Maus by Art Spiegelman

     The book uses animals instead of human characters and this is personification. The book has three main types of animals that each symbolizes the different cultures during the Holocaust. The Jews are symbolized as mice, the Nazi Germans as cats, and the Poles as pigs. The reason why Spiegelman uses animals instead of humans is because he wants to give the reader a better understanding of what type of animal symbolizes the different types of social classes that are being addressed.

These two following books are very parallel in the manner that they both focus on their personal experiences with the Holocaust. The one major difference was that Maus was a comic book, while Anne Frank was a biography. By splitting the book in sections Kramer is able to show the reader a sense high degree of organization.

The animals in the story were used as imagery for the situation. Each race is depicted as a certain animal, which displays their role in the story: the Nazis are represented as cats, the Jewish people are mice, and the Polish are pigs. “Its form the cartoon (the Nazis are cats, the Jews mice) succeeds perfectly in shocking us out of any lingering sense of familiarity with the events described…” (preface). Artie shares the imagery before the story to help the reader understand. “You're a Pole like me..” (64); when Vladek says this, he is wearing a pig mask, talking to a pig, so Poles can be identified as pigs. Each race at this time had identifiable characteristics that relate to animal characteristics. The Jewish people were hunted by the Germans like cats hunt mice (when there are cats, there are no mice). The Polish played a role that could easily be missed. Artie depicts them as pigs to show they were selfish. The Polish wanted to avoid fighting the Germans because they valued their own

In David Hwang’s play, M. Butterfly, the story covers the superior attitude that Western white men hold toward Eastern oriental women which is shown through Rene Gallimard’s experiences. Throughout the story, Gallimard constantly brings up his favorite play, M. Butterfly, where an oriental woman, Butterfly, gives up and loses everything including her life for the white man she loves, Pinkerton, and despite Butterfly’s efforts, Pinkerton ends up marrying another woman causing Butterfly to commit suicide. Many white men enjoy this play because it portrays white men to look superior and gives them the assumption that oriental women would do and give up anything for a white man. Gallimard is also one of the white men who believe they are superior to oriental women and that no matter what he does, an oriental woman would never leave his side. Gallimard 's belief of racial superiority is what led him to his control over Song as if Gallimard was Pinkerton and Song was his Butterfly, this fantasy that Gallimard created for himself was false because in reality, Gallimard was the Butterfly and Song was the Pinkerton.

Born in 1803, in the village of La Côte-Saint-André, France, Hector Berlioz produced some of the most invigorating and exciting music of the Romantic period (Holoman, 1, 6). Romanticism primarily focused on subjectivism, therefore people were concentrating more on their emotions and spirituality and less on logical explanations for the problems of humanity. Those of the Romantic period valued nature and depended upon the creativity of artists in order to gain a deeper and different outlook on the world, one that was not strictly rational. Of all the Romantic art forms, music, especially

Forks Over Knives, directed and written by Lee Fulkerson, examines the profound claim that most, if not all, of the degenerative diseases that afflict us can be controlled, or even reversed, by rejecting our present menu of animal-based and processed foods. This film follows multiple doctors and their experimental process of attempting to understand the connection between the human diet and the many human ailments that occur in the world. Forks Over Knives creates a very persuasive case for eliminating meat and dairy from the dinner table.

The book Black Hearts is written by Jim Frederick and tells the story of all the controversial accounts one infantry unit ran into while on deployment in Baghdad, Iraq. The book is a documentation, captured accounts and events written down to tell the crazy story these soldiers went through. The specific unit Frederick writes about and what Black Hearts is about is 2nd brigade of the 101st airborne infantry division. “Black Hearts” was the unofficial insignia of 2nd brigade. Frederick covers one platoon in particularly and their ethical dilemmas they encounter while on deployment. 1st platoon, Bravo Company, 1-502nd Regiment is the unit the book covers. Many things on deployment unfold poorly for this platoon such as having little

Also by using animals, it allows for an easier read, thus we are able to focus more on what Spiegelman is trying to get across in the current pane and not the characters themselves. By Spiegelman using animals and using comic book form, the reader is able to literally “draw” their own conclusions as to what they believe is going on pane by pane, rather than having the author describe the whole scenery to them.

