Masculinity In Malouf

How does time periods like Renaissance, Restoration, and the Eighteenth Century interact with masculinity? Renaissance, Restoration, and the Eighteenth Century shows us that masculinity can be portrayed as having power or they can be seen as getting overpowered by femininity. In these different time periods it is noticeable that men are not the only individuals that is considered to be smart and they are not the only ones who can maintain power. Also, within these time periods women do not always submit themselves to the men. By looking at the Renaissance, Restoration, and Eighteenth Century time periods masculinity roles shifts from men claiming their supremacy by being overbearing, dominant, and selfish to getting tricked and manipulated by women so that power can be seen as being equal within genders or completely taken by women.

It is crucial that we study Australian Narratives as it creates insights into events we may have not explored. This is evident in the novel "Crow Country" written by Kate Constable. It teaches us about Aboriginal beliefs and spirituality, Australia's History and respect, as we experience what it feels like to live in rural Australia, creating an understanding about Aboriginal people. Therefore, through a close read and study of "Crow Country", readers are able to learn new and important things about our past and present, showing that it is crucial to study Australian Narratives.

Australia is filled with many different aspects in which makes it the country it is today. I believe it is important to study texts that explore aspects of Australia by studying texts such as ‘The Club’, by David Williamson, a play written in 1977 about an Australian football club and movies such as “The Castle”, directed by Rob Stitch in 1997, about the daily life of an Australian family when their happiness is threatened when developers attempt to buy their house to expand the neighboring airport. Both these texts show us what Australian life was like in the past. By us looking at themes such as language, tradition and the mateship shown we are able to explore different aspects of Australia that make it what it is today.

Through the use of poetic devices, the author has successfully encouraged the audience to explore their thoughts on Australian identity and to reflect on our nation’s history.

How each character’s relationship relates to native Australians grows for better or worse throughout the novel. The novel also shows how Grenville has incorporated each personal lifestyle and how it co-exists with the other. The novel incorporates past and modern views about each society and brings to attention controversial issues about Australia’s convict past and how Aborigines are being ostracized for their way of life and skin pigmentation.

The film ‘The Castle’ by Rob Sitch presents a number of distinctive and quintessential Australian Voices, these include ‘the Aussie Battler’, the voice of family and mateship. This response will examine how film techniques and language are used to create distinctly Australian voices and then consider the degree or extent to which they are singularly Australia. The main character Darryl Kerrigan represents the most significance voice ‘the Aussie Battler’ in the film ‘The Castle’. In the High Court scene, the low angle shot of Darryl outside the High Court elevates his status to be almost valiant and how his courage is compared with the imposing nature of the High Court.

‘Jasper Jones’ challenges the idea that Australia is a mature nation and suggests that it can’t be with issues like racism still present, while ‘Jindabyne’ challenges the idea of everything is fine in Australia regarding racism, when really these issues are still prevalent. The issue of racism causes both Jasper and Susan to be represented very similarly in both texts, Jasper being positioned to be seen as lonely and Susan being represented as helpless, they are both without support due to the issue of racism. This shows the effects that racism can have on individuals in society, they become singled out without any help or support. Both texts have been successful challenging the ideas of the audience in relation to the treatment of

Australia’s identity has always been a complicated one. Starting with Aboriginal genocide, 1800’s cowboys and villains, two world wars and a bunch of poems describing them, it makes it difficult to conclude on what being an ‘Aussie’ really is. Thankfully, the two thought-provoking poems Nobody Calls Me a Wog Anymore by Komninos Zervos, and My Country by Dorothea Mackellar both use their discerning selection of themes to reflect modern attitudes in some extent. Along with their themes, Nobody Calls Me a Wog Anymore and My Country both use their story to capture the attributes modern Australians possess to some degree.

Identity. It’s a broad and difficult concept. As Australians, our identity is multi-faceted, having various different expressions. One aspect of my sense of Australian identity is masculinity and the idea of the “Aussie Battler.” An Aussie Battler is a man from the working class, a person who has pride in the country they live in. An Aussie battler is a patriarchal figure who works hard to support their family, often spending their spare time with the family or at the pub. The Piper’s Son, an Australian novel by Melina Marchetta, reflects my sense of Australian identity through it’s representation of Australian masculinity in the depiction of Dominic Finch-Mackee as the archetypal “Aussie Battler.”

The representation of Indigenous Australians in fiction and nonfiction texts are influenced by a range of factors. In the contemporary world of multicultural Australia, there has been a variety of ways groups of people are represented in texts. The Indigenous population is often portrayed in ways that strengthen harmful stereotypes. However, there are also a variety of positive outlooks and portrayals expressing their strength and achievements. In texts studied in year 8 English, the representation of Indigenous Australians in Crow country are characterized as outcasts and reflect cultural distinction. Newspaper articles regarding “Adam Goodes” demonstrates how preconceived thoughts from many Australians destroys sporting stars outlook upon

Gentle and down-to-earth, LeFou is the sidekick of Gaston. LeFou admires Gaston and strives to be just like him. At the beginning of the film, LeFou imitates Gaston’s facial expression (smoldering look). However, sometimes it is more than just admirations. For instance, the scene where Gaston was talking to his reflection, LeFou informed him about Belle’s situation.

Most of the artists in the second wave of feminism (1960-1970) were inspired by Louise Bourgeois. Bourgeois mostly worked with organic materials and shapes instead of the cube shapes most minimalist artists were experimenting with. She was interested in depicting forms that could be immediately understood as male or female. An example of this would be her sculpture La Fillette, created in 1968. In this gruesome sculpture, she depicted a penis hanging on a meat hook. The sculpture’s title translates to “little girl” in French. Here we see her turning this icon of masculinity into something feminine. In 1974 she created a piece called The Destruction of the Father. This sculpture was a recreation of a family dinner with lumpy figures population

A word such as “strong” is arguably the most used word that is associated with masculinity. Men are often being described as “manly” or “macho” ideas that appear to define individual men and masculinity itself. This concept and definition are followed throughout the world especially in the Arab world, which includes Palestine and Israel. Vanished: The Mysterious Disappearance of Mustafa Ouda is a book written by Ahmed Masoud that tells a story about the main protagonist Omar Ouda. Who is in search to find his father, but goes through a major change throughout the book. In the book, there are three gender roles of men that seem to go through various alternation. And in an article “Male Gender and Rituals of Resistance in the Palestinian "Intifada" written by Julie Peteet elaborates on how young man in Palestinian are able to obtain their manhood by getting tortured by the Israeli army and resisting their demands. In Palestinian culture and society, there is a specific depiction of male masculinity.

Lloyd Jones’s novel, Mister Pip, is set in Bougainville in the 1990’s, in the period of time following the abandonment of the Panguna mine by the Australians and the subsequent civil war and blockade. This backdrop provides the perfect environment for Jones to use foreign literature to explore ideas relating to post-colonialism, both on an individual and community level. This exploration provides much food-for-thought for the postcolonial critic, including issues such as cultural hegemony, the struggle for identity when confronted with hybridity, and the role of the literary canon in European colonisation.

Masculinities as most of us know is based highly on gender. We look at the hierarchy and roles between female and male, but we also looked at the origin and factors into being a male and female. However, the core thing that make up masculinities is race. Race is the driven force toward masculinities that create a lot factors for these racial groups. In the article” Becoming a Black Man” by Daisy Hernandez, she talks about the struggles of people of color have when transitioning into their genders. The fact of the matter is, society is not first looking at a person of color gender when he/she is transition, but their race. One of the Trans man in the article, explain her experience firsthand, “They see me as black and that the thing that people notice. The bottom line is I’m black first.” For a black woman