Masculinity In Disney

Disney movies have been the leading outlets for child education and social learning. Due to such power of influence controversies have been raised which include the following, but not limited to, gender roles and stereotypes, issues of independence, and misrepresentation. Many people argue that despite the morals and messages that occur within such films there are still underlying messages that deal with beauty standards and norms. However, others may argue that Disney is evolutionary and evolved the imagery of male/female standards. The controversy then becomes: are Disney films doing more harm than they are good? Due to certain themes brought on by such movies, it has left younger audiences with both positive and

Society faces an issue that is not usually addressed because it is seen as the norm in today’s American culture. It is the crisis of masculinity. The notion of how men should be portrayed is not usually identified as a problem; today’s society views men’s apathetic and exasperated exterior as the orthodox behavior of everyday life. Boys at a young age are taught by the popular culture that they need to be a “real man” - strong physically and emotionally. The mask many men put up is based on the extreme idea of masculinity that emphasizes toughness, physical strength and gaining the respect of others through violence or the explicit threat of it. This front is put up by men because they do not want to stray from what is accepted, for men who

No matter what, we are almost always talking about violence masculinity in America. Whether we are talking about the horrifying, high-profile mass shooting we have seen over recent decades, the far greater rates of murder and gun violence we see on a day – to – day basis that barely register in the national news, or the epidemic of sexual violence and domestic violence, the vast majority of this violence is committed by men, young men, and boys (Jackson Katz, 2013). Throughout this essay the topics covered will be how culture defines masculinity, according to the film, violent masculinity as a cultural norm, agents of socialization that teach boys how to be men, the cool

In the article, “Post-Princess Models of Gender: The New Man in Disney/Pixar,” written by Gillam and Wooden, they argue that Disney's line of animated movies depict a “new man.” Their argument is based around three movies: Toy Story, The Incredibles, and Cars. Gillam and Wooden then state that all three of the movies start with a traditional alpha male character who, throughout the movie, begins to accept his more “feminine” aspects. The idea that the two present is that the lead characters show traits of “acute loneliness and vulnerability.” From there, Pixar emasculates the character through some type of disempowerment that then leads to the overall maturing of the characters (Gillam and Wooden). Throughout the article they bring up many great arguments of which I agree to. However, Gillam and Wooden only cite the three movies mentioned above, when in fact Disney/Pixar has continued with the trend of having an “alpha male” character who throughout the film becomes more mellowed out and less dominant. The idea of emasculation can be carried into the Pixar movie “Up,” where the viewer can witness acute loneliness, slight depression, and eventually the admittance of defeat, where the character is forced to take on help and accept the “emasculation”.

Masculinity can be defined as the behaviours, social roles, and relations of men within a given society in addition to the meanings that are attributed to them. The term masculinity stresses gender, unlike male, which stresses biological sex. Despite, this we often times see masculinity being represented as directly correlating to men with an inability to adhere to this is shown making you less of a "man". As put by Katz (1999) there is an expectation that men on screen must be void of emotion, not backing down from a fight, tough and an embodiment of the male gaze. Katz (1999) argues that essentially what

For my final paper where we had to pick a topic from current popular culture, I decided to write my paper with the focus on Disney movies. More particularly with the focus on the Disney princess movies. When it comes to the Disney movies they have always been and will always be such a huge part of our society. While growing up most children grow up watching these movies and get the idea that that is what they want to be when they grow up. When you ask a young girl what she wants to be when she is older there is a good chance that she will say that she wants to be a princess when she grows up. I have always been such a huge fan of Disney movies and I have a feeling I always will be. I found it very interesting this semester when we spend the short class period talking about the Disney female and male characters. It is rather interesting and something that I can say that I really never noticed before but the fact that the majority of all the female characters all had the same face shape. Whereas the males there were none two that were the same. However for this paper I will be looking into the relationship to cultural meanings about gender and other identity markers, such as race, sexuality, and cultural norms as seen in some of the more classic well known Disney movies.

In the past years, Disney/Pixar has revolutionized the premise of their movies by shifting away from princesses and portraying resilient male characters as the protagonists of their highly successful animated feature films. From 1995 to 2008, Disney/Pixar released eight films, all of which included a male lead, yet these characters are arguably unlike any other protagonist in early Disney animated films. In their essay, “Post-Princess Models of Gender: The New Man in Disney/Pixar,” Ken Gillam and Shannon R. Wooden call attention to the new manner Disney/Pixar use to depict their heroic male characters in their movies. Gillam and Wooden claim that Pixar is using their movies to promote the acceptance of a new standard of masculinity capable of embracing feminine traits, as conveyed by the male characters within the films. As a viewer, it is easy to recognize the emasculation of the male protagonists within Pixar movies, however, the authors’ claim is faulty; they fail to acknowledge that society now has room for a new sympathetic man because it is straying way from a patriarchal beliefs of the past.

