Maud Martha
Gwendolyn Brooks was a black poet from Kansas who wrote in the early twentieth century. She was the first black woman to receive the Pulitzer Prize. Her writings deal mostly with the black experience growing up in inner Chicago. This is the case with one of her more famous works, Maud Martha. Maud Martha is a story that illustrates the many issues that a young black girl faces while growing up in a ‘white, male driven’ society. One aspect of Martha that is strongly emphasized on the book is her low self-image and lack of self-esteem. Martha feels that she is inferior for several reasons, but it is mainly the social pressures that she faces and her own blackness that contribute to these feelings of inferiority. It is
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(Report From Part One, 43)
When she was young it didn’t bother her that Santa Clause was white, as she grew up and developed her own opinions the world and her own blackness it began to bother her. She feels as though her child is being drawn into a white world in which she cannot escape. This further frustrates both the reader and the main character. She does not understand why she has to be made to feel like she must up to meet the white standards. She begins to feel as though Christmas is the biggest and most important holiday and how a white male symbolizes it. Maud Martha made many of the same implications. When Martha is discussing the holidays she is constantly referring to the stimuli that experiences in terms of color. She talks about Halloween and the yellow burning pumpkins and birthdays and the pink and white candles and ice cream. She talks about the dinner table at home having a white tablecloth also. Brooks’ emphasis on color also works to emphasize the main theme in her works. This is again the issue of race and color and how color plays a major role in how we go about our every day lives. The extensive use of color also helps to emphasize in the readers mind the underlying issue that is ever present throughout the book. This is the issue of the writer wondering why
There, she started to write at the age of seven and published her first poem at 13. After she completed school, Gwendolyn Brooks found herself working for the National Association for the Advancement of Colored People, and continued to write about the struggles of African Americans in her community. During Gwendolyn Brooks’s career she expanded the topic of her writings. Between 1940-1960’s, her writings were about the oppression of blacks and women of all colors in her community, and she poetically criticized the shocking prejudice that African Americans had for one another. However, during 1960’s she developed a new attitude, due to her growing political awareness. She began to expand her poetry from the day-to-day life of the African Americans in her community, to writing about the wider world and the racial struggles of African American people everywhere. She then brought back all of her accomplishments to her community by reading her poems to children at various venues. By the end of her life, she had inspired thousands of young
Alice Walker speaks of her mother and grandmothers’ dark pasts of slavery and discrimination throughout their lives. Although women through the years have had it tough, colored women have and continue to have a deeper struggle within society. Alice Walker’s essay is inspiring and heartwarming because it tells of how the women in their lives have found beauty within a dark part of history. Her mother although had little, found a sense of identity with the joy of her own vibrant garden. She speaks a lot about how many people of color continued to keep their identity and spirituality in a time where they could have been discouraged. I think that Walker’s essay is really eye opening because so many women have struggled before us to pave the way for women of all
Gwendolyn Brooks is the female poet who has been most responsive to changes in the black community, particularly in the community’s vision of itself. The first African American to be awarded a Pulitzer Prize; she was considered one of America’s most distinguished poets well before the age of fifty. Known for her technical artistry, she has succeeded in forms as disparate as Italian terza rima and the blues. She has been praised for her wisdom and insight into the African Experience in America. Her works reflect both the paradises and the hells of the black people of the world. Her writing is objective, but her characters speak for themselves. Although the
In “In Search of Our Mother’s Gardens”, Alice Walker looks to educate us on the hardships that almost all black women face when trying to express themselves through things such as art. She delves into many sociological and psychological concepts that have affected black women throughout human history. These concepts and ideologies created a realm for mass exclusion, discrimination, and oppression of many African American women, including Alice Walker’s Mother, who Alice utilizes as one of her particular examples. The writing thematically aims to show how these concepts of sexism, racism, and even classism have contributed to black women’s lack of individuality, optimism, and fulfillment for generations. The author does a tremendous job of defending and expanding upon her arguments. She has a credible background, being a black woman that produces the art of literature herself. As well as being raised by one, Walker’s first-hand experience warrants high regard. Therefore, her use of abstract and introspective language is presented clearly and convincingly. Also, her use of evidence and support from sources like Jean Toomer, Virginia Woolf, and Phillis Wheatley, all produce more validity for her stance through poems, quotes, and even experiences. All these individuals have their own accounts pertaining to the oppression of black women and their individuality. Successfully arguing that the artistry plights of black women described in “In Search of Our Mother’s Gardens” are
Frances Ellen Walker Harper published a wealth of short stories, poetry, essays, and novels in the middle to late 1800s. She was born into a politically active, free black family, attended her uncle’s school, and became the first female teacher at the Union Seminary. Harper’s unusually comfortable class-status and extensive education allowed her to become a skilled writer on topics that interested her, such as politics, civil rights, feminism, and religion. Harper used her skill and passion to become economically and emotionally independent. In fact, much of her work echoes her identity as a middle class woman of color who supported herself through writing. However, this nature of independence was unusual for a woman in the 1800s, especially a black woman. Though Harper’s portrayal of strong, independent womanhood is a much needed depiction of women, Harper is unqualified to establish expectations for black women in the 1800s.
Racial bias and discrimination have historically constricted African Americans from living free and prosperous lives. Especially, in America’s Progressive Era when “How It Feels to Be Colored Me” happened to be published. This groundbreaking essay, written by Zora Neale Hurston, provided African Americans with a unique approach to defying racial discrimination. Namely, Hurston’s unique defense from societal discrimination is in her steadfast optimism towards the limitations of being African American. Therefore, Hurston’s essay achieved more than bringing hope to African Americans it also provided a solution in this period of bitter adversity. This is what distinguishes Nora’s essay from other literary works because it focuses on modeling a beneficial mindset rather than listing the hardships that black people are subjected to. Zora Neale Hurston is an influential role model for African Americans, she argues that racial discrimination and unjust biases can be overcome by having pride and optimism in the progression of one’s race.
