Mary Anne's Transformation

What is “truth”? In The Things They Carried, the reader has their eyes opened to a new kind of “truth”; a “truth” that is not based on the honesty of events, the “happening-truth”, but the honesty of human nature, the “story-truth.” The novel itself, The Things They Carried, is comprised of many different stories based on the author Tim O’Brien’s service in the Vietnam war. Recalling from memories of his service, Tim O’Brien intricately weaves fact and fiction into his novel to force the reader into a turmoil of emotions by telling “true war stories,” that are not, in fact, war stories. Although many readers believe that “truth” is the act of retelling reality, “truth” is, in O'Brien's reality, the act of portraying emotions; that is why a “true war story” is not about war, but emotions.

The items the soldiers carry hold a substantial amount of credibility throughout each personal story; however, within O’Brien’s story, he lacks credibility aside from the obvious tangible elements of the items held, questioning where the truth lies within these evidential fragments of the soldiers’ lives. These personal accounts of exact measurements attest the reader’s knowledge of war as well as the mental ability to calculate the exact weight upon each person’s hump through a fiction of mental and emotional agility. O’Brien quotes within Chen’s criticism stating, “A true war story, if truly told, makes the stomach believe” (Chen 77). This background knowledge of O’Brien’s theory that an “absolute occurrence is irrelevant because a true war story does not depend upon that kind of truth,”(Chen 77) places the credibility of the information upon the emotional accounts that O’Brien’s writing bestows upon the personalities of the soldiers. The “academic tone that at times makes the narrative sound like a government report (Kaplan 45),” adds documentation like analysis of these compilations of war endeavors as told by the narrator. Kaplan continues that the “transitional phrases such as “for instance” and “in addition,”’ (Kaplan 45) as well as “whole paragraphs dominated by sentences that begin with “because,”” (Kaplan 45) convince certainty of the

It is a well known fact that experiencing war changes people; there is an innocence that is forever lost. In Tim O’Brian’s, “Sweetheart of the Song Tra Bong”, Mary Anne Bell is an unusual example of the innocence that is lost in war because unlike the rest of the soldiers, she is a woman. Mary Anne’s transformation from innocent “sweetheart” to fierce warrior left readers with mixed emotions because although Mary Anne felt at peace with her transformation, she was also disconnected from reality.

O’Brien’s unification of fact and fiction is to illustrate the idea in which the real accuracy of a war story is less significant than storytelling. The subjective truth about what the war meant and what it did to change the soldiers is more meaningful than the technical details of the

In The Things They Carried, Tim O’Brien uses the art of fabricating stories as a coping mechanism. Trying to distinguish the difference between fictional and factual stories is a challenge in this book, but literal truth cannot capture the real violence that the soldiers dealt with in Vietnam, only “story truth” can. He explains, “If at the end of a war story you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been made victim of a very old and terrible lie.” (O’Brien 65). The novel illustrates that storytelling is a way to keep the dead alive, even if it may not be a true story.

The biggest avoidance Norman Bowker faces is by taking his own life. Tim claims “Eight months later he hanged himself” (O’Brien 154). He took the ‘easy way out’ of not dealing with any of his feelings and numbness. He avoided talking about it, explaining himself, and sharing all the traumatic dreadful events that happened to him during the war.

There are many levels of truth in Tim O'Brien's The Things They Carried. This novel deals with story-telling as an act of communication and therapy, rather than a mere recital of fact. In the telling of war stories, and instruction in their telling, O'Brien shows that truth is unimportant in communicating human emotion through stories.

"The difference between fairy tales and war stories is that fairy tales begin with 'Once upon a time,' while war stories begin with 'Shit, I was there!'" (Lomperis 41). How does one tell a good war story? Is it important to be accurate to the events that took place? Does the reader need to trust the narrator? In The Things They Carried, Tim O'Brien examines what it takes to tell a good war story. He uses his own experiences in Vietnam in conjunction with his imagination to weave together a series of short stories into a novel.

