Masculinity In Beowulf

Beowulf is an Old English poem written somewhere between the eighth century and the tenth century; the culture of Germanic times is depicted through varying concepts of masculinity that not only describes their capability as a warrior, but also their aptitude as a leader. Beowulf shows of a demon named Grendel attacking Heorot, and the king, Hrothgar, calls Beowulf, a warrior, for help with the slaying of Grendel. Characteristics and qualities of leadership are directly linked to the masculinity of the characters within Beowulf. The leaders in the prologue are demonstrated with the aspects of masculinity through their strength and brutality. In Beowulf, a man demonstrates his essential worth through evidence of masculinity as seen in Unferth’s cowardice, Beowulf’s heroism, and Wiglaf’s bravery.

In the movie Beowulf, the women are depicted differently than in the poem. The women in Anglo Saxon culture had more power than demonstrated in the movie. For example, the servant in the Mead Hall is clearly objectified. She is wearing a tight dress with her breasts showing, wanting to gain attention from the men. While she is washing the table, she is bending over so her breasts are exposed. All the men are surrounding her and staring. The main reason for the servant being at the Mead Hall is so the workingmen can look at her. The men are only interested in the servant in a sexual way. An example of this is when a working man states, “…No wonder my loins are burning.” He wants his sexual desires to be completed by the servant. He

Beowulf’s strength is exemplified many times in the story. Beowulf was said to have “the strength of thirty men in his mighty handgrip.” He fought in numerous battles and returned victorious from all but his last. In his argument with Unferth, Beowulf explains the reason he lost a swimming match with his opponent Brecca. Not only had Beowulf been swimming for seven nights, he had also stopped to kill nine sea creatures in the depths of the ocean. Beowulf is also strong enough to kill the monster Grendel with his bare hands by ripping off his arm. When Beowulf is fighting Grendel’s mother, he is able to slay her by slashing the monster’s neck with a giant sword that can only be lifted by a person as strong as Beowulf. When he chops off her head, he carries it from the ocean with no difficulty, but it takes four men to lift and carry it back to Heorot. This strength is a key trait of Beowulf’s heroism.

Beowulf demonstrates a supernatural amount of strength throughout the epic. Beowulf defeats many monsters with his strength. “The tears torn out of Grendel’s / taunt throat, hell’s captive caught in the arms / of him who all of the men on earth / was the strongest” (Beowulf 469-472). This quote demonstrates that Beowulf is able to out power any monster

Beowulf was a hero not only because of his physical strength, but also for his concern for other people. “The hero must move beyond human limits in order to have the capacity to combat the monstrous forces that threaten the social order;” (Sharma 264) Beowulf has been deemed by most to have superhuman strength, but his superhuman strength alone does not make Beowulf any more a hero than Grendel’s strength makes him a hero. Beowulf rises above the limits of a regular human being

Beowulf is an epic tale written over twelve hundred years ago. In the poem, several different female characters are introduced, and each woman possesses detailed and unique characteristics. The women in Beowulf are portrayed as strong individuals, each of whom has a specific role within the poem. Some women are cast as the cup-bearers and gracious hostesses of the mead halls, such as Wealhtheow and Hygd, while others, Grendel's mother, fulfill the role of a monstrous uninvited guest. The woman's role of the time period, author's attitude, and societal expectations for women are evidenced throughout the poem.

In the 21st century, there are several key points in which our society believe masculinity stands for some would include being active, non-emotional, and independent. Although this may be the case for our people today it doesn’t for Beowulf. In Beowulf a man has to prove himself as masculine to earn others respect and to be looked up upon. It also seems to be a disgrace to the individual and the community if you can not prove that you have conformed to the standards that society has settled upon. To be a man is to be accountable for everything that he does. Beowulf represents, for this text, the ideal of what a man should be. The reader can see through his actions what traits the author believes a man should have to prove their masculinity. Thus, based off of Beowulf, masculinity is represented through actions, weaponry, and bravery. These different factors that define masculinity in beowulf are not bad however, they can be very limiting especially because everyone is born with a different built and different talents. With this said it can be assumed that the author purposely disregarded this fact. In Beowulf because of these limited views on what man should be there is a high chance of rebellion or some sort of revenge culture. If man can not conform to certain standards there is a way for them to prove everyone else that these so called traits to be a man is completely inaccurate, to prove this, revenge is a possibility. The non-masculine man would definitely take revenge

Many readers of the poem Beowulf may find it difficult to distinguish the 'good' kings from the rest – indeed, almost every man who holds a throne in the epic is named at one point or another to be 'good'. By examining the ideals of the time period as identified by the 'heroic code', it becomes clearer that a truly 'good' king is one who generously distributes treasure and weaponry to deserving retainers to honour courage and strength displayed in battle and to encourage the defense of the kingdom (Intro). When Beowulf ascends the throne of the Geats, the heroic traits of courage and strength for which he was so highly praised as a warrior do not serve well in making him a good king. Indeed, by exhibiting the traits of a thane, that is, by

In Beowulf, varying treatment among each gender is common. Therefore, mistresses are not allowed to perform actions that men were permitted and are required to enact based on society’s standards. Females are not retained from doing heroic deeds because of the structure of their body or the estimated weightlifting qualifications. However, the weakest of males are expected to excel through rigorous parts in their life to represent heroic traits they possess within unearthly powers as men of the Gods. Savage animals were not figurative in the passage, but were viewed just as real as a man’s sword. Without these monsters, the men could not have slain enough to be seen as inhumanly or superior compared to the average man. Males were constantly competing against each other in order to have a place among the Gods.

