Mary Shelley 's Frankenstein And The Rime Of The Ancient Mariner

Frankenstein, a novel first published in the year 1818, stands as the most talked about work of Mary Shelley’s literary career. She was just nineteen years old when she penned this novel, and throughout her lifetime she could not produce any other work that surpasses this novel in terms of creativity and vision. In this novel, Shelley found an outlet for her own intense sense of victimization, and her desperate struggle for love. Traumatized by her failed childbirth incidents, troubled childhood, and scandalous courtship, many of Shelley’s life experiences can be seen reflected in the novel. When discussing the character and development of the monster, Shelley launches an extensive discussion on the

Mary Shelley’s novel Frankenstein primarily focuses on Victor and his monster, but women also play a part. There are three major female figures in the novel; the housekeeper for the Frankenstein family: Justine, Victor’s “adopted cousin” and later wife: Elizabeth, and the never completed female monster. To both Victor and the monster woman are desired objects that offer comfort and companionship, but as the novel goes on, women become targets for revenge. This goes to show that the women in Frankenstein prove to be both powerless and powerful when it comes to dealing with the men that surround them.

Paragraph 1: Throughout Frankenstein, it is a common motif for women with a lesser social power to be vulnerable to men. This is exemplified many times through many women but more prominently through Elizabeth and Caroline of the Frankenstein family. Caroline Frankenstein (nee Beaufort) was said to have, “a small sum of money,” deeming her as a woman with very little societal power. After her, “died in her arms,” she was in an extremely vulnerable state and would have been forced to be, “an orphan and a beggar,” (Shelley 20) if she hadn’t committed herself to the care of Alphonse Frankenstein, a rich friend of her father. It can be interpreted that Caroline’s vulnerability was the cause of her marriage to the

Apart from that, women in Frankenstein are always seems to be weak and emotionally frail. For instance, readers are introduced to Caroline Beaufort in the earliest account of Victor’s history. She was at first described as some one who could survive and become the breadwinner of the family. But when her father died, she “knelt by Beaufort’s coffin, weeping bitterly” and then was taken by Alphonse to be under his care and later became his wife. After attended Elizabeth when she was sick, Caroline fell severely sick and later died. Elizabeth too, when she was told about William’s death “she fainted, and was restored with extreme difficulty. When she again lived, it was only to weep and sigh.” This shows women’s vulnerability when they are facing problems and sometimes lost their rationale, thus making them as a pitiful object. Shelley stresses how important it is for women to control their emotion. Not to throw away the sensitive values that most women naturally posses, but to learn to be sensible.

Frankenstein is Mary Shelley’s famous, fictional work in which a man unravels the secret to creating life. The main character in this story is Victor Frankenstein. Throughout the novel he grows from a young, innocent boy into a vindictive, vengeful man. He oversteps the bounds of science by becoming the creator of a being that never should have lived. In the poem The Rime of the Ancient Mariner, written by Samuel Coleridge, a man, much like Victor, takes the role of the main character. The ancient mariner, by killing the albatross, violates the laws of nature and has to repent for his crime. These two characters are very similar but they also vary in several key ways.

English novelist Mary Shelley’s Frankenstein and English poet Samuel Coleridge’s The Rime of the Ancient Mariner share very closely tied themes respectively in their own literary worlds. Through both novel and poem, in the eyes of each Victor Frankenstein and the Mariner three themes recur within. Knowledge, Frankenstein is addicted to knowledge in younger pursuits. The Mariner is cursed on the spread of knowledge of his obliterate tale of desolation through the wedding guest. Desolation, Frankenstein constantly torn by guilt wears himself to illness and disconnection from surrounding life. The Mariner in his lonely pursuit with his dead shipmates, left to be

In the late eighteenth century arose in literature a period of social, political and religious confusion, the Romantic Movement, a movement that emphasized the emotional and the personal in reaction to classical values of order and objectivity. English poets like William Blake or Percy Bysshe Shelley seen themselves with the capacity of not only write about usual life, but also of man’s ultimate fate in an uncertain world. Furthermore, they all declared their belief in the natural goodness of man and his future. Mary Shelley is a good example, since she questioned the redemption through the union of the human consciousness with the supernatural. Even though this movement was well known, none of the British writers in fact acknowledged

     Romantic writer Mary Shelley’s gothic novel Frankenstein does indeed do a lot more than simply tell story, and in this case, horrify and frighten the reader. Through her careful and deliberate construction of characters as representations of certain dominant beliefs, Shelley supports a value system and way of life that challenges those that prevailed in the late eighteenth century during the ‘Age of Reason’. Thus the novel can be said to be challenging prevailant ideologies, of which the dominant society was constructed, and endorsing many of the alternative views and thoughts of the society. Shelley can be said to be influenced by her mothers early feminist views, her father’s

Coleridge 's "Rime of the Ancient Mariner" tells the story of an ancient mariner who kills an albatross and brings upon himself and his ship 's crew a curse. The ancient mariner travels the world, unburdening his soul, telling his story to whomever needs to hear it. Shelley alludes to the poem several times.

