Maturity Is Achieved With The Death Of Naivety

The atmospheric conditions may represent the hardships that the couple had to go through in their relationship, and may also be used contrast the unpredictability of the outside world compared to the steady relationship that the couple have. ‘A Youth Mowing’ is also a poem about relationships, this time it is between a younger couple. The river ‘Isar’ is a symbol of freedom, it represents the way that the men’s lives are. However, this sense of liberty is broken by the ‘swish of the scythe-strokes’ as the girl takes ‘four sharp breaths.’ Sibilance is used to show that there is a sinister undertone to the freedom that the boy has which will be broken by the news that his girlfriend is bringing. She feels guilty for ‘what’s in store,’ as now the boy will have to be committed to spending the rest of his life with her, and paying the price for the fun that they had.

Various novels can be classified as “coming-of-age” texts, this means that these are stories about a protagonist’s transition from childhood to adulthood or just growing up even as an adult. These novels show their growth and change in character over the length of the text. Novels such as The Catcher in the Rye by J.D Salinger, The Perks of Being a Wallflower by Stephen Chbosky, and Their Eyes Were Watching God by Zora Neale Hurston are all examples of coming-of-age novels. In Zora Neale Hurston’s Their Eyes Were Watching God the story is focused on Janie Crawford and her growth over the course of the book.

A coming-of-age story often is the transformation of one or more characters allowing the reader to see the transformation from youth to maturity. “The Flower,” is a short story by Alice Walker. Walker utilizes the plot, characters, and setting to show innocent 10-year-old girl, Myop maturing. Myop wanders into the woods alone, far beyond where her mother would take her, and what began as just an adventure turned into something unusual.

In the short stories, “Saving Sourdi,” by May-Lee Chai and “The Moths,” by Helena Maria Viramontes, the main character of each short story goes through their own coming of age experience where they are forced to mature in order to overcome an obstacle. Chai explains her main character, Nea’s, struggle as she is forced to mature and overcome the departure of her older sister, Sourdi, from her life after she gets married and moves away. Viramontes, on the other hand, depicts her narrator’s struggle as she is forced to mature and overcome the death of her Abuelita on her own. Despite their very different approaches, both Chai and Viramontes successfully convey their main character 's struggles in their journey from youth to adulthood.

The last line in the poem “and since they were not the ones dead, turned to their own affairs” lacks the emotions the reader would expect a person to feel after a death of a close family member. But instead, it carries a neutral tone which implies that death doesn’t even matter anymore because it happened too often that the value of life became really low, these people are too poor so in order to survive, they must move on so that their lives can continue. A horrible sensory image was presented in the poem when the “saw leaped out at the boy’s hand” and is continued throughout the poem when “the boy’s first outcry was a rueful laugh…the hand was gone already…and that ended it”, this shows emphasis to the numbness the child felt. The poem continues with the same cold tone without any expression of emotion or feelings included except for pain, which emphasizes the lack of sympathy given. Not only did the death of this child placed no effect on anyone in the society but he was also immediately forgotten as he has left nothing special enough behind for people to remember him, so “since they were not the one dead, turned to their affairs”. This proves that life still carries on the same way whether he is present or not, as he is insignificant and that his death

Coming of age is defined as the transition from one’s youth to his or her adulthood. Romeo and Juliet by Shakespeare, House on Mango Street by Sandra Cisneros, and Lord of the Flies by William Golding all explore this concept. Romeo and Juliet is a story about two star-crossed lovers in the depths of forbidden love despite an ancient family feud. House on Mango Street is a series of vignettes about a young Latina girl’s life growing up in Chicago. Lastly, Lord of the Flies is about a group of abandoned children who work to survive on a deserted island. Each of these stories provides details as to what characteristics define a mature individual, and they also show the various processes to achieve this maturity.

Pipher gives some compelling stories about the behaviors of some pre-adolescent girls she has encountered. Her cousin, Polly, was an energetic and opinionated girl when she was young. Upon puberty, Polly felt unable to connect to boys and girls her age until she became stylish and more subdued in her language. This gives the reader the feeling that Polly was not accepted until she changed her personality to fit that of her surroundings. It is possible that Polly’s friends no longer enjoyed being around a girl who was opinionated or who would insult those with whom she did not agree. This story does not qualify as a valid, concrete premise to show the connection between changes an adolescent girl and her ability to connect with others.