The epic poem Beowulf comments on the unsustainability of chivalry, a social system based off building one’s own honor, strength, and reputation. Similarly, the engraving Knight, Death, and the Devil acts as a visual representation of the inherent flaws of chivalry as a social system. Beowulf, the protagonist of Beowulf, is written as the most powerful man in the world, capable of besting anyone in physical competence—the seeming embodiment of chivalry. This same definition of chivalry is depicted in Durer’s engraving: a lone knight in shining armor. Despite whether or not they were pushed into solitude, the protagonists of these two texts similarly show how chivalry can be undermined when its heroes are solitary figures who do not develop a network of allies. To defend this argument, I will first discuss why the two heroes have been pushed into solitude. Second, I will analyze the warnings given to each protagonist about their respective solitude. Third, I will explore the results following the neglect of the warning, and fourth, I will talk about how each hero’s misguided faith leads to the demise of chivalry. Lastly, I will introduce a counterclaim and analyze its strengths and weaknesses against the thesis.

The role of chivalry is a complicated concept for solitary heroes within Beowulf and Albrecht Dürer’s Knight, Death, and the Devil. In Beowulf, the concept of chivalry is explained through the eyes of the hero, Beowulf, which is the idea of performing chivalrous actions in the face of death for glory; however, Beowulf does not realize that his actions will not keep his people safe in the end. In Knight, Death and the Devil, the idea of chivalry is the motivation of the knight on religious grounds to be chivalrous in the face of death. The Knight gives the impression that he understood that his actions would ultimately be meaningless, and he appears resigned to the idea. The argument can be made that chivalry is unsustainable in both texts, given that while it inspires these heroes to pursue these tasks, the result is that they believe that mild sacrifices, such as their own life, must be made to ensure victory; however, these two texts differ with their heroes’ anticipated outcomes of their sacrifices, which turns out to be for nothing. Despite having different outcomes of operating within a system of chivalry, these two texts similarly critique the outcomes of chivalry as being unsustainable based on the demands it places on heroes to sacrifice themselves. To defend this claim, I will begin by similarly critiquing how chivalry is unsustainable within both texts. I will then express how both texts show the unsustainability results from the demands of sacrifice. I will then

Beowulf and “The Wife of Bath’s Tale” are both narratives in which gender acts as an important theme within their individual communities; yet they use different tools to define the roles of men and women within a good community. Or, in other words, both stories paint a vivid picture of the role of women, by suggesting that one gender had more power over the other. However, these two narratives vary in their expression of such views; Beowulf conveys its message through what is missing, while “The Wife of Bath’s Tale” incorporates satire and uses explicit narrative when relaying the experience of a woman that is highly different from that of other women of her time. Furthermore, another difference that is apparent to the reader is that men become the heroes in Beowulf, while “the wife” becomes

Strength is without a doubt one of the most important traits which a hero should possess and the Anglo-Saxon’s felt the same way. Beowulf’s strength can be compared to that of the American comic book heroes, Superman and Batman, for he is deemed the “strongest and greatest of the Geats”. The first time that his strength is witnessed, not just spoken of, is when he kills Grendel by ripping the monstrous villain’s arm off. But his most notable display of strength occurs when he enters into combat with Grendel’s mother. When everything seems to be going all wrong for Beowulf, he spies a “heavy” sword hanging on the wall of her lair. With all his power and might, Beowulf drew the sword, “hammered by giants...and….so massive that no ordinary man could life it”, from its scabbard. He “lifts it high over his head”, the sword clasped

Beowulf is known for displaying the importance of male heroism via Beowulf, but what about the significance of the women in the poem? The significance of women in Beowulf is overshadowed by the great heroism of the character Beowulf, but the women each have a reason for participating in the epic. The ideal woman was someone who was a noble, a mistress and loyal. An ideal woman is described in Maxim I: “at mead drinking she must at all times and places approach the protector of princes first, in front of the companions, quickly pass the first cup to her lord’s hand”. The significance of women in Beuwolf is a minor detail in the epic, but proves to be vital to Beuwolf. The epic of "Beowulf" illustrates three major roles for the women in the society: the hostess, the peacemaker, and the monster. Five women in Beowulf play the major roles throughout the epic: Wealhtheow, Freawaru, Thyrth, Grendel's Mother, and Hildeburh. These women entertain, bring peace, and contradict societal expectations of the female gender, either directly or indirectly.

In society, dwelling upon material goods usually connotes shallowness, and the pursuit of riches is often prefigured as an inclination towards greediness. However, in Beowulf, the collective reverence for wealth plays a defining role in the acts of heroism and manifestation of power. In fact, the poem oftentimes professes the idea of wealth and glory, most cherished, as an embodiment of strength and obedience among cultural values.