Mary Shelley: Submissive Women in Writing In the writing of Mary Shelley’s Frankenstein or, The Modern Prometheus, she creates four submissive female characters all of who are negatively affected by the hands of Victor Frankenstein. These four submissive female characters are Agatha, Safie, Elizabeth, and Justine. Each of these women is proposed as passive and nonessential. The women, Agatha, Safie, Elizabeth, and Justine, make a pathway for the creation of action for male characters. The actions that happen with/to these women negatively affect them for the purpose of teaching one of the male characters a lesson or inflicting deep emotions to the male characters. Agatha’s purpose to man in this book was teaching the monster. “The girl …show more content…
Margret is so submissive that she doesn’t even get a voice in the novel; there is never a response from her. Mary Shelley created many submissive female characters, all of whom were used, objectified, and castaway after greatly impacting man’s life. They are used as tools of revenge and decried for the works of the men who used them.
Works Cited
Mary Shelley. Frankenstein. McGraw-Hill Companies.
Can you imagine Mary Wollstonecraft Shelley's Frankenstein, the great work of literature, without, for example, such female characters as Mrs. Margaret Saville, Elizabeth Lavenza, and Justine Moritz? In this case the novel will have no meaning. All the women help to develop the plot, and without them Frankenstein will lose its spirit. Although these heroines have a lot in common in their characters: they are all strong-willed, kind, careful, and selfless, at the same time, each of them is unique, and each plays her own role in the novel. Mrs. Margaret Saville is the woman to whom the narrator tells the story. Elizabeth Lavenza is the beloved of Victor Frankenstein. Justine Moritz is the heroine who is accused by mistake of murdering
Mary Shelley’s novel Frankenstein primarily focuses on Victor and his monster, but women also play a part. There are three major female figures in the novel; the housekeeper for the Frankenstein family: Justine, Victor’s “adopted cousin” and later wife: Elizabeth, and the never completed female monster. To both Victor and the monster woman are desired objects that offer comfort and companionship, but as the novel goes on, women become targets for revenge. This goes to show that the women in Frankenstein prove to be both powerless and powerful when it comes to dealing with the men that surround them.
One such aspect of Shelley’s life portrayed in the novel was the role of women in society. In general, the predominant contenders in literature in the Romantic era were men. Mary Shelley, who was tutored by her father, had to publish her novel anonymously because it would not have been accepted otherwise. In Romantic literature, women were depicted as passive with a sense for nature and intuition. This can be seen in Frankenstein during Victor’s description of Elizabeth Lavenza: “While I admired...pretension” (Volume I, Chapter I, p 39). This quote can be viewed as an oppression of women due to the patriarchal structure of the language, as well as an emphasis on the nature of women. Mary Shelley also criticizes this oppression, but does not criticize overtly. This may be due to the fact that Shelley read her mother’s works as a child, and was influenced by the pro-feminist ideals that her mother advocated for. In addition, Frankenstein, at its core, is an expression of Shelley’s political viewpoints. The years 1811 to 1817 were ones of severe deprivation and hardship for the new working class created by the Industrial
Mary Wollstonecraft Shelley was born in 1791 in London. She is the daughter of Mary Wollstonecraft and William Goodwin. Wollstonecraft was a radical feminist writer, and Goodwin was a writer as well as a philosopher. It was said that this couple's combined intellect was dangerous to society; however, days after Mary's birth, Wollstonecraft died due to complications from the pregnancy. Mary spent a lot of time visiting her mother's grave when she was growing up. Her father taught her how to spell her mother's name by having her trace the letters on the headstone with her fingers, an interesting yet morbid way to teach a seven year old how to spell. Goodwin raised Mary by himself for the early part of her
For centauries, women have been forced to live life in the outskirts of a male dominated society. During the 1800’s, the opportunities for women were extremely limited and Mary Shelly does an excellent job in portraying this in her gothic novel, Frankenstein. Furthermore, in this novel, Mary Shelly shows how society considers women to be possessions rather than independent human beings. In addition, the female characters rely heavily on men for support and survival, thus proving their inability to do it on their own. Lastly, the female characters in this novel are in many ways victimized by the male characters. In conclusion, in Mary Shelly’s novel Frankenstein, the female characters always fulfill the limited and archetypical roles that
The passivity that society expects women to possess is a major contributing factor in the deaths of females in both stories. Society’s silencing and oppression of the characters makes the audience feel remorse for their actions. Lastly, the authors depict female characters as more human than their male counterparts, challenging the ideal female stereotype. The female characters in Shakespeare’s Othello and Shelley’s Frankenstein reflect how society treats women. It is imperative to use literature as a means of correcting social beliefs as they truly represent society’s perspective. As a result, literature is a significant contributing factor in societal
The novel Frankenstein by Mary Shelly was published in 1818. Her parent had undoubtedly influenced her ways of writing. Her father, William Godwin is famous with his piece “An Enquiry Concerning Political Justice while her mother, Mary Wollstonecraft wrote “A Vindication of the Rights of Woman” is two prominent radical writers who call for reform during French Revolution. Bringing both feminism and radical views from her parents, Shelley critiques women’s weak, docile and uneducated character. She also shows how women are often degraded and treated unjustly. The reason she brought the issues forward is to make women realize that they should improve their position and women should not conform to the dogma that they are always weak.