While war stories come and go, there are a selected few that capture the reader’s eyes allowing the book to change form. In Tim O’ Brien’s fictional novel, The Things They Carried, he manipulates the Vietnam War with his own concepts in order to inform the reader of his views. What shows determination more than exaggeration? In in the field, page 109, O’Brien creates Lieutenant Cross as a sympathetic character. His use of hyperbole strengthens Cross’ need to find Kiowa’s body.

The short story that will be discussed, evaluated, and analyzed in this paper is a very emotionally and morally challenging short story to read. Michael Meyer, author of the college text The Compact Bedford Introduction to Literature, states that the author of How to Tell a True War Story, Tim O’Brien, “was drafted into the Vietnam War and received a Purple Heart” (472). His experiences from the Vietnam War have stayed with him, and he writes about them in this short story. The purpose of this literary analysis is to critically analyze this short story by explaining O’Brien’s writing techniques, by discussing his intended message and how it is displayed, by providing my own reaction,

The more days Mary Anne spent in Vietnam the more she became interested in the culture of war discovering her curious nature. She would listen carefully to the stories she was told and was intrigued by the land and its mystery. Vietnam gave her a new strength, the ability to choose for herself where she would go and who she would become. Anne figuratively became “a different person… there was a new confidence in her voice, a new authority in the way she carried herself”. As Vietnam empowered Mary Anne and gave her a new personality the men could not understand and they began to see an inequity in Mary Anne, but in a true war story there is no morality. Mary Anne was just doing what the men have always done. She stopped taking baths, and spent more of her time hunting and exploring Vietnam with the Greenies. Sometimes she would get so cut up with the forest and sleep out, leaving Mark Fossie hopeless. Mark was able to notice the changes occurring in Mary Anne, this suddenly made him paranoid and extremely disturbed. Because Mark was not affected by the land like Anne was, he was unable to relate to Anne anymore because his way of viewing things, his perception and reality, is no longer

After traveling over an ocean to be back with her high school sweetheart and Vietnam soldier, Mark Fossie, Mary Anne begins to change. Mary Anne’s metamorphosis represents the inner turmoil every Vietnam soldier experienced and relays the story in a way that is comprehensible to civilians and soldiers alike. Before Mary Anne even steps of the helicopter,

When reading Tim O'Brien's The Things They Carried, there were many truths that were presented and while some were actual facts, others were fictional. The author uses the art of storytelling instead of mere recital of facts, generic when telling a war story, as a way to express unexplainable emotions. O'Brien shows that the truth is unimportant in communicating human emotions through stories because there are some emotions that can not be explained through mere facts.

The story “The Things They Carried” by Tim O’Brien is an enormously detailed fictional account of a wartime scenario in which jimmy Cross (the story’s main character) grows as a person, and the emotional and physical baggage of wartime are brought to light. The most obvious and prominent feature of O’Brien’s writing is a repetition of detail. O’brien also passively analyzes the effects of wartime on the underdeveloped psyche by giving the reader close up insight into common tribulations of war, but not in a necessarily expositorial sense.. He takes us into the minds of mere kids as they cope with the unbelievable and under-talked-about effects or rationalizing

Many times readers lose interest in stories that they feel are not authentic. In addition, readers feel that fictitious novels and stories are for children and lack depth. Tim O’ Brien maintains that keeping readers of fiction entertained is a most daunting task, “The problem with unsuccessful stories is usually simple: they are boring, a consequence of the failure of imagination- to vividly imagine and to vividly render extraordinary human events, or sequences of events, is the hard-lifting, heavy-duty, day-by-day, unending labor of a fiction writer” (Tim O’ Brien 623). Tim O’ Brien’s “How to Tell a True War Story” examines the correlation between the real experiences of war and the art of storytelling. In O’Brien’s attempt to bridge