil of committing the evil deed rather than the evil deed itself. It is al this stage that one can first realise a chink of humanity in the originally confident and cold lady Macbeth. The murder has just been committed and Lady Macbeth relates to Macbeth how the assassinated Duncan appeared to her. “Ha he not resembled My father as he slept, I had done’t.” Suddenly through the hard exterior that Lady Macbeth possesses, she sees her father as the old man lying murdered on the

Shakespeare uses light imagery to reveal Macbeth’s immoral personality which resulted from greed. Before Banquo was murdered, Macbeth laments to Lady Macbeth, "Light thickens, and the crow makes wing to the rooky wood: Good things of day begin to droop and drowse, whiles night's black agents to their preys do rouse" (III.ii. l50-53). Macbeth explains that eventually anything good will fall away and anything made of evil will rise and take control of the world. Shakespeare uses metaphorical imagery to make Macbeth admit how mentally mutilated he became by his ambition to remain in power by symbolizing him and Lady Macbeth as “night’s agents” or evil beings and Banquo as “good”. Macbeth’s immoral behavior indicates the desire and want for power as a sovereign and what limits he would go to just to ensure his vision, resulting in disfigurement of his kingdom. Furthermore, when Macbeth is debating whether it is alright for him to murder King Duncan, Macbeth notes, “Stars, hide your fires, /Set not light see my black and deep desires;/ The eye wink at the hand; yet let that be/ which the eye fears, when it is done, to see” (I.iv.51-53). Through his words, Macbeth directly admits that he has an immoral side to him and that he wants it to remain concealed to people while he portrays his virtuous persona. Shakespeare

When Macbeth imagines that there is a bloody dagger before him even before he is about to kill Duncan, it represents his guilt even before he has committed any crimes. Macbeth has planned the entire act of killing Duncan and as he walks to Duncan's room, he hallucinates that there is a bloody dagger sitting before him, inviting him to kill Duncan. This bloody dagger is a window to Macbeth's future of guilt after killing the king. Even before Macbeth has done a deed he feels guilty for what he is about to do. This dagger is there as a warning for what is to come in his future if he does kill the king.

As a result of Macbeth's insomnia, he is hallucinating and imagining things, for instance, the dagger. He recognizes this when he says, "Mine eyes are made a fool o' the other senses," (II.i.12). Realizing that something is amiss, Macbeth states, "Nature seems dead, and wicked dreams abuse the curtain'd sleep," (II.i.18-19). Macbeth is saying that the way he feels is unnatural and it is as if he has been cursed. Earlier in the evening, Macbeth believes Duncan is a good king, and would never deserve such disloyalty.

Pointing towards the king’s chamber covered in blood, Macbeth acknowledges the dagger’s presence and communicates with it. With mixed feelings, Macbeth encounters contradicting thoughts on executing the king in effort to gain power. The dagger symbolizes Macbeth’s bloody destiny, and Macbeth’s vision of this dagger is one of the many hallucinations and visions that creates a motif of deception throughout the play.

h is portrayed in the beginning of the play as a courageous hero, whose valour is depicted as "he unseamed him from the nave to th' chops." Although he puts on a fearless persona during conflict, his soliloquies reveal a character that it fuelled by greed and desire. Not only does Macbeth obliterate the notion of The Divine Right of Kings, but he goes against the Righteous Rule. Throughout the play, Macbeth lets irrational greed overcome his logical conscience. It is clear that Macbeth is reluctant to murder Duncan as he states, “We will proceed no further in this business,” yet his vaulting ambition and desire to become King outweighs his conscience. Before murdering Duncan, Macbeth utters “I have no spur to prick the sides of intent, but only Vaulting ambition.” In his soliloquy, he continuously reasons with himself as “first I am his kinsman and his subject, strong both against deed, then as his host, who should against his murderer shut the door, not bear the knife myself.” Shakespeare utilises the recurring motif of hallucinations to depict a dagger as a symbol of guilt and murder. Macbeth’s thoughts of murder create an imaginary bloody dagger, showing him the path to the king's chambers as he questions "Is this a dagger which I see before me, the handle toward my hand? Come, let me clutch thee. I have thee not, and yet I see thee still." As the tragedy continues, Macbeth transforms into a more conventional villain, and attempts to control Fate and Fortune. Macbeth’s ambition is further explored when he visits the witches and witnesses the four apparitions.

Light and dark plays a big role in imagery as it sets the mood; darkness where evil deeds occur and the light as revealing the deeds. Macbeth is speaking to himself on the side after Malcolm is crowned Prince of Cumberland. “Stars, hide your fires! Let not the light see my black and deep desires”(I.iv.50-51). Macbeth is so greedy that he does not want anyone to see his dark desires to capture the throne:”The idea that only in darkness can such evil deeds be done is ever present”(Spurgeon 124). Macbeth is telling his wife how Banquo and his son, Fleance, need to die. “Come, seeling night, Scarf up the tender eye of pitiful day And with thy bloody and invisible hand Cancel the tear to pieces that great bond which keeps me pale! Light thickens and the crow Makes wing to the rooky wood.(Shakespeare, III.ii.46-57). He is calling for the night to cover the daylight so that Banquo can be killed. Macbeth is telling the murderer to kill Banquo and his son.