The novel “Frankenstein” by Mary Shelley, and the article “Of the Pernicious Effects” by Mary Wollstonecraft, both have relations when regarding the importance of feminism during their time periods. Throughout Shelley’s novel feminism is addressed because she uses female characters to further her plot and display her viewpoints. If Wollstonecraft evaluated the female characters in Shelley’s novel, she would realize that Elizabeth, Justine, and Safie all show an importance to the flow of the novel and the purpose of equality that Shelley is sending about feminism through these characters.
Gender inequality will always affect the portrayal of women in society, the weaker, unnecessary, and other sex. It is not just a subject of the past, and still holds a name in society. However in the olden eras, the way women were treated and looked at was in a much harsher condition. In Shakespeare’s Othello and Shelley’s Frankenstein, women’s roles in the books are solely based on the way they are treated in their time period. The portrayal of women in these books demonstrate that they can never be in the same standing as men and therefore will never have the same respect as them. In both Othello and Frankenstein women are treated as property, used to better men’s social standards, and lack a voice, which demonstrates that in
In the novel Frankenstein, all of the women characters were depicted as the submissive sex. Marry characterizes them as passive, expendable, and serving no meaningful purpose.
Mary Shelley, the author of Frankenstein seems to focus on the characterization of men yet what is ironic is the fact that she is a woman. After the birth of Shelley, her mother Mary Wollstonecraft who was one of the first and most important feminist advocates had died, leaving Shelley to continue in her footsteps (“Feminism & Women in Frankenstein”). Growing up, she was exposed to the work done by her mother and this led her to become exposed to feminist ideals at a very early age (“Feminism & Women in Frankenstein”). In Shelley’s novel Frankenstein, it is controversial of why she chose to characterize both sexes in the way she did and this controversy on women’s roles held of one the central themes in the text. Some critics argue that
Women in the novel are considered as the submissive sex compared to their fellow counterpart who are men. In characterization, Shelley characterizes the different women characters in the book as disposable, passive, as well as utilitarian. The female characters being submissive serve nothing in the novel other than an active channel for their male counterparts. This kind of treatment women get in the story teaches a lesson to the male actor. The female characters in the novel are Agatha, Elizabeth, Justine, Safie, and Margaret. An example of female character mistreatment is the framing of Justine for the death of William Frankenstein. Despite being innocent, her gender betrays her and therefore framed. Perhaps the most critical emotional channel in the novel is Frankenstein’s betrothed Elizabeth. Described as a passive, gentle character from the beginning, Elizabeth has always been a soft spot for her fiancé. Frankenstein views her as a possession: “I looked upon Elizabeth as mine - mine to protect, love and cherish. All praises bestowed on her I received as made to a possession of my own”.
In “Frankenstein” penned by Mary Shelley, the author depicts the roles of Caroline, Elizabeth, and Justine as passive women by taking action only through the men around them. During the 1820s, when Elizabeth Blackwell saw the deaths of many people on ships being thrown overboard, she became inspired to become a doctor. However, during her time period, women were not allowed to get an education. Finally, Mulan, takes the place of her old father to join the Chinese army, despite her passiveness. A closer look at the roles of Caroline, Elizabeth, Justine, Mulan, and Elizabeth Blackwell reveal a time period where women were treated as objects and followers by men.
The female characters in Frankenstein represent the treatment of women in the early 1800’s. Women who are deprived of their female roles and are enclosed in a feminine sphere of domesticity. In the novel, Frankenstein, the women characters are treated as property and have little privileges in relationship to the male characters, the women suffer and are eventually destroyed showing how unimportant they are in the book’s society, and when it comes to reproduction of human’s, man thinks it pointless to have women play that role. These attacks on the innocent prove that women are second-rate in the novel.
Mary Shelley’s Frankenstein demonstrates a variety of women from distinct backgrounds where the majority faces a doomed fate due to the patriarchal society. Furthermore, the overall representation of women in Frankenstein is passiveness and submissiveness towards the decision and actions of men; they are portrayed as absent due to their minor roles. The “absence” of women could have been the very reason why there are so many downfalls throughout the novel. The death of Victor’s mother due to scarlet fever, the innocent Justine executed, Elizabeth (the beautiful wife) killed by the creature, proves the powerlessness and the passive nature of women that led to their unfortunate death even though, the only woman, Safie broke the chains of the