Masculinity In Melville's Essay Moby Dick As Sexual Protest

In this article, East Carolina University English professor Dr. Margaret Bauer makes the claim that one cannot solely rely on the reputation on the writer in order to fully comprehend the meaning of a certain text. This is the precisely the case with Ernest Hemingway as he was well-known to scholars to have his short stories filled with male-chauvinist characters either abusing or disregarding weak and helpless women. However, Bauer, a professor of English and women’s studies, believes that the characterization of Hemingway as an abuser and having a blatant disregard of women is almost entirely created by the scholars and readers of his stories. With an analysis of Hemingway’s “Indian Camp” and “Hills Like White Elephants”, Bauer attempts to bring her own feminist perspective to Hemingway’s notoriously misogynistic texts to prove that there are more to his female characters than there is on the surface and to possibly emasculate his reputation of portraying women as powerless and one-dimensional characters.

Published in 1851, the story of Moby-Dick is not just the tale of one mans search for control over nature, but also the story of friendship, alienation, fate and religion that become intertwined amidst the tragedy that occurs upon the doomed Pequod. The crew itself are an amalgamation of cultures, from the cannibal Queequeg, to Starbuck, "a native of Nantucket." The Pequod can thus be seen as a microcosm for immigrants and whaling within America. In Moby-Dick Herman Melville examines both the exploitation of whaling and the reality of being born outside of America.

    One might say we are presented with two fish stories in looking at Ernest Hemingway's The Old Man and the Sea and Herman Melville's Moby-Dick, a marlin in the former and a whale in the latter.  However, both of these animals are symbolic of the struggle their hunters face to find dignity and meaning in the face of a nihilistic universe in Hemingway and a fatalistic one in Melville.  While both men will be unable to conquer the forces of the universe against them, neither will either man be conquered by them because of their refusal to yield to these insurmountable forces.  However, Santiago gains a measure of peace and understanding about existence from his struggles, while Ahab leaves the

It was my Melville that comforted me when my DEA agent of a father was constantly traveling and never called me to let me know if he’ll be home late by a week or two. I didn’t want to assume the worst had happened and cry in fear not knowing if the regularly discussed topic of his death came true. It was my single Melville that allowed me to rant to about my 2 little cousins who I had to watch over while my grandmother worked taking care of an elderly woman’s house, while my aunt worked and went to school, and since I refused to let my uncle watch them, my short temper became the fury of the household. Nonetheless, they never knew this, and still paid him

Does deviating from one’s gender norms inevitably doom one down a spiral of moral corruption? Tim O'Brien, author of “Sweetheart of the Song Tra Bong” and Ernest Hemingway, author of “The Short Happy Life of Francis Macomber”, certainly seem to hold this view, as evident by the fates of the major female characters in their respective works. The deviance of the major female characters in both works appears to corrupt not only themselves, but also pollute their partners, causing them to suffer injury or harm as a result. The degree of injury ranges from negligible, like Fossie’s demotion and broken heart, to fatal, like the bullet that rips through Macomber’s skull. It begs the question, are these stories meant to serve as cautionary tales for their female readers, or possibly for their husbands, so they may recognize gender deviance and stop it in its tracks before their wives transform into Margot Macomber or Mary Anne Bell? This essay will analyze what such characters say about pervading views of women, both in society and in literature.

In The Paradise of Bachelors and The Tartarus of Maids, Melville subtly criticizes women in the working or public space, while positively depicting men in a domestic space. Melville’s contrast of the paradise of bachelors and the Tartarus of maids, clearly demonstrates how men were perfectly allowed and able to exist in both spaces without degrading their reputation, questioning their manhood and without consequence made both spaces their own. This is not true for women who step outside the domestic space.

Initially, Melville creates a metaphor to illustrate one of Ahab’s most prominent physical features: the scar along his face and neck. In Ishmael’s chapter describing his first impression of Ahab, he writes: “Threading its way out from among his grey hairs, and continuing right down one side of his tawny scorched face and neck…you saw a slender rod-like mark….It resembled that perpendicular seam sometimes made in the straight, lofty trunk of a great tree, when the upper lightning tearingly darts down it, and without wrenching a single twig, peels and grooves out the bark from top to bottom…leaving the tree still greenly alive, but branded” (108-109). Ishmael compares Ahab’s long, ropy scar to the mark left on a tree by a lightning strike, giving the reader a vivid image of the intensity of the mark on Ahab’s face. In contrast, a later simile is constructed to describe Ahab’s demeanor as opposed to his physical appearance. Ishmael likens Ahab’s presence to that of a regal sea-lion: “Over his ivory-inlaid table, Ahab presided like a mute, maned sea-lion on the white coral beach, surrounded by his war-like but deferential cubs” (128). The idea of Ahab as such a domineering character reinforces his ultimate dictatorial power on the Pequod. He rules the ship exactly as if he was a lion and the crew members were his physically strong but deferential cubs. Finally, Melville crafts a simile to convey Ahab’s passion for hunting the white whale: “‘…it was Moby Dick that dismasted me; Moby Dick that brought me to this dead stump I stand on now. Aye, aye,’ he shouted with a terrific, loud, animal sob, like that of a heart-stricken moose” (139). Melville expresses Ahab’s desire to find and kill Moby Dick by depicting how passionately Ahab displays his wishes to his crew. By comparing Ahab’s sob to that of a grieving moose, Melville

