Max Roach's Influence On Drumming

Louis Armstrong was the greatest of all Jazz musicians. Armstrong defined what it was to play Jazz. His amazing technical abilities, the joy and spontaneity, and amazingly quick, inventive musical mind still dominate Jazz to this day. Only Charlie Parker comes close to having as much influence on the history of Jazz as Louis Armstrong did. Like almost all early Jazz musicians, Louis was from New Orleans. He was from a very poor family and was sent to reform school when he was twelve after firing a gun in the air on New Year's Eve. At the school he learned to play cornet. After being released at age fourteen, he worked selling papers, unloading boats, and selling coal from a cart. He didn't own an instrument at this time,

Louis, etc. playing with different musical groups as for musician that were needed but he could never stay long with one band. “He couldn’t stay long in one band too long because he was too irregular and emotional, and he was a one-man band himself,” bandleader George Morrison who Morton once played under said. Morton really wanted to stand out and be an over the top musician. After he left the groups he toured the south in a musician show for about a year and a half. In a bar somewhere in St. Louis where piano players hung out, Morton had to prove his skills by playing and reading music in

Jazz to me is one of the inherent expressions of Negro Life in America: the eternal tom-tom beating in the Negro soul—the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work, work; the tom-tom of joy and laughter, and pain swallowed in a smile. Yet the Philadelphia clubwoman… turns up her nose at jazz and all its manifestations—likewise almost anything else distinctly racial…She wants the artist to flatter her, to make the white world believe that all Negroes are as smug as near white in smug as she wants to be. But, to my mind, it is the duty of the younger Negro artist …to change through the hidden force of his art that old whispering “I want to be white,” hidden in the aspirations of his people, to “Why should I want to be white? I am Negro—and beautiful.”

Many great performers have come out of the jazz industry, but the most widely known is Louis “Satchmo” Armstrong. Louis began playing at a young age when he was growing up in New Orleans. His greatest inspiration was Joe “King” Oliver. He began following him and eventually Oliver became Armstrong’s mentor. Armstrong practiced his instrument and eventually he became the jazz great everyone knows today. Armstrong’s unique singing and masterful improvisation transitioned jazz from the traditional style to a newer, more rhythmic style. He popularized scat singing and was the first musician to have his solo on a recording (Rodgers 85). The solos Armstrong performed along with his popular scat singing helped make jazz musicians more popular along with making the fans take notice of Armstrong and jazz itself (Rennert 8).

Many people knew Louis Armstrong as the “first real genius of jazz”(Shipton 26). He was born in New Orleans, Louisiana on August 4, 1901. Louis was the illegitimate son of William Armstrong and Mary Est “Mayann” Albert. He was abandoned by his father, a boiler stoker, shortly after his birth and was raised by his paternal grandmother. Then, at the age of five, he was returned to the care of his mother, who at the time worked as a laundress. Together with his mom, they moved to a better area of New Orleans. This is where Armstrong first fell in love with music; he would listen to people playing any chance that he would get(Tirro). He would attend parades, funerals, churches and go to cheap cabarets to be able to hear some of the greats play

There were many jazz musicians. Louis Armstrong is one of the most important jazz figures. Louis Armstrong is one of the first great soloists in the 1920’s musicians. His career rose in New Orleans. He influenced other jazz musicians by his fearless trumpet styles and distinctive vocals. Louis gave jazz music a purpose. He spread jazz throughout the world. Fletcher Henderson also influenced jazz music. He was an extraordinary musician and he impacted jazz music immensely. Without the jazz musicians, jazz music would not have been possible. With the assistance of the jazz musicians, the music industry

Aside from the typical cultural, social, and political factors influencing any musician’s style, an early life filled with poverty and hardship also shaped Louis Armstrong’s musical development. Some even theorize that it was Armstrong’s difficult upbringing that made his music so wise, so unique, and so revolutionary. Armstrong was an African American child growing up in the slums of New Orleans, close to abandonment, impoverished, and with too few constant people, resources, or homes. However, had his upbringing been different, his musical talents may never have been established to grow and thrive into one of the most internationally influential jazz musicians ever. When Louis Armstrong was placed in a boys’ home as a young boy, he was presented with the opportunity to play the cornet. He took up work in Joe (King) Oliver’s house, doing chores in exchange for musical lessons, developing into a