I have chosen Opportunism as the philosophy that can relate to Shakespeare’s play Macbeth. Let us define first what Opportunism is. Opportunism is the action of someone who takes every opportunity to gain an advantage and is willing to behave in an unfair way or you are criticizing them for taking advantage of any opportunity that occurs in order to gain money or power, without thinking about whether their actions are right or wrong.

With the sleep motif, the author has successfully showed Macbeth’s sense of guilt and feelings. Macbeth returns to his room and tells his wife about a strange voice that he heard after killed Duncan,“Methought I heard a voice cry “Sleep no more!/ Macbeth does murder sleep”—the innocent sleep,/ Sleep that knits up the raveled sleave of care,/ The death of each day’s life, sore labor’s bath,/ Balm of hurt minds, great nature’s second course,/ Chief nourisher in life’s feast”(2.2.47-51). Deep down inside Macbeth, he has the feeling of guilt because he murder

Shakespeare foregrounds that Macbeth was aware of and resposible for his actions, through conscience and free will, to illustrate that he was not a victim of supernatural forces. By doing this he is challeging the assumptions of the Elizabethan Era that supernatural forces and "supernatural soliciting" predetermine one's destiny. The hallucinations and ghostly apparitions are foreground not to illustrate supernatural interference, but to foreground Macbeth’s guilty conscience. Macbeth struggles with his conscience, this humanises him and invites the audience to relate to him. Even before Macbeth had committed murder, his conscience was causing him to have qualms. One example of this is in Act One Scene 7, before the regicide of Duncan. “We will proceed no further in this business. (Duncan) hath honoured me of late, and I have bought golden opinions from all sorts of people, which would be worn in their newest gloss, not cast aside so soon.” Macbeth was disinclined to murder “gracious Duncan” as he believed him to be a “good king” (4:III 163), however he still made the decision to commit regicide. This foregrounds the internal struggle Macbeth endured with his conscience that makes him a tragic hero. Supernatural elements exist to

Shakespeare’s characterization of Macbeth and his consequences reveals his warning about ambitions and its downfalls. Macbeth begins as a noble man who’s ambition ruins him and his true self, leading to his inevitable death. In Act I, Shakespeare presents Macbeth as an accomplished man whose lust for more is fueled by his wife’s ambitions. At this point in the play, Lady Macbeth commonly challenges his masculinity to drive his ambition to kill King Duncan and acclaim the throne of Scotland: “Art thou afeard to be the same in thine own act and valour as thou art desire?” (P. 29). Conversely, by Act III, Macbeth’s ambition is self-driven because of the prophecy making him loses his sense of morality, and become corrupt. One such action is the murder of Banquo, Macbeth’s “noble partner” (P. 17): “Who wear our health but sickly in his life, which his death were prefect” (P. 56). Banquo’s murder serves as the beginning of Macbeth’s crumbling edifice, as for each murder he commits, he falls deeper into the world of deception.

As aforementioned the symbolism in the play includes that of both light and darkness. Macbeth's insomnia resulting from the pressing guilt and Lady Macbeth's nocturnal excursions while asleep are examples. Macbeth was unable to hide in the dark from the horrors of his deeds and he was haunted by the fear of discovery. Lady Macbeth, on the other hand, was afraid of the dark and was using the light in an attempt to dispel her demons.

Moreover, Macbeth’s constant paranoia forms hallucinations, illustrating the thesis of how unchecked ambition can lead to madness. His burden with killing is holy king is overpowered by Lady Macbeth’s insults of Macbeth’s manhood. While preparing for Duncan’s murder, Macbeth’s guilty conscience is represented through a dagger as he states, “Is this a dagger which I see before me, the handle toward my hand? [...] thy blade and dudgeon gouts of blood, Which was not so before. There’s no such thing. It is the bloody business which informs Thus to mine eyes.” (2.1.33-49). Covered with blood, the dagger displays the wicked course of action Macbeth has decided to take. The hallucination underlines the juvenile stages of Macbeth’s decline into tyranny. Macbeth’s ambition

In Shakespeare’s Macbeth, there are many issues that may have had an affect on the play. The complex marriage between the power hungry Macbeths, lady Macbeth’s dominant character directing Macbeth in the murders, the role reversal during the murders, Macbeth’s reaction to his wife’s death, and male and female marriages for authority. When analyzed these issues help describe the Macbeth’s relationship. They are the very issues that eventually lead to the “Great Tragedy”.