A vengeful man, a native, and a man seeking enlightenment board a whaling vessel; this isn’t a joke, this is the United States of America throughout history and the members of the Pequod. Moby Dick is not just a tale about a whaling venture gone awry, it is a metaphor for what America was and is. The Pequod represents the country and government, while the 30 crew members (Melville 430; ch. 126) represents the United State citizens. This would have not been possible to consider in Melville’s time, but it is a true testament to literature being a living text. Melville wasn’t only writing about America in the 1800’s, he was writing about the natures of humanity, and the future of our society.

American Literature has always been about men and for men. In this essay, we are going to analyze the women’s role in the book, as inferior and weaker gender.

Melville utilizes similes in order to build suspense and emphatically compare evil laughter with rising flames. The laughter and flames are unpredictable and fill the ship with noise and unbearable heat, almost engulfing it. In the passage, he compares the two ideas by stating, “as their uncivilized laughter forked upwards out of them, like the flames from the furnace.” Melville connects the menacing behavior of the crew and maniacal laughter to Ahab, as he also exhibits behavior that is erratic and fills the ship with his plans of revenge. Since he also describes the laughter as “forked out of them,” it seems as though the sailors are not willingly laughing, but are forced in doing so. Ahab undoubtedly

Herman Melville’s novels, with good reason, can be called masculine. Moby-Dick may, also with good reason, be called a man’s book and that Melville’s seafaring episode suggests a patriarchal, anti-feminine approach that adheres to the nineteenth century separation of genders. Value for masculinity in the nineteenth century America may have come from certain expected roles males were expected to fit in; I argue that its value comes from examining it not alone, but in relation to and in concomitance with femininity. As Richard H. Brodhead put it, Moby-Dick is “so outrageously masculine that we scarcely allow ourselves to do justice to the full scope of masculinism” (Brodhead 9). I concur with Brodhead in that remark, and that Melville’s

The only other women in the men¹s club exist in memory. Ishmael speaks of his "best and most-conscientious" step-mother, sending him to bed during the daylight. Like Jane Eyre, locked up only in his room, his visited by a phantom and the vision haunts him. This scary vision is repeated, but happily, Ishmael wakes to have Queequeg¹s arm around him (The Counterpane). Both Starbuck and Ahab are married and have children, though their wives are scarcely mentioned. The Pequod rarely stops for a gam and never passes letters, so we know that Starbuck and Ahab never write home. Just before they sight the white whale, both Starbuck and Ahab stare at the sunrise, and think back to their families on Nantucket. Ahab cries in regret for the treatment of his wife, saying that in marrying her, he "widowed" her. Starbuck entreats him to return;

In the novel, A Moby Dick, Pip is a young African American boy, who has almost no power on the Pequod. Pip only makes a handful of appearances in the novel, which leads the reader to ask: why does Melville include him in this novel? Pip normally serves as an entertainer for the crew and cleans up the ship. However, after being left in the ocean for hours, he forms a special bond with Ahab. Through their time spent together Pip positively affects Captain Ahab, which is why he is included in the novel.

While Ahab was still the obedient captain he once was, he was one of the most successful and higher rewarding captains. Unexpectedly, in the midst of a whaling, Ahab and his crew encountered the whale he now refers to as “Moby Dick” or “the white whale.” The crew initiated in capturing the whale, but this whale was different. Rather than capturing the whale, the whale captured Ahab and though Ahab escaped, he did not escape entirely. Moby Dick had dismembered and consumed half of one of Ahab’s legs. Ever since this incident, Ahab’s one and only desire or, as stated in the text, “...his one unsleeping, ever-pacing thought” has been to kill Moby Dick; which soon turns him obsessive (Melville). Ahab would not let anyone or anything stop him from achieving his goal, “...’I’ll chase him ‘round Good Hope, and ‘round the Horn, and ‘round the Norway Maelstrom, and ‘round

Herman Melville, in his renowned novel Moby-Dick, presents the tale of the determined and insanely stubborn Captain Ahab as he leads his crew, the men of the Pequod, in revenge against the white whale. A crew mixed in age and origin, and a young, logical narrator named Ishmael sail with Ahab. Cut off from the rest of society, Ahab attempts to make justice for his personal loss of a leg to Moby Dick on a previous voyage, and fights against the injustice he perceived in the overwhelming forces that surround him. Melville uses a series of gams, social interactions or simple exchanges of information between whaling ships at sea, in order to more clearly present man’s situation as he faces an existence whose meaning he cannot fully grasp.