The movie surveyed a wide array of the troubles faced by boys and men as they try to navigate the realm of masculinity. A common theme was the command “be a man” and the cultural baggage that comes with living up to that ideal. To “be a man” means to not cry, to not be sensitive, to not let people mess with you, to respond with violence, to be angry, to drink, to womanize.

The portrayal of Feminine aspects within Disney movies has been widely criticized, however the way masculinity is portrayed in films is also very controversial but infrequently discussed. My goal for this research paper is to look at two Disney films through a feminist lens and queer lens to decipher any stereotypical aspects of masculinity that are shown within the main characters. I am hopeful to find a film that breaks the norm of having a masculine main character that is hyper masculine like Gaston from Beauty and the Beast or Jaffar from Aladdin. I would also like to analyze the damsel in distress situations in films where the male role seems to always be the heroic figure even when they aren’t the main character in the story. Even though

Lucas in her articles regarding Australian masculinity presented in cinemas suggests that the themes of social perception and presentation of masculinity and maleness have been repeatedly used in Australian cinemas (Lucas Page 138). She adds that images of masculinity in cinema may reflect and maintain the dominant hegemonic masculinity, but as well may also challenge the dominant concepts of masculinity (Lucas 139). A large number of Australian cinemas display standard perspectives of masculinity, which promotes the binary impression of male and maleness, which includes logical, domination, violence or competition (Lucas page 139-140).

the winning and holding of power and the formation (and destruction) of social groups in that process” (644) such that it is crucial that the ruling class establishes and maintains its domination. Moreover, it includes persuasion of a big part of the population, especially through the media and the organization of social institutions. Homophobia and heterosexuality form the foundation for hegemonic masculinity and all comprehension of its meaning is predicated “on the feminist insight that in general the relationship of men to women is oppressive” (644). Hegemonic masculinity is grounded in form of the hero and displayed through forms that deal with heroes, e.g., sagas, and westerns, in television, books, and movies (Connell qtd. in Donaldson 646). To define a specific form of masculinity as hegemonic, it is important to note that “its exaltation stabilizes a structure of dominance and oppression in the gender order as a whole” (Connell qtd. in Donaldson 646).

The gender stereotypes, which are constructed by our society, formulate what is required to “be a man”. The desired stereotypical trait of masculinity is a well-established male characteristic, which is vital to fit with assigned gender norms. It is perceived as desirable attribute among society, when in actuality may be causing harm with how it is shaping younger generations. The gender characteristic of masculinity and the attributes required to make a man, have been causing various mental health issues among males. The mental heath issues caused by masculinity are discussed in the movie, The Masks You Live in. Through the ideas of The Mask You Live in, this paper will discuss toxic norms associated with masculinity, how they are

In Disney’s 2014 production of Maleficent, a fairy seeks revenge after the man who took a part of her power from her. When Maleficent found out the king and his wife had a child she curses the princess to prick her finger on a spinning wheel and to fall into a sleep like death. Though Maleficent the fairy cursed the child she made up for her actions by doing good in the world. So is Maleficent a great hero or a terrible villain? Even though Maleficent was the one who put the curse on Aurora, as she spent time with her she learned to love her more.

What’s important to understand is that the characters that Walt Disney created over the years, for example Mickey Mouse became icons, which had a lot of cultural significance, especially with children. The characters and their stereotypical body images, mannerisms, and behaviors were merely aspects of Walt Disney’s biased and vivid imagination and did not accurately reflect society or the culture for which they were created, but intern negatively influence his audience. Obviously, Wald Disney did not create the stereotypes, but it was the use of those stereotypes in his films that gave children the wrong impressions, specifically regarding gender roles or what it means to be a male and societies expectations of men.

Masculinity, a seemingly simple concept. Yet, when examined more closely, it is clear that masculinity is constantly changing in its definition as well as in its most basic essence. Throughout the years, one can see this evolution firsthand by looking back at the men who have been portrayed in popular media in the United States of America. From the suave Don Draper types of the 1950s to the more casual, educated, and easygoing men- with perfectly chiseled abs, of course- that are portrayed in media today, the difference is clear. This drastic, yet unsurprising, shift in ideals, as well as the exponential increase of media consumed every day, has led to a change in how “masculinity” is perceived, as well as how it is enforced by society in the modern day. Alarmingly, this trend has led to the birth of so-called “toxic masculinity”, a bastardization of the original ideas behind masculinity which has created an enormous, detrimental effect on society as a whole. As defined in the article The Difference Between Toxic Masculinity and Being a Man, toxic masculinity is “manhood as defined by violence, sex, status, and aggression. It’s the cultural ideal of manliness, where strength is everything… where sex and brutality are yardsticks by which men are measured,” (O’Malley) This is a clearly displayed truth, and it’s astounding to see how even from a young age boys are taught not to show emotions other than anger, conditioned to believe that being “like a girl” is the worst possible