Maurits Cornelis Escher

Beginning in the mid-1930s, Escher’s work turned very pointedly to the style we associate with him today. Some of his most

In 1944 he graduated from the ETH in architectur.Following the war,in 1947,he left Zurich for Paris where,after briefly working in the atelier of the painter Fernand Leger,he was accepted by Le Corbusier as an assistant at the Rue de Sevres.There he wasassigned two projects that were to figure heavily in his later thinking as a teacher and acrchitect.In1948 he worked on the design of the Villa Currutchet located in Rio Plato,Brazil;and in 1949 Le Corbusier,obviously impressed with the abilities of this neophyte Swiss architect,appointed him project architect for the United Habitation,relocating HoeslitoMarseilles to manage and oversee the construction there of his own first major postwar work*2.

Johannes Vermeer (1632 –1675) was born in Delft, Holland in October 1632 into the Calvanist tradition, during the Dutch Golden Age. He was introduced to the world of art, particularly painting, by his father. His father owned a tavern, frequented by artists and dealers and by the time his father died in 1652, the twenty year old Vermeer was left with much debt but also a great enthusiasm for art. Considered too young to be an artist by the Dutch Guild, he would need another six years apprenticeship to one or more masters.

Louis Pasteur was born 27 December 1822 and grew up in a small village, Arbois in France. In school, he liked to paint and draw so his teachers encouraged him to work hard on that subject. However, his father thought that painting was just something Louis could do at his pastime and told him to study hard. Louis followed his advice and graduated in 1847 from a highly regarded school in Paris called École Normale Supérieure. There, he had studied molecular asymmetry and continued to examine it at the University of Strasbourg. Louis soon discovered that molecules that looked like they were the same could occur as mirror images of each other. The finding was a huge step forward in the microchemistry.

Although he has adapted to the changes in technology, his style is still unchanged and popular. This is shown through one of his more recent works “The Eye Man” (2014). This painting displays bright red scaffolding ladders directly in front of an eye mart. The intricate details involved on both the exterior and interior of the store represents the realism that Estes stands by. The image even displays the hours of operation and the credit cards accepted on the door of the store. Reflections in the glass demonstrate his own personal fascination. There also seems to be an abstraction still within these reflections. There is one window panel that appears to be more of a mirror than a window reflecting even more scaffolding present on the other side of the street. The interior of the building and the reflections force the viewer to step back a moment and contemplate which is reality and which is reflection. The viewer will also notice that the streets seem to impeccably clean yet the flaws in the building still show through where building meets street. There is a silence to the painting that is never available in real New York City life. This example basically sums up what Estes stands for in photo-realism and the complicated images he

Escher gladly did so, as he had only taken up architecture to please his father. Escher studied under Jessurum de Mesquita from 1919 until 1922. After he had concluded his studies, he traveled extensively, mostly in Italy. Escher took up residence in Rome from the early twenties until the mid-thirties. While residing there, he made it a tradition to make a journey to the Italian countryside every spring. He traveled long distances on foot in many areas of southern Italy that were not popular for travel at the time. During these explorations, Escher made drawings of whatever interested him, mainly the Italian countryside and the architecture, which fascinated him to draw. During the winters, he would convert the drawings and rough sketches into woodprints. In 1935, the rise of Fascism caused Escher to leave Italy and move to Switzerland. A year later, he made the last of his long study trips, this time on an ocean freighter along the coast of Italy to Spain. On this trip, he encountered several prints created in Spain in the Middle Ages that held a special interest for him and later inspired many of his tessellation pieces. In 1937, Escher moved to a small town near Brussels, returned to Brussels in 1941, and moved a final time in 1970, to Laren, located in the Netherlands. After 1937, Escher traveled a great deal less frequently, leaving home only for vacations, to visit his children living abroad, or on lecture circuits. His

While he was in the art school, he was mostly focused on architectural painting as he wanted to become a drawing instructor as his first career choice of a artist career. However with having such talent, Gustav ideas expended and while still in school, he was receiving small commission. After graduating the school in 1883, his younger brother Ernst and their friend Franz Masch opened a new studio.