The works of Gwendolyn Brooks has gone through several changes throughout her career. When she first published in 1945, she was eager to be understood by strangers. In her last two poetical collections, however, she has dumped that attitude and gone ?black?. Her change then led her from a major publishing house to smaller black ones. While some critics found an angrier tone in her work, elements of protest had always been present in her writing. Her poetry moves from traditional forms including sonnets, ballads, variations of the Chaucerian and Spenserian stanzas, and the rhythm of the blues to the most unrestricted free verse. To sum up, the popular forms of English poetry appear in her work, but there is some testing as she puts together lyric, narrative, and dramatic poetic forms. In her narrative poetry, the stories are simple but usually go beyond the restrictions of place. In her dramatic poetry, the characters are often memorable because they are everyday survivors not heroes. Her characters are drawn from the underclass of the nation's black slums. Like many urban writers, Brooks has recorded the impact of city life. However, aside from most committed naturalists, she does not entirely blame the city for what happens to people. The city is simply an existing force with which people must deal with. The most dominant theme in Brooks?s work is the
During the civil rights movement many women and minorities were suppressed from being able to be true to themselves and what they believe in. Civil rights advocate and “womanist”, Alice Walker, in her poems, “Burial,” “Be Nobody’s Darling,” and “While Love is Unfashionable,” analyzes the importance of breaking away from the stereotypes set by society in efforts to prevent struggle. Walker uses a variety of parallelism, allusions, and metaphors to persuade readers to break free from the crowd and embrace the outcast found within the truest version of oneself.
The early 1900s was a very challenging time for Negroes especially young women who developed issues in regards to their identities. Their concerns stemmed from their skin colors. Either they were fair skinned due mixed heritage or just dark skinned. Young African American women experienced issues with racial identity which caused them to be in a constant struggle that prohibits them from loving themselves and the skin they are in. The purpose of this paper is to examine those issues in the context of selected creative literature. I will be discussing the various aspects of them and to aid in my analysis, I will be utilizing the works of Nella Larsen from The Norton Anthology of African American Literature, Jessie Bennett Redmond Fauset,
An American pragmatist and feminist, Hull-House founder Jane Addams (1860-1935) came of age in time of increasing tensions and division between segments of the American society, a division that was reflected in debates about educational reform. In the midst of this diversity, Addams saw the profoundly interdependent nature of all social and political interaction, and she aligned her efforts to support, emphasize and increase this interdependence. Education was one of the ways she relied on to overcome class disparity, as well as to increase interaction between classes. Her theories about the interdependent nature of living in a democracy provided a backdrop for her educational theory. Education, she thought, needed to produce people who
Florence Nightingale was born in Florence, Italy. Her parents named her after the city she was born in. She was born on May 12,1980, she was raised mostly in Derbyshire England. Many people when they hear Florence Nightingale think about her as a nurse and for her fight for better hospital care. Florence did a lot more in her life than achieve better hospital conditions, and become a nurse. She was a brilliant mathematician, and used statistics to apply them to achieve her reforms. Florence was a well-educated woman in a number of fields other than math;
Gwendolyn Brooks is the first African American to win a Pulitzer Prize. She has also received a lot of awards and fellowships throughout her life. Born in 1917, she started her writing career in poetry at an early age, publishing her first poem in 1930. 1967 was a turning point in her career as it was in this year that she attended the Fisk University Second Black Writers' Conference. In this conference, she has decided to involve herself in the Black Arts Movement. While awareness of social issues and elements of protest is found generally in all her works, some of her critics found in her work an angrier tone after joining the movement.
The story that is A Sorrowful Woman seems to be a story told from the point of view of a narrator who focuses only slightly on the inner conflict of one of the main charters in the story. The character of which I am speaking is never referred to by name, instead is called she, the woman, mommy, and wife throughout the entire story which lends credence to the conclusion of the viewpoint as being told from the outside. The first indication that the focus of the story will be not of a warm and loving nature is the line “The sight of them made her so sad and sick she did not want to see them again”(1). This is where a hypothesis can begin to be formed as to who the antagonist of the story is, bearing the statement above in
Florence Nightingale, a well-educated nurse, was recruited along with 38 other nurses for service in a hospital called Scutari during the Crimean War in 1854 . It was Nightingale's approaches to nursing that produced amazing results. Florence Nightingale was responsible for crucial changes in hospital protocol, a new view on the capabilities and potential of women, and the creation of a model of standards that all future nurses could aspire towards.
Like it was previously stated, the author is primarily targeting black women to encourage them to appreciate what their female ancestors suffered through to keep their heritage and spirit alive. However, Walker may have also had the intent to inform other audiences what it was like to be an African American woman in history. To accomplish her aims, she used certain types of style and tone that were very effective. Her stylistic approach was the use of many different examples. She tells the heartbreaking tale of little Phillis Wheatley, a “sickly, frail black girl” who was taken from her home as a small child to live and die as a slave in America. She includes a short passage written by poet Jean Toomer, in which he speaks to a black prostitute who falls asleep while he encourages her to express her artistic spirituality in a different way. She describes why these oppressed black women were named “Saints,” and at the conclusion of her essay, she uses her own mother as an example, and her own questions about her mother’s ability to keep her creative spirit alive throughout her