He began playing music when he was eight. His career started when he played trumpet, leading a dance band in downtown Chicago when he was barely in his teens. At hull house, he

Within a year, his father, his uncle, and his minister all died. He lost every important male influence in his life. After graduating from high school in High Point, he moved to Philadelphia in 1943, where he lived in a small one-room apartment and worked as a laborer in a sugar-refinery. For a year, Coltrane attended Ornstein School of Music. Then in 1945, he was drafted into the Navy and sent to Hawaii where he was assigned to play clarinet in a band called the Melody Makers. Upon his return from Hawaii a year later, Coltrane launched his music career. "With all those years of constant practice in High Point behind him, possessing a powerful inner strength from being raised in a deeply religious family, and with a foundation in musical theory and an innate curiosity about life, Coltrane was well prepared to seriously enter a battle." In the late nineteen forties, Coltrane began playing with several different R&B groups in small bars and clubs around Philadelphia. It became a tradition in many of the clubs at this time for musicians to "walk the bar" (i.e. to walk on top of the bar while playing one's instrument). Coltrane was ashamed of having to go through this "display" every night. "To any serious musician, it was an incredibly humiliating experience - to someone like Coltrane, who was developing a type of religious fervor for his music, it was

Born in Alton, Illinois, Miles Davis grew up in a middle-class family in East St. Louis. Miles Davis took up the trumpet at the age of 13 and was playing professionally two years later. Some of his first gigs included performances with his high school bandand playing with Eddie Randall and the blue Devils. Miles Davis has said that the greatest musical experience of his life was hearing the Billy Eckstine orchestra when it passed through St. Louis. In September 1944 Davis went to New York to study at Juilliard but spend much more time hanging out on 52nd Street and eventually dropped out of school. He moved from his home in East St. Louis to New York primarily to enter school but also to locate his musical idol,

Louis Armstrong is a man of many talents and skills known for creating a new environment, especially in his home town of New Orleans. He was born into poverty on August 4, 1901 in the streets of Back o’ Town (Meckna). He’s a professional jazz performer who played with Oliver and Henderson. He started as a soloist for Henderson after marrying Lil Hardin. He has many nicknames in which some are Satchmo and Pops. He also played as a second trumpet for King Oliver. He interprets and contributes to the genre of jazz, creates great form through his performance in the “Hot Chocolates,” and his work represents a whole for equality and the civil rights movement.

“The Wild West Side Mob”, not for their behavior, but because of their free, ragged, style of jazz. While this style made them great jam session musicians, it made it difficult for them to find work. Hot jazz was not in demand. Nevertheless, Benny’s ability to play cool, sweet jazz on demand ensured that he found plenty of

in Kansas City and became one of the most famous jazz musicians of all time. He led us

Then by 1949 was when the real business started. Miles went solo. With the tremendous amount of experience he accumulated, the recordings he had made, the people he knew, and with the 'hook-ups' Miles developed, he should not find any difficulty finding success in the evolution of Jazz.

In addition, on many of her tracks, Aretha plays a powerful piano, which is clearly evident is a dead second to Aretha’s voice and even the back up vocals. “Respect” has a fairly moderate tempo and upbeat rhythm that keeps intensifies the power of Aretha and the song. It completes the song to be a full package. In contrast, “A Change is Gonna Come” has a slower tempo and softer rhythm/melody that makes Sam Cooke softer voice seem like he’s crying out his own story for change, and not being “demanding” like the vocals of Aretha Franklin. On top of that, it’s written in first person which adds to the serious meaning of the lyrics. Behind the soft voice of Cooke that flows easily from verse to chorus, is an array of orchestral strings and brass instrumentation that has it’s roots in gospel music and Tin Pan Alley songs in the decades prior to the rise of rock n’ roll. In Aretha’s later “Respect”, the instrumentation more so reflects earlier rock n’ roll and R&B style music than TIn Pan Alley style songs. Similarly, it is the vocals that are the strongest part in both songs- that remains very