Art is defined as "The expression or application of human (showing the ability to create interesting new things) skill and imagination, usually in a visual form such as painting or sculpture, producing works to be appreciated mostly for their beauty or emotional power." It is communicated in huge numbers of branches of (showing the ability to create interesting new things) activity, some of these include music, painting, dance and books. Although, there should be no fixed definition of art as it is different for each person. People try too hard to find the definition and can sometimes forget to appreciate the effect that it has on their lives. Artists approach art in many ways and styles. Chuck Close approaches art in a realistic way while Jean-Michael Basquiat produces more fuzzy and unclear works.

The creator and founder of tessellations is a Dutch artist named M.C. Escher. His real name is Maurits Cornelis Escher. He was born in Leeuwarden, Netherlands. He was able to pick out spatial patterns since he was a child. He then went to Haarlem School for Architectural and Decorative Arts. He decided to study graphic arts with the recommendation of his mentor, Samuel Jessurun de Mesquita.(The Biography. Com Editors). His early works included nudes and innovative portraiture captured in woodcuts, linoleum cuts, and lithographs.

Nicolas Poussin is born in Les Andelys, France in 15 Jun 1594. Poussin's talant was recognized from an early age, and when successful local painter Quentin Varin visit his hometown. Very little is known about Poussin's early years in France. Inn the spring of 1624 Poussin arrived in Rome, where he was welcomed into the active group of intellectuals included Cassiano dal Pozzo archaeologist and philosopher. In 1628, with Cassiano’s help, Poussin received his first big agreement: “The Martyrdom of Saint Erasmus”, painted for the Church of Saint Peter (now Vatican Museums)—one of his largest Baroque compositions. During his first years as an artist, Poussin experimented many different artistic styles, but he was obviously impressed by the paintings

Max Bohm was born in Cleveland, Ohio in 1868, but spent much of his life living overseas in Europe. He studied Académie Julian in Paris and later won a gold medal from the Paris Salon for one of his paintings in 1898. He later taught at school in London until he returned to the States in 1911. He now has paintings in many museums, including the Smithsonian Institution, the National Gallery of Art, and the Luxembourg Gallery. Max Bohm later died in 1923. ("Max Bohm." Max Bohm. BooksLLC.net, n.d.)

M.C. Escher was an artist and extremely creative, considering he was the one who created tessellations. M.C. Escher was “...a 20th-century dutch illustrator whose innovate works explored echoing patterns perception, space, and transformation.” M.C. Escher worked on many different things with many different views including “...engravings and prints that captured natural landscapes and architecture, startlingly playing with perspective, orientation and shadow.” M.C. Escher was a genius.

In conclusion, M.C. Escher was a great artist an extraordinary artist he was incredible. When it came to art and mathematics look at some like him answers the question. What is geometry good for? Despite what children may think if a man from a big family the youngest out of five can take math and create amazing works of art.Then there is an answer for what geometry is good for. Iknow there is because M.C. Escher without even being here taught it to me. The answer is mapping, sketching, navigating, medicine, surveying, astronomy, the world is made Tessellations affect every part of our lives they are all around us. The answer is art the art of the world so teach it.

Tesselations can be found in paintings, project and kids items. Tesselations can be grouped into two things “real things” like people, housepets, and pencils. He earliest tessellations were stone floors, walls, and brick walls. In Roman times Tessellatios often made pictures, The pictures were usually grouped of simple colored square tiles. The group of pictures were very large. It was viewed as like a battlefield. Screens such as tv’s and computers are the same, they are large screens made of pixels. The first kind of tessellation is called Escher-Style or Representational art. In that kind of tesselation each tile likes real and each tile has a repeating shape. Escher invented it and made it popular in Western Culture.

M.C Escher, also known as Mauk, lived from 1898-1972 and is one of the world’s most famous graphic artists. He was born in Leeuwarden, Holland and studied at the School for Architecture and Decorative Arts in Haarlem. He played with architecture, perspective and impossible spaces. His art continues to amaze and wonder millions of people all over the world. He used only simple drawing tools and the naked eye, but was able to create remarkable mathematical pieces that beautifully combines art with math. His drawings caught the eyes and looked possible by perception, but are mathematically impossible. Some of his more famous or well-known works are Ascending and Descending,