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Mary Shelley's Frankenstein Research Paper

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For over two-hundred years, Mary Shelley’s Frankenstein, published in 1818, has attracted the attention of readers from all backgrounds, challenging minds through her unique use of horror. Her novel influenced the creation of the popular Frankenstein movies between the early 1930s to 1940s, the creation of comical spoofs on her characters as exhibited in Adult Swim’s television series from 2010 Mary Shelley’s Frankenhole, to even children's movies such as Adam Sandler’s Hotel Transylvania in 2012. As seen through both the pop culture’s interpretation of the green monster and the actuality of Shelley’s bronzed skinned creature, the novel Frankenstein has been pointed to countless times for its ability to explain the importance of morality in …show more content…

The assertiveness of the male characters are demonstrated on the very first page of the work, setting the precedent for a passive female role and dominate male voice that is maintained throughout the gothic. In the very beginning where Shelley creates the frame tale of her piece, she introduces Robert Walton, arrogant arctic explorer, and the letters he has written to his sister Margaret. There is an immediate emphasis in his character’s importance compared to his sister’s, and along with his heavy use of first person pronouns, and his lack of interest in his sister’s wellbeing, he creates the dominant role that is asserted through his exemplified self-worth, further proving how Margaret is used merely as a prop to move his story along for the reader. “You will rejoice to hear… the success of my undertaking… ” and “I write a few lines in haste, to say that I am safe…” reveals both that Walton’s character is self-absorbed and that the letter’s only service is to progress what he has to say through their exchanges (Shelley, 1818, p. 3, 9). The same observation that the women in Frankenstein only exist as means to progress the male-dominated storyline has been noted and explained by authors James Davis of the University of Pennsylvania and by English major Stephanie Haddad of the University of Southern New Hampshire. Davis describes that Shelley’s novel is written solely, “from the perspectives of three men -- with only minimal attention to female characters…” and he continues to state that, “ all three male narrators attempt to subvert the feminine voice, even in those brief moments when they tell women's stories.” (Davis, n.d.). This important distinction explains how the men in the novel embody a grandiose importance of rank that the female counterparts do not share, even though without the roles of the

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