In the beginning of the short story, as Brother reflects on Doodle’s life, the author uses personification and foreshadowing to create a mood of remorse. As he gazes out of the window into his backyard, Brother states that “the graveyard flowers were blooming. ...speaking softly the names of our dead” (Hurst 1). The flowers provide flashbacks of the past, and foreshadow a loss of life. The loneliness felt by Brother causes readers to consider how they would feel if their loved one was gone. As Brother observes the seasons, it is noted that “summer was dead but autumn had not yet been born” (Hurst 1). The personifications of the seasons as stages in the cycle of life and death creates an unsure and uncertain mood. The shift between seasons creates an idea of change and uncertainty of events to come. Hurst creates a mood of remorse through

Maturity is commonly used word, but when asked what the word means many people simply shrug their shoulders. Maturity isn’t a word that has a clear definition. Being based primarily on one’s connotation, it doesn’t mean the same thing to everyone. Personally I picked this word up through context. However, upon doing a careful study of where this word originates and other’s connotation’s, I feel I’ve achieved a relatively good understanding. Webster claims the word to mean “based on slow careful consideration,” but I feel there is much more to this word than that.

In coming of age stories, the protagonists often experience a pensive and dramatic moment where either they break through to adulthood or retreat to childhood - it is this moment that unveils the magnitude of growing up for the reader.

In many cultures, coming of age is often celebrated because children become young adults who grasp self-awareness and accountability. At the same time, childhood is threatened by responsibility, which is dreaded because there is an unpredictable world of adulthood waiting with no guarantees. James Hurst demonstrates the journey of growing up through life experiences everyone goes through in the short story, “The Scarlet Ibis”. Throughout his use of mood, setting, and symbolism, Hurst shows that maturing requires reflecting on past experiences and losing innocence, which then can transform one’s outlook on life.

When she first talks about winter, she says that “Thus in winter stands a lonely tree,” (9). When referring to winter, it is the season of death. The speaker is realizing that her days left is slowly approaching an end. She then turns and references summer, “I only know that summer sang in me” (13), and “that in me sings no more” (14). As she is talking about summer, she is also talking about her memories of herself when she was young. This corresponds with the seasons because in summer things are new and want to be experienced however, in winter this is the season when everything is dying and no one wants to be a part of it. The speaker can feel this happening to herself because she sees herself as winter, and she longs to be like summer again. In the summer stage of her life, she is youthful, and she has men aching to be around her. However, now that she has approached the winter stage of her life she is feeling strong feelings of regret. Thus, this shows how she feels about herself by showing how she talks about winter and summer and how it compares to the sorrow in her life

It has often said that “A child become an adult not only when he is right, but when he is wrong.” This is evident in the historical fiction novel, The Watsons Go To Birmingham, 1963, by Christopher Paul Curtis when he talks about coming of age. The author uses symbolism to convey the message that growing up means facing reality.

Finally, the reader is introduced to the character around whom the story is centered, the accursed murderess, Mrs. Wright. She is depicted to be a person of great life and vitality in her younger years, yet her life as Mrs. Wright is portrayed as one of grim sameness, maintaining a humorless daily grind, devoid of life as one regards it in a normal social sense. Although it is clear to the reader that Mrs. Wright is indeed the culprit, she is portrayed sympathetically because of that very lack of normalcy in her daily routine. Where she was once a girl of fun and laughter, it is clear that over the years she has been forced into a reclusive shell by a marriage to a man who has been singularly oppressive. It is equally clear that she finally was brought to her personal breaking point, dealing with her situation in a manner that was at once final and yet inconclusive, depending on the outcome of the legal investigation. It is notable that regardless of the outcome, Mrs. Wright had finally realized a state of peace within herself, a state which had been denied her for the duration of her relationship with the deceased.

The sister prepares the evening meal, making her contribution to the family; and calls on the boy to come and eat. The saw in the boy?s hands was still running and when he took his attention away from his work, and that split second of carelessness cost him an extremity. His instincts raised his arm upward to keep all the blood from spilling out immediately. When he realized what was happening, the boy finally realized he was to young to be doing a man?s work. The boy ?saw all spoiled,? and now knew his whole childhood had vanished and it was impossible to get it back. The boy frantically called out to his sister to make the doctor keep his hand on. The boy?s body must have instantly gone into shock and not felt the absence of the hand. When the doctor arrived he gave him some ether to make him go to sleep. The little boy began to lose his pulse and soon he was a stranger to the world. The people surrounding the boy never expected the loss of his hand to tragically end the little boy?s life. Frost?s almost appalling casual description of death shocks the reader enough to make them think. ?Since they were not the one dead, turned to their affairs,? describes the environment of the survivors. They are forced to move on with their life and keep working because they cannot afford to stop and mourn.