Mary Shelley’s novel Frankenstein and Samuel Taylor Coleridge’s poem “The Rime of the Ancient Mariner” are similar pieces of works because they both emphasize the consequences of defying laws of nature. Both of the stories are told in a third person point of view and in a series of flashbacks. In Frankenstein, Robert Walton tells the majority of the story and in “Rime of the Ancient Mariner” it is told by the wedding-guest. The protagonist of both stories challenge nature and get punished for their mistake. Shelley and Coleridge both do a masterful job incorporating romanticism and Gothicism s into their works.

The poem “Rime of the Ancient Mariner” written by Coleridge and the book “Frankenstein” by Mary Shelly have a deeper connection then many may think. Both stories have many differences and similarities through the setting, theme, and characters. In these reads, both touch the same theme in a poetic way. In “Frankenstein” and “Rime of the Ancient Mariner” links to romanticism, the supernatural that merges the relationship between nature and human beings with no normal events that occur.

The novel Frankenstein, by Mary Shelley, was a piece written in 1817 during a time when women weren’t considered to be adequate authors. Shelley’s work is both intriguing as it is thought provoking. She brings to light the true nature of society and life altogether when tested. She factors in how the outside world can influence our choices in writing. George Levine from “The Ambiguous Heritage of Frankenstein” and Benjamin Truitt from “Frankenstein Critical Analysis and Literary Criticism” both share their opinions about Shelley’s piece of written work.

The horror classic novel Frankenstein has gathered a great deal of critical and commercial attention since first being introduced in 1818, and naturally there has been many academics who have analyzed many of the novel’s biggest themes, symbols, and motifs. This also includes in analyzing the author herself, Mary Shelley. Marcia Aldrich, who has her Ph.D. in English from the University of Washington, is one of the academics to underline the role of being a female writer in the 19th century and what importance this plays on the novel Frankenstein. In her article, co-written by Richard Isomaki, “The Woman Writer as Frankenstein” analyzes the significance of Mary Shelley being the daughter of a writer and how this contributed to her writing Frankenstein, which they speculate as her, Mary Shelley, envisioning herself as the Monster. Aldrich and Isomaki’s “The Woman Writer as Frankenstein” makes valid and persuasive points, which effectively argues that the novel is semi-autobiographical in the sense that Mary Shelley pictured her as the Frankenstein Monster, for many of the concerns that the authors bring up in their article highlight the insecurities, doubts, and inexorable frustrations of a young woman writing in the 19th century.

Frankenstein by Mary Shelley is a Gothic novel which revolves around the concept of men overtaking the role of God by attempting to create life, which is successfully depicted through the character of Victor Frankenstein who creates and brings life to the “monster”, unaware of its consequences and responsibility. Similarly, the mythological story of “Prometheus” revolves around the young Titan who in attempts to help mankind, wages war with Jupiter by providing men with fire and how to utilize it. Both of these stories are often compared due to their parallels of mankind attempting to employ the role of God while being incapable to live up its standards, thus, Mary Shelley’s novel Frankenstein being subtitled The Modern Prometheus. However, it is contentious whether Mary Shelley employs that subtitle to implicate that modern science brings life (or life-assisting fire to the human race or whether it serves as an ironic title. Despite of the apparent similarities, Frankenstein being subtitled The Modern Prometheus is quite ironic as in both stories, the protagonists’ believe to be doing a noble thing, yet, their actions result in poor consequences.

Mary Shelley’s Frankenstein demonstrates a variety of women from distinct backgrounds where the majority faces a doomed fate due to the patriarchal society. Furthermore, the overall representation of women in Frankenstein is passiveness and submissiveness towards the decision and actions of men; they are portrayed as absent due to their minor roles. The “absence” of women could have been the very reason why there are so many downfalls throughout the novel. The death of Victor’s mother due to scarlet fever, the innocent Justine executed, Elizabeth (the beautiful wife) killed by the creature, proves the powerlessness and the passive nature of women that led to their unfortunate death even though, the only woman, Safie broke the chains of the