Spiegelman uses mice, cats, pigs and other animals to portray the victims and events in the Holocaust. He uses real features of human beings such as hands, feet and emotions to give the animals the full potential to relate to. Maus reveals that the characters portrayed as mice are being seen in sharper relief as human concerns in the world of mice. Spiegelman decided on interesting but possibly offensive use of different animals to use. The first type of animal which appears in this comic is the mouse (MausI:5). The form of mice is used to represent the Jewish people during the Holocaust and as of now too. The Polish police were involved in the arrest of innocent Jewish mice (27). The Polish people were pigs and Germans were represented as cats. The Germans’ appearance as cats began to make sense in the way how cats chase, hunt and kill mice (33). This comic book was translated into an easily readable format to educate the history of the Holocaust to the younger generations.

This one review made me question myself about my own opinion because i couldn't have disagreed more with the reviewer. He said “it was difficult to relate to the book and the holocaust because the author made the characters as pigs, cats, mice.”(mouse#1). So basically the reviewer is saying that he couldn’t see the connections that were trying to be made with the use of the animals as the characters throughout the text. I would have to say that i disagree with the point that the reviewer is trying to say, because the author used these animals as characters to show symbolism between the characters and humans. The cover of the book is a great expamle from the book to show how these characters symbolize humans.(spieglemen Cover.) The picture shows a nazi symbol with a cat (germans) in the middle and two mice scared down below, it symbolizes that during the holocaust the jews (mice) were scared and defenseless throughout the book and the germans (cats) were the bigger and more leatheal to bully the

Maus: A Survivor's Tale, by Art Spiegelman, tells the story of his father's survival in Auschwitz during the Holocaust, as well as about Art's relationship with his father, brought out through the interview process and writing the two books. The subject matter of the two books is starkly juxtaposed with the style in which it was written, that is, it is a graphic novel. In most simple terms, the story is told in a sort of comic, with characters represented as animals based on their race or nationality (Jews are presented as mice, Germans as cats, Poles as pigs, and Americans as dogs). While the cartoon had once been reserved for rather childish and light subject matter, Spiegelman has brought it to a whole new level as a medium capable

“Experience demands that man is the only animal which devours his own kind, for I can apply no milder term to the general prey of the rich on the poor” (Thomas Jefferson). In the graphic novels Maus I: A Survivors Tale & Maus II: And Here My Troubles Began by Art Spiegelman, he uses animal imagery to portray the predator-prey relationship that the Nazi regime shared with the Jewish population. Based on the alienation of the Jewish “race” albeit “not human” and the superiority that the rest of the populations begin to feel, these depictions of races, countries, and ethnicities as animals is both appropriate and effective to illustrate the various groups during the Holocaust. This resembles the Nazi belief that certain populations have a conventional character and will retain their inborn predator or prey status by characterizing the Jewish as Mice and the Nazis as Cats.

Maus enters the realm of animals which is adamantly stressed in the graphic novel; therefore, it creates a sense of symbolism and figurative aspects from the compelling outlook of the Holocaust. During the time when Vladek was in a military tent to provide support for the Nazis, he had to go urinate which ultimately almost cost him his life. “That night I went out for the tent…I had to urinate and a guard began shooting to me” (Spiegelman 62). The author, Artie, depicts this panel in his novel seriously when Vladek was the victim of getting shot. The Jewish are displayed as mice and specifically the shadows and dark

    I believe The book uses animals instead of human characters for a personification feel. They use these types of animals to make up the different cultures during the Holocaust. The Poles as pigs the Jews are the mice, and the cats are Nazi Germans. I feel that Spiegelman uses animals instead of humans  because it gives us a better understanding of what type of animals make up the different types of activity that are being talked about.

Queer Theory is the best approach by which to examine Angels in America because using Queer Theory allows us to see/ illuminates the difference between socially constructed gender and sexual acts based on sexual identity. Queer theory argues that gender is a cultural construct, that the social norms of men being masculine and women being feminine were manipulated as a culture to be seen as normal. In Angel in America, Roy Cohn is an attorney with power in his work place; he expresses a strong masculine character with “clout”, strong political power. He mentions that he is a powerful man and how with only a few phone calls he is able to get a hold of the president. These are expectations of how a masculine male is supposed to act, with power, confidence, and without fear. Being a man of politics, Roy lives up to the expectations of what society believes a strong man is supposed to be and how he is supposed to behave. When he goes to see his doctor and he is told that he has AIDS, Roy refuses to admit that he has AIDS and Homosexual. Roy tells his doctor, Henry, “You Think these are names that tell you who someone sleeps with, but they don’t tell you that.” (Pg. 51) He argues that his identity is not homosexual because they do not have “clout”; that he is a man of clout and has a lot of it. Roy states, “Homosexuals are men who know nobody and who nobody knows. Who have zero clout.”(Pg. 51) An example of Queer Theory, Roy tells his doctor that labels like Homosexual, Gay,