Mary Ellen Mark Analysis

In “Ways of Seeing”, John Berger, an English art critic, argues that images are important for the present-day by saying, “No other kind of relic or text from the past can offer such direct testimony about the world which surrounded other people at other times. In this respect images are more precise and richer literature” (10). John Berger allowed others to see the true meaning behind certain art pieces in “Ways of Seeing”. Images and art show what people experienced in the past allowing others to see for themselves rather than be told how an event occurred. There are two images that represent the above claim, Arnold Eagle and David Robbins’ photo of a little boy in New York City, and Dorothea Lange’s image of a migratory family from Texas; both were taken during the Great Depression.

It is said that a picture is worth a thousand words, but maybe they are worth far more than that. Pictures, although seemingly simple in nature, are extremely complex. Far too often, people overlook what a picture truly is. When a person looks at an image, they most likely see only the image, nothing else. Many people do not look deep enough into an image to fully comprehend the true meaning of it. However, when an individual begins to truly study an image in an attempt to understand the true complexity of it, they will be surprised at what they overlooked before. As stated by French Realist Painter, Gustave Courbet, “Fine art is knowledge made visible.”

For this essay the works of Robert Draper, author of “Why Photos Matter,” and Fred Ritchen, author of “Photography Changes the Way News is Reported,” will be analyzed. Though both deal with the topic of photography, their take on the matter is very different. While Ritchen is a photographer who writes on “what professional photographers will be doing in the future,” Draper is a writer for the National Geographic writing on how the photographers of the magazine share “a hunger for the unknown.” Both writers, however, write on the topic of photographers having a deeper understanding of their subjects, Ritchen due to research and practice, and Draper because the photographers “sit [with] their subjects, just listening to them.” In both essays the need for a deeper understanding of the

Their individual perspectives in life ultimately shaped their education, experiences and overall point of view. This essay will outline the similarities and differences in subject matter, tone and imagery of these two artists’ bodies of work.

Both of the photographers are concerned with questions about our collective responsibility in shaping the environments we live in, which reflects in their work. Although they have similar thoughts and ideas, How do they both create a unique style and maintain relevance, status and professionalism in their genre?

Now even though Anne Frank and Gerda Klein were different people and they had different personalities, their lives had things in common. For example, They were both taking to a concentration camp and they were both planning what they were going to do once they were saved. They both had high hopes for their future, like Anne wanted to be a great writer who would be remembered even after she died. Both of their friends either died or were killed at the concentration camp. They were both surviving on little or no food for years. Gerda was a human skeleton when she was found by the american soldiers. These were just a few of the major similarities that I found.

Mary Read was an english female pirate. She and Anne Bonny are two of the most famed female pirates of all time. Mary Read was born in England in the late 17th century. Her birth was around 1691. Mary’s father died before she was born, and her older brother died soon after that.

Born in Britain, emigrated to US early in life, by the 1870s had become a very prominent photographer, mostly photographed nature and animals; very well known

Mary Cassatt is known world-wide for her impressing art in which she focuses mainly in the everyday life of women and children. She is an American artist born in Pennsylvania on May 22, 1844, but later relocates to Europe in 1866 to pursue to work in art. This was mainly due to her family’s and society’s objections to women in the field of art. There she met and befriended famous Impressionist Edgar Degas. Because of her close friendship with Degas, she grew courage to continue to do art in her own way. She continued to paint until she slowly began to lose her eyesight and later died in 1926. Cassatt was part of the Impressionist style movement, in which she painted portraits unlike many others who painted landscapes (biography.com). Her artwork

Diane Arbus was a photographer in the 1950’s and 60’s. Starting out as a fashion photographer, Arbus quickly moved on to photographing more impactful pictures, usually of societal outsiders (“The Cost of Diane,” 2016). With striking images of “freaks,” as she once named her subject, Arbus perfectly depicted feelings of loneliness and struggles with identity. I believe Arbus resonates with me so much because of her uncanny ability to showcase such complex and intense human emotions through photography repeatedly. Each picture tells a different story with different struggles, yet each share emotions so commonly felt. These unalike, yet similar photographs each hold a piece of personal and

Benjamin Franklin and Anne Frank; do they sound familiar? These two famous individuals have their names written down in history. To the skimming thought of some, the two seem to have little or no similarities. If one would think more deeply, that is incorrect. Reading their biographies, one could say their lives were quite different; almost to the point they were complete opposites. Although their lives were different, their personalities actually shared some qualities, including their curiosity. As seen in both of their biographies, both individuals encounter exploration that may result in new findings, confront the unknown, and require recognizing purpose and responding to it.

Joseph Nicephore Niepce and Anna Atkins these two people are fundamentally important in the history of photography. Niepce is known to the world for his accomplishes during his lifetime the same can be said for Atkins. Niepce was born on March 7, 1765, though died in 1833 and Atkins was born on March 16, 1799, yet died in 1871, it's clear at one point in time these two both lived at the same time. Niepce’s photograph View From His Window at Le Gras and Atkins Lycopodium Flagellatum (Algae), there are some similarities and some differences between these two, for they both lit a candle in the history of photography.

The violent markings of the photo album and its images, however, produce an equally powerful message that jars the memory as it disrupts and distorts the photographic chronicle of her life and that of her family and friends. The result is a complex visual experience that addresses the use of images in producing knowledge and making history.

Mary Ellen sheets used several different theories in different aspect of her business needs. Mary Ellen Sheets used the Maslow’s Hierarchy theory when she began to help her son’s with their part time moving business by drawing a company logo and placing ads in a local paper. She saw the physiological and security needs to help her son’s in order to establish their business. After her son’s went off to college, Mary Ellen decided to keep the business going. She was motivated by the expectancy theory in providing the highest standards of customer service. She provide the customers a questionnaire in order to receive feedback and work on those opportunities in the areas her business was lacking. Furthermore, Mary Ellen used the job enrichment

Henry Peach Robinson, born on July 9th, 1830, was a British photographer and prominent author on photography. Known as “the King of Photographic Picture Making,” he began his life’s work as a painter but would become one of the most influential photographers of the late 19th century. He was a prolific advocate for photography as an art form and is well known for his role in “pictorialism,” which, according to Encyclopedia Britannica, is “an approach to photography that emphasizes beauty of subject matter, tonality, and composition rather than the documentation of reality.”