Matisse: The Casbah Gate

This painting is so realistic and painted with such precision and detail that he must’ve wanted us to see this place exactly how he did, with great beauty and light. The local colors are vibrant and cool yet still make you smile because it reminds you of a warm summer day. The use of two contrasting colors, the blue of the water and sky and the tan of the cliffs and couds, make the tan color stand out creating such a visually pleasing and dynamic effect. The organic fluffy clouds and the ripples in the water convey a peaceful sense to the scene. The pompous cliffs stand solidly contributing to the historical importance of this location. The artist captures the illusion of depth through atmospheric perspective; as the object gets farther it encompasses less detailed contributing to the descriptive nature of it. Since the left side of the painting is much heavier than the right this painting is asymmetrical. Your eye tends to gravitate towards the cliffs on the left because of their size and bright color which emphasize the cliffs. This emphasis creates a focal point that the viewer is immediately compelled to look at.

Texture and pattern are very easy to identify in this painting. The street’s cobblestones show texture and pattern in the way that they are arranged. Texture is also demonstrated through the paint strokes on the buildings, the tree, and even the sky. These thick, uneven strokes add a layer of depth and texture to all elements of the painting.

     When I look at the texture of the painting, I do get a true sense of a wood floor, a wooden bed frame and a piece of fabric hanging from a nail. I think he might have used different techniques for creating various textures in the room. I think the floorboards are of multiple layers of paint, as to create the tones of the wood. I think that the bed frame, however, is just a single layer of paint, almost thin in nature. The texture of the glass in the window gives you a sense that there is an actual surface to the glass. His use of texture gives me a sense that I can walk right into this room.

One must look at the root of the person creating the art to truly understand the beauty of the piece. Matisse attended law school in

Jean Paul Sartre's “The Wall” takes place during the Spanish Civil War, and documents the capture, imprisonment, and execution of three revolutionaries through the eyes and voice of one of them, who identifies himself as Pablo Ibbieta. As Pablo starts narrating the time spent in the prison cell he discloses that the two prisoners and him, are sentenced to death by a firing squad the next morning. Naturally, they spend the night oppressed by the knowledge of their impending death, they become so detached from their own life that they no longer seem human. While the prisoners are sentenced to die the next morning, the knowledge of their death causes them to give up on life before they are even killed.

Students through the process of art appreciation will build connections through the exploration of textures, lines, colour and shape when describing, analysing, interpreting and judging the artworks before them (3 chosen images). They are asked to describe what they see, the artist’s use of colour, lines, shapes and texture. They then move onto analysing; what catches their eye, is the composition balanced and do the paintings look flat or do they have depth. The discussion then progresses onto interpretation where students are able to express what type of emotion they feel when looking at the pictures, perhaps the kind of sounds they might hear if they could step into it, and why they think the artist chose this particular subject to paint and what may have inspired the artist.

Every painter has a certain style of painting, whether it's intentional to paint abstract or unintentional to paint as a modernist. I analyzed Abigail Kuchar’s artwork. She is an artist at Western Washington University. Currently, she is enrolled as a student and working on her Bachelor of Fine Arts. Recently, she exhibited her work in a Symbiotic Qualia, Western Gallery (group BFA Thesis Exhibition). Her ideas on visuals are very unique as compare to another artist. Her work is heavily influenced by reoccurring natural forms and patterns, representing, the specific shapes that have been successful in a variety of different applications. For example, the formation of bubbles, lichen, barnacles, anemones, spores, pollen, and seed pods, all have similar compositions. By creating work that includes these forms, the viewer is presented with something unusual, but vaguely familiar. Her material used in the artwork is environment-friendly.

In this painting, two visual elements stand out over all the rest. These elements are that of color and texture. Color in art is an element that has to be phenomenal in order to get recognition and true appreciation from the viewers. In this painting, the colors are rich, vivacious and standout as dark, but bold representations of the uniqueness of it all. The use of brown and yellow and green and grey and white all come together in a harmony of color and unity. As for the texture in the painting, it is that of brisk and roughness that is nature. The sharp edges of the bucks rack and the cold, rough edges of the dead tree show

Henri Matisse was known as the Fauvists leader due to his work of pure colors and bright lights. In 1906, he traveled to Africa and was inspired by the sculpture art. One of his best known works are the Back relief and Large Seated Nude. His work reflected the different body shape of African woman. In 1907, The Blue Nude is a series of paintings that was inspired

The texture of the canvas works very well with the subject matter portrayed in the painting. The grassy hill side and the leaves of the trees are especially complimented by the canvas. It makes the leaves feel like they are slightly moving, this combined with the lack of detail itself the leaves. This is contrasted nicely with the very detailed renderings of the trunks and branches of the trees, the

We can also see the use of black shades to create a hole at the bottom part of the rock. With his excellent use of colors, we can identify the good, healthy and green grass from the bad, unhealthy, brown grasses. Looking beyond the main focus of the painting, he uses colors to separate the sky from the land in the background creating a solid form of perspective on the painting. He also uses colors to create water forms as seen behind the young character. Now, for the sky, he uses shades of white to magnificently differentiate the thick clouds from the light ones. He also uses this to create a source to light to the whole area. All these put together creates a splendid, realistic and familiar atmosphere for the viewers to relate with.

In addition, forms and colors overlapped at the center of the piece created the 3-dimensional looks to it. The artist used black paint to establish the structure and highlight the shadows, whereas lighter color to shape the buildings. Colors and shapes alternated in an unpredictable way in “Skyline”, formed a distinctive pattern that unified and even out the whole picture. In contrast, there were no pattern or color arrangement in “Yellow Room”, in detail, two main colors for the whole painting were scarlet and butterscotch. The artist slowly faded that warm tones with lighter shades of yellow and red such as goldenrod, flaxen and brick. Noticeably, there was only one shade of green in “Yellow Room”, just like only one shade of white in “Skyline”. Single tone colors can undoubtedly grab viewers’ attention amongst other the warm color scheme in the painting. The artist purposely painted his displaced furniture, and the whole living room at its most natural state because he wanted beholders to notice the aura of a family in the painting. To put into consideration, Porter used white paint as the highlighter for the light reflected through his living room’s door amid darker pigments perceived an illusion of depth on a flat surface.

Toulouse’s art inspires me to paint in a similar fashion, how he can get so much across with such a simple painting. The reason for choosing him was that La Toilette captured me, it is such a beautiful painting but it so simple. It doesn’t show the face of the model and only use blue as its main colour but it still gets something across the viewer. That is what inspires me, that even though he painted in such a simple way, he still communicated his messages and meanings easily.

When entering the room, people crowded around Monet’s pieces, which felt like an honor to see the type and techniques his work has. The colors describe the feeling of an early morning. The painting has a muted palette of blues, greens, and grays. The sunrise is orange and yellow which are surrounded by the clouds and smoke from steamboats. Three boats are shapes and visible while the rest fade into the distance. This painting is an example of plein air or outdoor painting. I also notice that Monet layered the colors so that when I viewed the painting from a far distance I knew what the painting was about however when I looked at it up close I saw brush strokes and

big canvas that he called "The Joy of Life" is actually the announcement of this style. Although